This soft, sensual sculpture hangs on the wall like lichen taking possession of stone or wood. Louise used clay from the Black Forest in Germany to model the fine flat leaf-like structures, which she likens to paper. The matt and powdery white aspect of the piece comes from its firing at 1050°C and subsequent dipping into a limestone-based preparation.
Ceramic, Sculpture
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Movement is key to her, she creates living shapes and aerial installations