HOMO FABER 2026
Olivier Planchon
©Karine Benvenuti
Olivier Planchon
©All rights reserved
Olivier Planchon
©All rights reserved
Olivier Planchon
©All rights reserved
Olivier Planchon
©All rights reserved
Olivier Planchon
©All rights reserved

Olivier Planchon

Lutherie

Contes, France

Striking the right chord

  • Olivier makes instruments he likes to play
  • He was awarded Meilleur Ouvrier de France
  • He is always excited the first time he hears a newly-made instrument

Like many guitarists, Olivier Planchon dreamed of building guitars himself one day. This passion led him to quitting his career as an art director and to retrain as a luthier. He taught himself to make violins at first, before training with master Daniel Lesueur. This renowned French luthier was impressed by Olivier's skills after seeing the first guitars he had made, and so he offered him an informal apprenticeship by his side. Since 2002, Olivier has been working to make instruments that speak to him and that are different to what other luthiers make. He does not like to use modern, synthetic materials, preferring wood – a living, non-linear material which brings warmth to his instruments. As a Meilleur Ouvrier de France he strives for perfection in his pieces and hopes to continue to live up to the title.

Olivier Planchon is a master artisan: he began his career in 2000 and he started teaching in 2007.

INTERVIEW

No, as it is very complicated to train someone in France. There is not necessarily enough work for an apprentice and workshop costs are too high to pay someone. I also feel the need to mention that the basic training in the few violin-making schools in France is often questionable.

I was awarded Meilleur Ouvrier de France in 2007. This recognition means I have mastered the techniques of guitar design and making. I combine wood carving techniques with more modern techniques such as computer-aided design and laser cutting.

I like to make instruments that I enjoy playing. My instruments resemble me in a way, and are different to what other luthiers do, even if what makes a difference is subtle. After many years of research, I would say my most accomplished work is probably on classical concert guitars.

There are a lot of luthiers, but very few manage to make a decent living from their craft. It is very difficult to find an apprenticeship and to set up a workshop in France. There is not much passing on of knowledge, unfortunately.

1 EXPERIENCE

Visit a lutherie workshop near Nice