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2026","bgColor","bgImgUrl","https://api.homofaber.com/uploads/9_16_1080x1920_50_175a29db28.png","bgRepeat","bgFit","contain","centerImgUrl","centerText","1 – 30 September 2026, San Giorgio Maggiore Island, Venice","centerImgFit","ctaLabel","Book your ticket","ctaBgColor","#FFFFFF","ctaUrl","textColor","white","2025-05-22T09:42:23.885Z","2026-04-27T09:13:30.731Z","2026-04-27T09:13:30.723Z","textLeftXs","bgImgUrlXs","ctaLabelXs","Book now","ActiveStartDate","2026-04-27T07:00:00.000Z","ActiveEndDate","2026-09-30T21:45:00.000Z","mainAdvert","guideTags",[627,629,631,634],{"_255":187,"_628":-5},"badge_color",{"_255":183,"_628":630},"#115C90",{"_255":632,"_628":633},"Homo Faber Capsule","#f0deca",{"_255":207,"_628":635},"#D9583B","isWebview","userAgent","Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)","emailHash","request",["SingleFetchClassInstance",642],{},"routes/$lang","routes/$lang.artisans._index",{"_646":647,"_1339":647,"_1340":1341,"_1795":1796},"profiles",[648,727,771,819,859,895,927,963,1004,1036,1071,1099,1127,1167,1200,1229,1266,1301],{"_649":650,"_31":651,"_652":653,"_255":657,"_378":658,"_659":660,"_661":662,"_664":665,"_667":668,"_674":675,"_681":682,"_694":695,"_702":38,"_703":704,"_706":707,"_709":710,"_711":712,"_713":714,"_715":716,"_717":718,"_719":720,"_721":722,"_725":726},"_meilisearch_id","profile-4346",4346,"picture",[654,655,656],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyEv_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyEv_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyEv_Right2.jpg","Pei Li","pei_li-paper_art-singapore","description","Blooming as tall as 4,5 metres, Pei Li's floral spectacles often make passers-by stop to question if what they see is real. Rather than being realistic copies of flowers, Pei Li's paper flowers are born from her imagination, carefully crafted on-site, and just like in nature, every petal she makes is unique and has flaws. Pei Li is self-taught in her craft as a paper artist. In 2014, she started out by making a floral paper box for her wedding. Since then, to give her flowers a sensory element, she experiments with unusual materials and has worked with sand, sequins, fur and aluminium to augment the tactility of her creations. “I want to make people feel like they want to touch the paper,” she says. \"My dream is to take my installations overseas. When people ask me, ‘What is your favourite project?’ I always tell them that it is the next one, because this is how I challenge myself to grow,” she shares. Pei Li opened up PeiPer Arts School in 2020, cultivating curious minds and deft hands in children aged 4 to 12.","craft",[663],"Paper art","destinations",[666,666],"Singapore","tags",[669,670,671,672,673],"Family and Children","Self-taught","Teacher","Children","Paper","objects",[676,677,678,679,680],"A Dance of Dandelions and Hydrangeas","Carnival of Flowers","Paper Spring Blossoms","Origami Garden","Floral Overflow","materials",[683,684,685,686,687,688,673,689,690,691,692,693],"paper","Natural fur","Clay","Sand","Foam","Organza","Animal materials","Ceramic","Minerals","Synthetic materials and resins","Fibres and textiles","categories",[696,697,698,699,700,701],"Sculpture","Installation","Monuments","Decorative objects","Architecture","Decoration","has-experiences","type-of-artisan",[705],"Artisan","craft_person",[708],"Paper artist","craft_metier",[663],"latitude",1.2929,"longitude",103.83876,"content_edit_date","2026-05-06T07:31:46.000+0000","city_and_country","Singapore, Singapore","is_new_until","2025-08-08","_geo",{"_723":712,"_724":714},"lat","lng","order",2197,{"_649":728,"_31":729,"_652":730,"_255":734,"_378":735,"_659":736,"_661":737,"_664":739,"_667":740,"_674":744,"_681":750,"_694":758,"_702":38,"_703":762,"_706":763,"_709":765,"_711":766,"_713":767,"_715":716,"_717":718,"_719":768,"_721":769,"_725":770},"profile-4336",4336,[731,732,733],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000Pc2gWAC-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000Pc2rWAC-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000Pc2iWAC-right2.jpg","Mohamed Yaziz Hassan","bin-mohamed-hassan-mohamed-yaziz-goxtmc","Mohamed Yaziz Bin Mohamed Hassan began his journey with traditional Malay drum making by fixing his own torn drum at a very young age. Since his childhood he has basked in traditional Malay music and cultural activities. Mohamed Yaziz is now famous within the Malay music scene in Singapore and has won several competitions, locally and internationally. What he loves the most in his craft is his ability to transmit his passion for Malay culture through creating instruments and music. He teaches music to students, and also teaches them how to repair their own drums. \"It requires great patience,\" he explains. \"In Singapore, there are no traditional Malay drum shops and not all traditional drummers know how to fix their instruments,\" which, for Mohamed Yaziz, means that teaching the young generation these skills will help prevent the weakening of this culture.",[738],"Instrument making",[666,666],[741,742,743,670],"Awarded","Lifestyle","Performing Arts",[745,746,747,748,749],"Marwas","Traditional Malay rebana","Modern jidur or tambur","Modern Malay rebana","Traditional Malay jidur or tambur",[751,752,753,754,755,756,689,693,757],"Leather","Rope","Wood","Rattan","Fibres","Metal","Metals",[759,760,761],"Drum","Musical instruments","Performing arts",[705],[764],"Instrument maker",[738],1.40861,103.75976,"2023-06-22",{"_723":766,"_724":767},2059,{"_649":772,"_31":773,"_652":774,"_255":778,"_378":779,"_659":780,"_661":781,"_664":783,"_667":785,"_674":789,"_681":795,"_694":800,"_702":38,"_703":810,"_706":811,"_709":813,"_711":814,"_713":815,"_715":716,"_717":718,"_719":816,"_721":817,"_725":818},"profile-4340",4340,[775,776,777],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbxrWAC-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbyBWAS-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbyUWAS-right2.jpg","Crystal Lee","lee-crystal-e8xtlw","Project Coal saw the light when Crystal Lee was in England to further her fine arts studies from Lasalle College of Arts in 2013. She discovered the art of natural dyeing during a workshop, and fell in love with it. For years, she has explored and self-experimented with this craft. One day she was given the book 'The Wild Color’ by Jenny Dean, and started foraging leaves and berries in a garden. Today, dyeing materials naturally is a way for Crystal to thank mother nature, and establish a dialogue with her surroundings. She feels that her destiny put her on this path. Crystal has always been into art and creating with her hands, being passionate about handmade products. She is fascinated by the alchemy of natural dyeing.",[782],"Textile dyeing",[666,666,784],"Singapore: unveiling a cultural mosaic of crafts (TEST)",[742,786,787,788],"Nature","Sustainable","Territory",[790,791,792,793,794],"Earth I","The Knot Wallet 03","Coal 11","Furoshiki 01","One of a kind bags",[796,797,798,799,693],"Hemp","Yarns","Canvas","Cotton",[801,802,803,804,805,806,807,808,809,701],"Fabric sample","Wallet","Wall hanging","Bag","Fabrics","Bags and luggages","Wall decorations","Home textiles","Mode",[705],[812],"Textile dyer",[782],1.3,103.9,"2023-06-15",{"_723":814,"_724":815},5011,{"_649":820,"_31":821,"_652":822,"_255":825,"_378":826,"_659":827,"_661":828,"_664":830,"_667":831,"_674":834,"_681":839,"_694":846,"_702":38,"_703":850,"_706":851,"_709":853,"_711":854,"_713":855,"_715":716,"_717":718,"_719":856,"_721":857,"_725":858},"profile-4343",4343,[823,824],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbCmWAK-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbCcWAK-left1.jpg","Andy Yeo","andy-yeo-art-restoration-singapore","Singapore’s traditional art restorer Andy Yeo shares an open workspace with several other talented artisans. Passionate about Chinese culture, Chinese performance tradition and especially Taoism, this artisan enjoys telling stories about how effigies and door gods are made. Andy has been refurbishing century-old temple doors around Singapore for years. He is a great teacher who loves explaining the various traditional techniques used in the restoration of religious effigies such as qi xian diao (漆线雕), jin diao (锦雕) and ni diao (泥雕) and the challenges of his craft in today's world.",[829],"Restoration",[666,666],[700,670,788,832,833],"Traditions","Visual Arts",[835,836,837,838],"Painted Lantern","Kirin Lantern","Hell constable","Door God for hell God Altar",[840,841,842,843,693,844,845],"Bamboo","Fabric","Paint","Lacquer","Cement, plaster, pigments","Enamel, glaze and lacquer",[847,848,849,807,700,701],"Lantern","Decorative painting","Patio and Garden",[705],[852],"Restorer",[829],1.34243,103.75284,"2023-05-18",{"_723":854,"_724":855},5299,{"_649":860,"_31":861,"_652":862,"_255":866,"_378":867,"_659":868,"_661":869,"_664":871,"_667":872,"_674":876,"_681":882,"_694":883,"_702":38,"_703":888,"_706":889,"_709":891,"_711":892,"_713":893,"_715":716,"_717":718,"_719":856,"_721":894,"_725":398},"profile-4345",4345,[863,864,865],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbDGWA0-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbD6WAK-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbDCWA0-right2.jpg","Alvin Ng","alvin-ng-ceramics-singapore","Alvin Ng has two professional facets: he is an award-winning visual communication designer on one hand, and a teaware artist on the other. Alvin discovered his passion for pottery later in life and decided to start making original, non-traditional teaware. His search for simplicity and fullness in reflecting nature’s generosity is consistent with his enriching yet simple life. Very active in preserving Singapore’s culture, Alvin co-founded a lifestyle company and co-wrote a book that depicts a fresco of his city-state-country with humour and perspective. Alvin has developed a unique pinching technique named the 'hand-pinched method' that allows him to form cups, teapots and small dishes by hand out of natural clay and achieve more organic forms.",[870],"Ceramics",[666,666],[873,870,874,875],"Art de la table","New career","Unusual",[877,878,879,880,881],"Cherry Dates teapot set","Rainfall Chawan","Ruddy Kingfisher Tea Set","Mud Teapot Set","o_pot chawan",[685,690],[884,885,886,699,887,701],"Tea set","Bowl","Coffee and tea","Table and kitchen",[705],[890],"Ceramicist",[870],1.3517,103.69292,{"_723":892,"_724":893},{"_649":896,"_31":897,"_652":898,"_255":901,"_378":902,"_659":903,"_661":904,"_664":906,"_667":908,"_674":915,"_681":916,"_694":917,"_702":38,"_703":918,"_706":919,"_709":921,"_711":922,"_713":923,"_715":716,"_717":718,"_719":924,"_721":925,"_725":926},"profile-4332",4332,[899,900],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPK3WAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPK1WAO-left1.jpg","This Humid House","this-humid-house-flower-designing-singapore","John Lim founded the botanical design studio This Humid House (THH) in 2017 after managing the floral design at his brother’s wedding. The former architect felt that using imported roses and hydrangeas for such special celebrations did not reflect the local flora richness, which is renowned for orchids and palms. John envisioned a design language expressed through plants and flowers that are characteristic of Singapore’s tropical climate, geography and collective culture. He assembled a multi-disciplinary team with experience in fine art, architecture, floristry, horticulture and landscaping.",[905],"Flower designing",[666,666,784,907],"Singapore: unveiling a cultural mosaic of crafts",[909,873,700,910,911,912,913,914,786,670],"Atelier","First generation","Decorative","Flowers","Hospitality","Interiors",[],[],[],[909],[920],"Flower designer",[905],1.32668,103.91668,"2023-04-27",{"_723":922,"_724":923},1841,{"_649":928,"_31":929,"_652":930,"_255":934,"_378":935,"_659":936,"_661":937,"_664":939,"_667":940,"_674":944,"_681":950,"_694":953,"_702":38,"_703":955,"_706":956,"_709":958,"_711":814,"_713":959,"_715":716,"_717":718,"_719":960,"_721":961,"_725":962},"profile-4333",4333,[931,932,933],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXRQWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXROWA4-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PXRSWA4-right2.jpg","Si Ying Ng","si-ying-ng-basket-weaving-singapore","Si Ying Ng grew up doing art and crafts with her mother and went into visual communication studies to become a graphic designer. It was on a casual visit with a friend to one of Singapore's oldest rattan shops, that the young woman discovered rattan and fell in love with it. After her first visit, she returned several times to this shop, until eventually, the two veteran rattan weavers agreed to teach her their craft. She spent one year learning rattan chair weaving restoration with them. Her interest in rattan grew stronger and developed into a passion for finding new ways of using rattan. Now, Si Ying is exploring new applications for her craft, combining it with other materials such as ceramic. Her work introduces a new aesthetic that breaks away from what we commonly see with rattan, in a very poetic manner.",[938],"Basket weaving",[666,666],[910,911,941,942,943,914,874,670,788,832],"Heritage","Functional","Innovation",[945,946,947,948,949],"Rattan-woven hanging pot","Rattan-woven pot","Mini stone garden basket","Long rattan-woven pot","Rattan-woven pot 1",[690,754,797,799,951,952,693,757],"Thread","Brass",[954,806,809],"Basket",[705],[957],"Basketweaver",[938],103.7,"2023-01-05",{"_723":814,"_724":959},3933,{"_649":964,"_31":965,"_652":966,"_255":970,"_378":971,"_659":972,"_661":973,"_664":975,"_667":976,"_674":978,"_681":984,"_694":989,"_702":38,"_703":995,"_706":996,"_709":998,"_711":999,"_713":1000,"_715":716,"_717":718,"_719":1001,"_721":1002,"_725":1003},"profile-4339",4339,[967,968,969],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPVsWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPVqWAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPVuWAO-right2.jpg","Jeffrey Eng","jeffrey-eng-embroidery-singapore","Jeffrey Eng, is a third-generation owner of Eng Tiang Huat, a business named after his grandfather, based in a beautiful shophouse in Geylang area, where opera costumes, tapestries and antique embroideries are being repaired and sold alongside musical instruments and other cultural objects that form the basis of Chinese traditions. Immersed in the environment since he was a child, Jeffrey learned from his grandfather and father by watching them for hours, standing quietly and – while they were gone for a few minutes – trying out their techniques. One of his passions is to repair damaged embroidered textiles. To Jeffrey, patience, meticulous work and respect are essential to a qualitative artisanal work. It is a reflection of how things were done in the old days, and though it might not be the most efficient or profitable, it is certainly the most genuine.",[974],"Embroidery",[666,666,784,907],[911,941,977,788,832],"Holidays",[979,980,981,982,983],"Vambrace","Bian Fu (front)","Ankle armour","Bian Fu (reverse)","Hood",[985,986,987,799,988,689,693,757,673],"Rabbit fur","Silk","Gold thread","Rice paper",[990,974,991,992,993,994,809],"Wrist band","Headpiece","Jewellery and watches","Clothing","Accessories",[705],[997],"Embroiderer",[974],1.31278,103.88382,"2022-03-28",{"_723":999,"_724":1000},5575,{"_649":1005,"_31":1006,"_652":1007,"_255":1011,"_378":1012,"_659":1013,"_661":1014,"_664":1016,"_667":1017,"_674":1019,"_681":1023,"_694":1027,"_702":38,"_703":1028,"_706":1029,"_709":1031,"_711":1032,"_713":1033,"_715":716,"_717":718,"_719":1001,"_721":1034,"_725":1035},"profile-4335",4335,[1008,1009,1010],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPW2WAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPW0WAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PYN0WAO-right2.jpg","Jimm Wong","jimm-wong-lamp-making-singapore","Jimm Wong, a former interior designer, discovered lantern making in 2006. During two years, he travelled to different parts of China, Malaysia and Penang to meet with renowned artisans and learn from them. He has been specialising in the traditional Fuzhou lanterns that are made of bamboo splints and a structure similar to ancient umbrellas. He used to visit temples where lanterns are hung and became interested in the meanings behind the shapes, motifs, materials and scripts, he decided to start practicing the craft in 2008. Mr Wong wishes to pass down his craft to the younger generation by using more modern material, such as aluminium, and quicker techniques, such as 3D printing. Ultimately, his hope is for more Singaporeans to recognise and appreciate the local crafts and traditional artisans to ensure their skills and techniques survive for future generations.",[1015],"Lamp making",[666,666,784,907],[911,1018,942,914,874,670,788,832],"Endangered crafts",[1020,1021,1022],"Immortals lantern (front)","Immortals lantern – flowers","Immortals lantern (back)",[1024,799,1025,1026,753,844,693,757,692],"Varnish","Aluminium","Acrylic paint",[847,849,700],[705],[1030],"Lamp maker",[1015],1.3264,103.90305,{"_723":1032,"_724":1033},5391,{"_649":1037,"_31":1038,"_652":1039,"_255":1043,"_378":1044,"_659":1045,"_661":1046,"_664":1047,"_667":1048,"_674":1051,"_681":1057,"_694":1058,"_702":38,"_703":1064,"_706":1065,"_709":1066,"_711":1067,"_713":1068,"_715":716,"_717":718,"_719":1001,"_721":1069,"_725":1070},"profile-4338",4338,[1040,1041,1042],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPV7WAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPV5WAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPV9WAO-right2.jpg","Albert Tay Guan Heng","albert-tay-guan-heng-ceramics-singapore","Today, Albert Tay Guan Heng is the last joss stick craftsmen of Singapore. His business, Tay Guan Heng, was founded in the 1930s and is a family-run business which started making mosquito coils from wood clay, a technique the family learnt from their Teochew hometown back in China. He inherited his skills from his father and grandfather, learning by watching them – like his seven brothers. Now, at 63 years old, Albert keeps on working every day on his craft with one of his older brothers, diversifying his offer with Western influences. The objects are made of cinnamon tree wood mixed with water which makes a paste that is being carved in dragons, deities and other Chinese Taoist symbols. The drying part takes many days and is sometimes a bit arduous due to the heavy rains in Singapore.",[870],[666,666],[1049,911,1018,870,941,1050,788,832],"Fairytale","Religion",[1052,1053,1054,1055,1056],"Piggy Mask","Giant Joss Sticks no. 3","Giant Joss Sticks no. 2","Ancient Chinese Warrior","Giant Joss Sticks no. 1",[753],[1059,1060,1061,994,1062,699,809,1063,701],"Mask","Stick","Figurine","Sports","Sports and Outdoors",[705],[890],[870],1.36207,103.8565,{"_723":1067,"_724":1068},5321,{"_649":1072,"_31":1073,"_652":1074,"_255":1078,"_378":1079,"_659":1080,"_661":1081,"_664":1083,"_667":1084,"_674":1087,"_681":1088,"_694":1089,"_702":49,"_703":1090,"_706":1091,"_709":1093,"_711":1094,"_713":1095,"_715":1096,"_717":718,"_719":1001,"_721":1097,"_725":1098},"profile-4604",4604,[1075,1076,1077],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPsFWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPsDWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPsHWAW-right2.jpg","Roger&Sons","roger--sons-cabinetry-singapore","Roger&Sons is a team of ethical makers and mavericks who craft fine furniture and thoughtful objects. The atelier was founded in 1999 to manufacture system furniture for offices. Their work is driven by inquiry and spans disciplines: furniture, industrial and product design, as well as woodworking. Over the years, the focus on sustainability and social responsibility has become core beliefs that drive the team.",[1082],"Cabinetry",[666,666],[909,1085,1086,941],"Family business","Design",[],[],[],[909],[1092],"Cabinetmaker",[1082],1.31068,103.86208,"2026-05-06T07:32:05.000+0000",{"_723":1094,"_724":1095},3512,{"_649":1100,"_31":1101,"_652":1102,"_255":1106,"_378":1107,"_659":1108,"_661":1109,"_664":1111,"_667":1112,"_674":1114,"_681":1117,"_694":1118,"_702":49,"_703":1119,"_706":1120,"_709":1122,"_711":1123,"_713":1124,"_715":716,"_717":718,"_719":1001,"_721":1125,"_725":1126},"profile-4344",4344,[1103,1104,1105],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPWUWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPWSWA4-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPWWWA4-right2.jpg","Raymond Ng Yeow Hua","raymond-ng-yeow-hua-wood-sculpting-singapore","Raymond Ng Yeow Hua is from a family that has been making Taoist and Budhist effigies by hand for over 100 years. The hand-carved painted statues of various gods that Taoists and Budhists worship demonstrate extraordinary levels of detail and skill. The painstaking art of effigy-making starts with a wood block which is first handcarved into the likeness of a certain deity. The sculpture is then hand-painted and emblazoned with different symbolic motifs. The whole process takes about a month to complete. Raymond uses a family secret handed down over generations for the material he uses to decorate his statues. Unfortunately, due to cheaper mass production and a sharp decrease in manpower, it is a vanishing trade. Raymond, with his family, are believed to be the last shop of their kind keeping the craft alive in Singapore. To reinvent the business and expand it to a secular, international audience, his children have started involving designers and theatre practitioners. His eldest son, aged 42, also started apprenticing in the shop in 2021.",[1110],"Wood sculpting",[666,666,784,907],[911,941,914,1113,1050,788,671,832,753],"Mentored",[1115,1116],"Hu Ye effigy 'the Tiger God'","Xuan Tian Shang Di effigy",[842,753,844],[696,698,700],[705],[1121],"Wood sculptor",[1110],1.27991,103.84306,{"_723":1123,"_724":1124},3355,{"_649":1128,"_31":1129,"_652":1130,"_255":1134,"_378":1135,"_659":1136,"_661":1137,"_664":1139,"_667":1140,"_674":1142,"_681":1146,"_694":1152,"_702":38,"_703":1159,"_706":1160,"_709":1162,"_711":1163,"_713":1164,"_715":716,"_717":718,"_719":1001,"_721":1165,"_725":1166},"profile-4329",4329,[1131,1132,1133],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPrVWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPrTWAW-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPrXWAW-right2.jpg","Shirin Rafie & Liz Liu Yihui","shirin-rafie--liz-liu-yihui-paint-making-singapore","It all started with packets of mouldy blueberries: Shirin Rafie and Liz Liu Yihui mashed and strained them into their first bottle of natural ink. This kitchen experiment kickstarted the duo’s research into natural pigments available in Singapore. Other than kitchen scraps, they also turned to material from forests, community gardens, even industrial waste yards. They co-started Wild Dot as a platform to document their ink-making processes and the landscape of natural pigments in Singapore. Today, going from strength to strength, Wild Dot is a botanical ink-making studio that specialises in creating with natural pigments. They make watercolours and living art pieces, as well as host Art with Nature experiences for people.",[1138],"Paint making",[666,666,784,907],[1141,786,787],"Creative duos",[1143,1144,1145],"Earth Palette","Milk Paints Series","Natural Painting Kit",[1147,1148,753,1149,1150,1151,842],"pigment","Honey","Casein paint","Cement, plaster, stucco","Natural essences",[1153,1154,1155,1156,1157,700,1158],"Painting","Pigment","DIY set","Building elements","Wellness","Leisure",[705],[1161],"Paint maker",[1138],1.32995,103.90791,{"_723":1163,"_724":1164},3335,{"_649":1168,"_31":1169,"_652":1170,"_255":1174,"_378":1175,"_659":1176,"_661":1177,"_664":1179,"_667":1180,"_674":1181,"_681":1185,"_694":1189,"_702":38,"_703":1192,"_706":1193,"_709":1195,"_711":1196,"_713":1197,"_715":716,"_717":718,"_719":1001,"_721":1198,"_725":1199},"profile-4342",4342,[1171,1172,1173],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPWAWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPW8WAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPWCWA4-right2.jpg","Henry Ng Hong Kiang","henry-ng-hong-kiang-mask-making-singapore","Henry Ng Hong Kiang was born and raised in Singapore with a strong influence from Chinese culture. In particular, he is passionate about the traditional Lion Dance, so much so that he started making costumes for it as a hobby and gradually became engaged in the community. He has taken great pride in teaching himself the necessary skills without requiring any help from others: he is his own master. The Lion Dance is a traditional Chinese celebratory dance featuring a lion head and cape costume, usually performed during festive or auspicious occasions and believed to bring good fortune and wealth. Henry Ng is thought to be the only remaining full time lion dance costume craftsman in Singapore, having improvised his skills over more than 20 years in the trade.",[1178],"Mask making",[666,666],[1049,910,911,977,874,673,788,832],[1182,1183,1184],"Fut San lion head","Hok San lion head","Fut Hok lion head",[985,1186,842,840,1187,1188,988,753,689,844,693,757,673],"Sheepskin","Gauze","Wire",[1190,1191,761],"Costume","Cinema and Theatre",[705],[1194],"Mask maker",[1178],1.37194,103.85692,{"_723":1196,"_724":1197},3018,{"_649":1201,"_31":1202,"_652":1203,"_255":1207,"_378":1208,"_659":1209,"_661":1210,"_664":1211,"_667":1212,"_674":1213,"_681":1219,"_694":1221,"_702":38,"_703":1224,"_706":1225,"_709":1226,"_711":1094,"_713":1095,"_715":716,"_717":718,"_719":1001,"_721":1227,"_725":1228},"profile-4337",4337,[1204,1205,1206],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPVHWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPVFWA4-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPVJWA4-right2.jpg","Felix Nai","felix-nai-textile-dyeing-singapore","With a background in apparel design, Felix Nai became fascinated in natural indigo dyeing in 2014. He attended his first dye workshop and from there started making trips to Japan to find out first hand about the craft and its career opportunity. He ended up being trained by Kenta Watanabe of the brand \"Watanabe's\", who is the disciple of Osamu Nii in Tokushima, Japan. Felix’s aim is to spread the word about this craft and the relationship of indigo dyeing to nature, the importance of the environment and sustainability. Now, he regularly hosts workshops to share his vision and teach about the concept behind the making of the colour indigo and how it can be introduced into our daily lives as a more sustainable way of living.",[782],[666,666,784,907],[910,911,1113,786,787],[1214,1215,1216,1217,1218],"Tengui cloth – squares","Tengui cloth – gradient","Furoshiki 01:00","Furoshiki 18:30","Furoshiki 06:30",[1220,693],"Cotton fabric",[1222,1223,808],"Tablecloth","Table linen",[705],[812],[782],{"_723":1094,"_724":1095},2306,{"_649":1230,"_31":1231,"_652":1232,"_255":1236,"_378":1237,"_659":1238,"_661":1239,"_664":1240,"_667":1241,"_674":1243,"_681":1249,"_694":1256,"_702":38,"_703":1258,"_706":1259,"_709":1261,"_711":1262,"_713":1263,"_715":716,"_717":718,"_719":1001,"_721":1264,"_725":1265},"profile-4330",4330,[1233,1234,1235],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPWnWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPWlWAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPWpWAO-right2.jpg","Vijayalakshmi Mohan","vijayalakshmi-mohan-decorative-painting-singapore","Vijayalakshimi Mohan learnt the art form of Rangoli from her mother, as is the tradition to pass this art form down from generation to generation. It is a widespread type of floor art in India which is thought to ward off evil spirits from homes and welcome guests. She would excitedly follow her mother to their front yard at 05:30 every morning. She would also wander around the neighbourhood, admiring the designs made especially during festivals and then come home to practice and improve them. Nowadays, she makes and teaches Rangoli not only to safeguard the Indian culture in Singapore but also as a therapeutic and social practice. According to Vijaya, the sensory stimulus to one’s fingers, the brain stimulus from the colours and the excitement from the shapes and the movements in performing Rangoli have healing and therapeutic properties.",[848],[666,666],[1242,911,941,673,1050,788,832,833],"Craft therapy",[1244,1245,1246,1247,1248],"Sandy Twist Rangoli","Red Flower Rangoli","Purple Rangoli","Light Blue Rangoli","Collage Rangoli",[1250,686,1251,1252,1253,1026,1254,1255,842,673,844,691,692,753],"Glue","Plastic","Plywood","Glass","Plexiglass","Sequins",[1257,807,701],"Mural painting",[705],[1260],"Decorative painter",[848],1.33023,103.8698,{"_723":1262,"_724":1263},1583,{"_649":1267,"_31":1268,"_652":1269,"_255":1273,"_378":1274,"_659":1275,"_661":1276,"_664":1277,"_667":1278,"_674":1280,"_681":1286,"_694":1290,"_702":38,"_703":1294,"_706":1295,"_709":1296,"_711":1297,"_713":1298,"_715":716,"_717":718,"_719":1001,"_721":1299,"_725":1300},"profile-4341",4341,[1270,1271,1272],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPXDWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPXBWA4-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPXFWA4-right2.jpg","Jayaselvam R.","jayaselvam-r-flower-designing-singapore","Former machinist, Jayaselvam started making garlands in 1978, teaching himself how to carry out this craft and opening his own shop in 1994. Making traditional garlands is a way to support the religious life of the local Hindu community, as flowers play a central role within the community and also to contribute to the local diversity of Singapore. Garlands are a necessity in many Hindu rituals to honour deities, offered to people as a sign of blessing and honour for traditional ceremonies such as weddings. For instance, the bride and groom will share the same garland as a symbol of unity. The bride makes her entrance beneath a bright red canopy of flowers which symbolises purity, protection and bravery.",[905],[666,666],[911,1279,912,742,874,1050,670],"Celebrities",[1281,1282,1283,1284,1285],"Roses, Marigold & Jasmine garland","Globe Amaranth bangle","Jasmine ball","Arali Kathambam ball","Orange Carnations bangle",[1287,755,1288,1289,693],"Flower","Leaves","Botanical",[1291,1292,1293,701],"Flower garland","Flower wreath","Botanical art",[705],[920],[905],1.30735,103.85375,{"_723":1297,"_724":1298},528,{"_649":1302,"_31":1303,"_652":1304,"_255":1308,"_378":1309,"_659":1310,"_661":1311,"_664":1313,"_667":1314,"_674":1316,"_681":1322,"_694":1328,"_702":38,"_703":1331,"_706":1332,"_709":1334,"_711":1335,"_713":1336,"_715":716,"_717":718,"_719":1001,"_721":1337,"_725":1338},"profile-4334",4334,[1305,1306,1307],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPWKWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPWIWA4-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPWMWA4-right2.jpg","Raymond Wong","raymond-wong-beadwork-singapore","Raymond Wong is a practitioner of beadwork and embroidery in Singapore. He is also a fashion designer at Rumah Kim Choo, which was founded by his paternal Peranakan grandmother, Nyonya Lee Kim Choo. He grew interested in beadwork and embroidery in 2005 while being surrounded with his family’s culture in the family-run business. He also used to collect antique beadwork from all around the world to understand the different techniques and improve his. Today, such is the Raymond's passion for Peranakan beadwork he has built a strong reputation for his craftmanship – enough to be commissioned by the Singapore government to create a Peranakan shawl which was given to Michelle Obama on her visit as First Lady.",[1312],"Beadwork",[666,666,784,907],[1279,1315,941,942,788,832],"Fashion",[1317,1318,1319,1320,1321],"Purple beaded leather card pouch","Antique beaded slippers","Beadwork sandals","Lilac beaded leather card pouch","Velvet clutch bag",[1323,1324,751,1325,1326,1327,689,1253,693,691],"Calf 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