Tobias Møhl
©All rights reserved
Tobias Møhl
©All rights reserved
Tobias Møhl
©All rights reserved
Tobias Møhl
©All rights reserved
Tobias Møhl
©All rights reserved
Tobias Møhl
©All rights reserved

Tobias Møhl

Glassblower

Ebeltoft, Denmark

Perfection in black and white

  • Rooted in the Venetian tradition, Tobias creates complex glass pieces in monochrome hues
  • His works are held by Corning Museum of Glass, MAD New York and other major museum collections
  • He was a finalist for the LOEWE Foundation Craft Prize in 2020

Danish glass artist Tobias Møhl has spent decades translating the decorative traditions of Venetian cane glass into a distinctly Scandinavian visual language. Drawing on his training at Holmegaard Glasværk and his apprenticeship within the Venetian lineage, including formative exchanges with maestro Lino Tagliapietra, Tobias works with the demanding techniques of filigrana, murrine and reticello. His glass forms, marked by delicate networks of canes suspended within the material, move fluidly between drawing, weaving and sculpture, stripping away excess in favour of clarity, balance and subtlety. “I am not into colourful, complex and loud work, but rather interested in creating something that can be so simple and yet so perfect,” explains Tobias.

Tobias Møhl is a master artisan: he began his career in 1987 and he started teaching in 2005.

INTERVIEW

Not much is improvised. Unlike ceramics where you can step back and change course during the making, glassmaking requires that you follow a plan precisely to be successful. Once the process starts you have to finish. Glassblowing can be intense because of this.

Glassblowing is an incredibly technical craft that is a lot like practising a sport in the sense that it is about training, training, training. Glass is a difficult material. I have now developed a style where I am applying traditional techniques yet making them my own.

I think a lot about how I am always striving in my work. I believe if you are really searching for perfection you will never be truly satisfied. I always wish for more time, or how I could have developed a piece differently, or made this or that change to make a form more refined.

It can be almost impossible to break away from tradition and you can get caught up in the techniques. Though I am using very similar tools and techniques as those that were used more than 300 years ago, I always keep my eyes open for details that can be changed.

Tobias Møhl

Glassblower

Ebeltoft, Denmark

ADDRESS

Stockflethsvej 8, 8400, Ebeltoft, Denmark

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AVAILABILITY

By appointment only

PHONE

+45 27642013

LANGUAGES

Danish, French, English

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