Paul Scerri

Ceramicist

©Thomas Scerri

Messages in clay

Paul founded his workshop in 1988
The first piece he made was of a pregnant female torso
He showcased pieces at Miami Art Basel Week in 2016

Paul Scerri began his artistic journey in the 1970s at the Malta School of Arts, and subsequently earned a scholarship at the Accademia delle Belle Arti Pietro Vanucci in Perugia. Here, he discovered clay as an artistic medium, and decided to hone his clay shaping skills at the Istituto Statale D’Arte G. Ballardini in Faenza as well as in Imola. His ceramic sculptures are an expression of layered perceptions that at first sight appear to depict stereotypical figures, but upon closer inspection, reveal nuances of injustice and narcissism. Paul uses his technical expertise in the creation of his own glazes for each of his ceramic sculptures, every piece is intentionally created with care and devotion. His ceramic sculptures reflect his desire to be as innovative as possible in his choice of textures and colours. Each is an individual masterpiece relaying a silent message, while always remaining open to free interpretation.

Interview

©Thomas Scerri

©Thomas Scerri

When did you decide to pursue this craft?: The moment I held a fragment of an old Roman amphora and noted the artisan’s fingerprints immortalized in the clay. This made me realise that creating a ceramic sculpture will outlive the artist, a personal imprint to be remembered by.
Why did you choose this career?: I first came into contact with ceramics while studying in Perugia. This is when I fell in love with clay and its four indispensable elements – earth, water, air and fire. In Faenza, master Manlio Tassinari, taught me that clay is not to be beaten but demands respect when handling it. This perspective ignited a with passion for ceramics.
What do you love most about your profession?: Being an introvert, creating sculptures is my way of portraying my expression, my opinions, reflecting my observations of people and all that surrounds me. My art is the result of my own inner self, it is my voice narrating my life experience in a subtle way.
What is your advice to young ceramicists?: I would encourage them to hold a deep respect for the material, which provides an infinite spectrum of ideas, to imprint their personalities in their creations. I would also tell them not to follow the grain like everyone else, for the sake of being accepted.

Paul Scerri is a master artisan: he began his career in 1983 and he started teaching in 1987