Kenji Fuchiwaki

Ceramicist

Bridging ceramics past and present

Kenji focuses on glazes and turned shapes
His interest in science and maths infuses his work
He combines ancient principles with modern technology

Kenji Fuchiwaki’s workshop and 500 years of ceramic history are separated only by a window. Since 2010 Kenji has worked in the main building of Ludwigsburg Residential Palace, which exhibits an extraordinary ceramics collection through which he occasionally guides visitors. So like no one else, Kenji provides a link between ceramics past and present. His adventure in ceramics started in primary school when he met his master Keiichirou Inatomi, who later taught him traditional methods of working with clay and glazes. In 2002 Kenji started studying at the Freie Kunstakademie Nürtingen in Germany. Since then he has developed a unique aesthetic expression driven by excellence in craftsmanship and material knowledge.

Interview

Why did you decide to study in Nürtingen?: I wanted to learn turning and glaze development particularly intensively. At Nürtingen I found the perfect combination of expertise and facilities. The school also brought together people from diverse backgrounds, which I found a great source of inspiration.
Why the focus on turning and glazes?: From childhood I was interested in spiral movements, in mathematics, chemistry and physics. Working on the potter’s wheel essentially allows these spiral movements to manifest in objects. Experimenting with different glazes allows me to apply my scientific knowledge.
How do tradition and innovation work together?: Ceramics has always evolved with innovations. For the development of my glazes I use ancient principles, but by combining them with modern kiln technology and material science, I create a whole new playing field and recognise greater potential for different raw materials.
Has there been an unforgettable moment in your professional life?: In 2010 I had to throw away almost 90 percent of my work. I thought that I just had to try harder, as great effort is necessary for improvement. However, I then realised that it's about the spread of effort. Focusing on different aspects at a time allowed me to improve.

Kenji Fuchiwaki is an expert artisan: he began his career in 2003