A calling found in clay

Poiret's ceramics are inspired by nature's forms, lines and curves
She is deeply in tune with Baroque art
Clay connects her to history and the environment

Poiret Masse creates originally playful ceramic pieces in her studio, La Guardaroba Firenze. "From a young age, I explored art through hands-on work with various materials and techniques," she says. She studied art history and Italian at Mount Holyoke College, then spent a pivotal semester in Siena focusing on painting restoration. “It was thrilling to put my hands on layers of history,” she shares. Poiret researched women painters, specifically 18th-century artist Violante Siries Cerroti, but felt she was missing a tactile element in her practice. She sought manual engagement, and found Romano Pampaloni’s school and workshop. When facing the forms emerging from the wheel, Poiret experienced an instant, life-changing connection to ceramics, a calling that shapes her practice today.

Poiret Masse is a rising star: she began her career in 2019

Discover her work

Discover her work

Flourish

Pitti bowl

Acanthus vases series

Acanthus vase

Pausa coffee set and Boboli set

INTERVIEW

As an American, I see Italy and Florence with fresh, amazed eyes. This perspective informs my practice and helps me create pieces that resonate with an international audience. Ceramics gives me a medium to express ideas, passions and concerns. Without it, everything would remain inside, which can be overwhelming.

My main inspiration comes from nature, as its forms, lines and curves provide endless creativity. I am also inspired by Florence’s art, history and community, as well as exhibitions. I pay attention to 18th-century details and Violante Siries Cerroti’s works, with heraldic emblems, ornate frames and the dynamic vitality of Baroque art.

I love my dialogue with the material, as it connects me to history and the environment. This dialogue evolves into a personal, alive and constantly changing language. Working at the wheel frees my mind. It requires presence and collaboration with the clay, so it allows my creativity to flow while keeping my thoughts grounded.

I believe in putting humans at the centre – valuing the human scale and fostering connection with ourselves, others and the environment. Wheel throwing has remained the same for millennia, linking people across generations. I am very fortunate for the support of my family and artistic community in Florence, where craftsmanship and art are recognised.