A golden ode to Venice
- Pietro's works encompass goldsmithing, sculpting and jewellery making
- He developed original mechanisms for clasps and modules applied to jewellery
- His favourite technique is lost-wax casting
Pietro Pasqualetto's interest in sculpture and modelling developed during his architecture studies, and this led him to goldsmithing. In his workshop in Dolo, near Venice, he blends craftsmanship and technical research to create unique, customised pieces and limited-edition collections. “Each of my creations begins with an original drawing, which I then develop into 3D works. Balanced lines are the distinctive stylistic traits of my pieces,” he says. A goldsmith, sculptor and model maker, Pietro primarily works with the lost-wax casting technique in gold, silver, bronze and brass. He collaborates with private clients for custom pieces, and develops models and prototypes for companies in different fields. He also creates bronze busts and sculptural maquettes.
INTERVIEW
As a child, I used to give beautiful forms to simple materials such as stone, wood and clay for fun. There were plenty of opportunities to explore artisanal production in my area. Quickly, my passion turned to commitment through studies and a full-time practice.
In my experimental work, I am drawn to feminine beauty and energy. In my professional work, Venice is certainly a magnetic source of inspiration, but market demands and clients are also key factors. In general, the ability to carry out projects from the design to the finished piece, managing all stages of the process, gives me a great sense of freedom.
Over the years, I have developed many production techniques that still allow me to create complex objects without using 3D technology. I have invented mechanisms for clasps and modules applied to jewellery, as well as repeatable, simple modules for chains, bracelets and innovative clasps.
My method is different from the classic Venetian tradition, which primarily involves constructing objects directly from gold or silver. I picked up my approach during my experience working with goldsmith factories. It involves creating wax or brass prototypes, from which I obtain rubber moulds and micro-cast objects. Some jewellery pieces are completed with ebony parts, which I sculpt myself.
