A trompe-l'œil in wood
- Joohyung creates sculptural pieces and 3D typography in wood
- She focuses on pieces that contain personal narratives and social issues
- Her carving process values discovery over planning
Joohyung Park transforms wood into forms that disguise the material's nature, drawing on her background in metalwork to create soft, ambiguous surfaces. "Rather than showcasing its rugged and rough feel, I aim to present wood as soft and silky. I like to challenge viewers' expectations of wood as a material," she says. Joohyung's process involves extensive hand carving with a chisel and multiple layers of a Korean lacquer called ottchil. Her objects' final forms often differ from initial sketches, as the work evolves during the creative process and the carving reveals surprising angles. Joohyung's subjects range from memories of her dog to reflections on current events. "Telling stories through making is easier than communicating them verbally," she says.
Discover her work
INTERVIEW
My background in metalwork naturally influences my woodwork, which results in pieces with a material that is not immediately recognisable. I am drawn to works that contradict expectations. I want viewers to spend time wondering what the material is.
My work speaks for me, as I am not naturally eloquent. Rather than creating monumental pieces, I focus on relatable stories and personal memories, such as of my dog, as well as reflections on events like the Itaewon tragedy. This shows who I am, someone who avoids attention but feels strongly about certain things.
Whilst I focus more on personal stories, I am ready to address social issues when there is good reason and right ideas. As a member of society, I think it is natural to voice opinions on what seems right or wrong. I accept that some people will like my work more for this, while others will not.
I always start by sketching. Then, I transfer the design onto wood and cut the outline using a bandsaw. I carve the 3D form with chisels, finishing it with sandpaper and multiple ottchil layers. The carving is my favourite part, as the emerging form always exceeds my expectations. I sometimes reveal unexpected angles that end up becoming the main view.
