HOMO FABER 2026
Isabelle Carpentier
©All rights reserved
Isabelle Carpentier
©All rights reserved
Isabelle Carpentier
©All rights reserved
Isabelle Carpentier
©All rights reserved
Isabelle Carpentier
©All rights reserved
Isabelle Carpentier
©All rights reserved

Isabelle Carpentier

Jewellery making

Brussels, Belgium

Recommended by BeCraft

Small fragments of brilliant worlds

  • Isabelle designs jewellery with micro-mosaics
  • Her creations are made with ancient techniques adapted for today's world
  • She is self-taught in her jewellery making

Through her colourful, contemporary mosaics, Isabelle Carpentier breathes new life into the ancient technique of micro-mosaics, in which small mosaic pieces are used to make abstract images. She learned the craft on her own after coming across a book on mosaics. “I was working at a painting restoration workshop when I became fascinated by micro-mosaics,” Isabelle explains. “I could not find an artisan who could make jewellery on which I could put my mosaics. So, I enrolled in classes to make them on my own, and taught myself micro-mosaics.” Isabelle developed her own approach with different metals, glass wire and other materials. “All these techniques are vast domains, and I believe that one can never fully master them. Fortunately, this means that there is always a lot more to discover," she shares.

Isabelle Carpentier is a master artisan: she began her career in 2002 and she started teaching in 1997.

INTERVIEW

When I was just three years old, I drew a butterfly with oil pastels on a stone. I still keep it in my studio.

If I am working on a project with a specific theme, I dream about the subject and make drawings and glass wires before embarking on the making process. If I am working on jewellery without a specific theme, I start directly with the material, colours and shapes.

Unfortunately, this is not possible for me. For instance, the specific glass paste I use, which is crucial to my craft, is only available in Italy.

I would not personally say that I innovate, but I do use an ancient technique in my very own way. Modern technology does not play a dominant role in my process, I like to work in a traditional manner, doing everything myself from A to Z.