HOMO FABER FELLOWSHIP
Ikram Maymouni
©Denise Carabez
Ikram Maymouni
©Denise Carabez
Ikram Maymouni
©Denise Carabez
Ikram Maymouni
©SiraAyats
Ikram Maymouni
©Carla Step
Ikram Maymouni
©SiraAyats

Ikram Maymouni

ABHA

Macramé

Barcelona, Spain

A contemporary take on the macramé tradition

  • Ikram brings the ancient craft of macramé back to life with modern Spanish flair
  • She creates ornamental and utilitarian pieces using natural yarns
  • She is the proud author of the book Abha Macramé

From her ABHA studio in Barcelona's Poblenou district, Ikram Maymouni weaves and braids natural fibres, using magic knots. Committed to reviving the traditional macramé techniques pioneered by the Egyptians, she crafts with a modern, contemporary and Spanish twist. She creates decorative and functional pieces using cotton, jute and linen and shares her knowledge through creative workshops and books. Ikram wrote a book called Abha Macramé, in which she guides readers through various knots with clear instructions and illustrations to create tapestries, plant holders, bags, curtains, and lamps at home by hand. From her studio, Ikram reveals the more contemporary facets of macramé and contributes to its visibility and resurgence as a sustainable decorating trend.

Ikram Maymouni is a rising star: she began her career in 2017 and she started teaching in 2019

Discover her work

INTERVIEW

In terms of weaving and braiding techniques, I am self-taught. I learned my first knots as a child, making what were then called 'friendship bracelets'. Over time, this early experience sparked my passion for working with natural fibres and honing the craft of macramé.

The first time I thought about becoming an artisan was when I started making pieces for a shop that sold the work of various artisans. Over time, I noticed that the pieces resonated with an audience and had a market. It occurred to me that setting up a workshop was a great way to introduce people to macramé and weaving.

My sources of inspiration are artists and craftspeople involved in textile research who have made fundamental contributions to the field. True champions of art and craft.

I maintain the craftsmanship of the technique and continue to use traditional processes, but I try to innovate in the forms, formats and uses of the pieces. Macramé is the basis of my tapestries. In my latest work I am exploring the possibilities of a single knot in a large piece.