




In 2016, while apprenticing with Toshio Tokunaga in Japan, British woodworker Frederick Dodson was introduced to kanna, a traditional Japanese hand plane that leaves wood so smooth it needs no sanding. "Wood finished with a kanna is brighter and more alive than by other means," Frederick explains. "The tool instilled in me a greater sensitivity towards wood and trees." From that point on, the use of kanna has guided his making, alongside psychology, metaphysics, geometry and early British poetic arts, themes that surface throughout his pieces. Since completing a master’s at the Prince’s Foundation School of Traditional Arts, Frederick's practice carries references from medieval imagery and literature into craftsmanship, uniting utility with deeper meaning. "I have an urge to tell a story and a desire to move beyond pure function with each of my pieces," he says.
Frederick Dodson is an expert artisan: he began his career in 2015
Frederick Dodson