Snippets of time captured in glass
- Annette is inspired by the materiality of glass and connections to people and places
- Her process consists of glassblowing, glass enamelling and cold working techniques
- She also works as a gaffer for several renowned Australian and international artists
In her glasswork, Annette Blair interprets nostalgic connections, inspired by life, people and time, whether through small-scale artworks, large public installations, homeware or lighting. She refines her technical process both at her home studio in Burra, and at the Canberra Glassworks gallery. Annette has been practising glassblowing since 2005, which has allowed her to explore a myriad of processes and concepts. A recent accolade she received is a commission for the Australian War Memorial in Canberra which consists of around 1800 glass leaves. "The pieces are designed to provide a moment of quiet reflection," says Annette. In 2025, she explores the passing of time through works that were built up from layers of glass enamels and rust, utilising the malleability and permanence of glass.
INTERVIEW
My practice has always been inspired by our connection to people and places, a theme I have explored in many ways over the years. At its core, this work is about remembering and preserving moments in time – sometimes fleeting, often overlooked, but always significant.
My works primarily feature blown glass that is coldworked to achieve the final form and surface finish. Then I paint on layers of glass enamels before firing in the kiln. The materiality has always inspired me – I balance control with surrender, using heat and experience to shape my pieces.
A highlight for me has most certainly been working with Patricia Piccinini. I jumped at the chance to support her residency at Canberra Glassworks in 2019. Since then, we have worked a lot together, including for her 2021 exhibition, A Miracle Constantly Repeated, at Flinders Street station.
I first saw glassblowing at the Australian National University while in school. I organised a work experience placement in the glass studio and began my degree there the following year. From glassblowing to painting on glass, I was exposed to many processes and possibilities with the material.
Bottle Marsupial 2017 Tom Moore.jpg)
Studio Portrait Tom Moore.jpg)
Blowing Glass 4 Tom Moore.jpg)
