HOMO FABER 2026
Anne Wolf
©All rights reserved
Anne Wolf
©All rights reserved
Anne Wolf
©All rights reserved
Anne Wolf
©All rights reserved
Anne Wolf
©All rights reserved
Anne Wolf
©All rights reserved

Anne Wolf

Anneville Studio

Silversmithing

San Diego, CA, USA

Uncovering patterns in metal

  • Anne is a master of the traditional Japanese mokume gane technique
  • Stacked layers of metal are hammered and chiselled until patterns are revealed in her work
  • She teaches workshops and takes commissions for custom wedding bands

Anne Wolf saw pottery thrown on a wheel for the first time when she was 14 years old. “I found it completely mesmersing that you could manipulate material and create something durable and useful,” she says. Later, as she studied for a ceramics degree, a course in metalwork sent Anne in a new direction. In 2007 she discovered the Japanese technique of mokume gane, which creates patterned metal. “It was magical,” she says. Now, as Anne chisels through layers of metal to create cups, sculptures and jewellery pieces, she is reminded of how natural forces alter landscapes over time. “The patterns, and even the way I form them, are related to geological processes such as uplift and erosion,” she says. For Anne, working with silver and other metals is akin to working with ceramics, in that the outcome is the result of a partnership between maker and material. Her pieces have been exhibited in Japan and around the world.

Anne Wolf is a master artisan: she began her career in 2000 and she started teaching in 2003.

INTERVIEW

I am inspired by things that make me and all of humanity feel small and insignificant. It is my way of paying tribute to nature and finding peace in myself. The little things that feel so important or devastating to us are just tiny insignificant blinks of the eye.

I alternate silver and copper and other Japanese alloys, deciding what order to stack those in for the colours and effects I want. The Japanese alloy shibuichi is 25% silver, 75% copper and is a beautiful grey colour. It is one of the alloys I use the most.

I turn to hand hammering to get the layers to really stick together. I carve through these with a chisel to create a relief pattern. Then I forge the metal back to a flat shape. As I do, the pattern morphs. It sometimes changes in ways that I did not expect, but it is a good thing.

I have a residency to work with traditional metal spinners, taking a flat sheet of metal and turning it into a vessel using a lathe. I will be working with my mokume gane sheets that are already patterned. In this process, both my ceramics and metals backgrounds will come together.