Merging form and surface
- Alison creates smoke fired ceramic sculptures
- She imbues her objects with energy
- Her vessels have a presence
Clay has been the central force in Alison Kay’s creative practice for over 40 years. Her contemporary sculptural forms contain echoes of ancient influences. They evoke a feeling of connectedness, an essence emanates from the work, reaching out to the viewer. They are pieces which seduce the mind and eye. Each object is mindfully constructed, until Alison is satisfied with its form and finish. Through her contact with the object she transfers an energy and vibrancy into the work. She has gained acclaim for her craft nationally and internationally. She has featured in exhibitions in Shanghai, London, New Jersey, and has two pieces in the collection of the National Museum of Ireland.
Discover her work
INTERVIEW
My deep interest in plants and the natural world has fed into my work. Inspiration comes from diverse sources; the shape of seed pods, aerodynamic forms, car designs, space capsules, the atmospheric impact on surfaces.
I use coils of clay to build the form, then gradually scrape back the surface until I have achieved a symmetry and resolution with the piece. I apply layers of Terra Sigillata which I polish to a fine sheen.
After the biscuit firing, I apply a resist pattern to the surface of the piece. The piece is smoke fired, giving it an aged metallic effect. The piece is then cleaned and finally bees wax is applied and the surface is polished.
I love the opportunity to express myself through clay and to hopefully give pleasure to others who engage with my work. From start to finish, my ceramic pieces can take at least a month to complete. Making a piece is an act of love and dedication.
