HOMO FABER 2026
Agne Kondrataite
©All rights reserved
Agne Kondrataite
©Algis Bielinis
Agne Kondrataite
©Algis Bielinis
Agne Kondrataite
©Algis Bielinis
Agne Kondrataite
©Agne Kondrataite

Agne Kondrataite

Gailliot, Sophie

Ceramics

Vilnius, Lithuania

Creative challenges

  • Agnė decided to pursue ceramics while at school
  • She enjoys the unpredictability of ceramics
  • Her works explore abstract and human forms

The interest in ceramics was sparked by Agnė Kondrataitė's mother. The artist grew up in a family of architects and while following her studies, she visited a studio of a famous Lithuanian ceramicist with her mother and her fascination with pottery has not faded since. She works with white and red clay, with various glazes, boldly experimenting, coating works with gold, using plaster or wire. Agnė does not only create dishes, but panels, tiles, lamps, pots, furniture handles, and sculptures. Since the ceramicist doesn’t use a ring wheel, all of her creations have clearly visible handprints. It gives them human warmth and uniqueness. Her works are modern and elegantly designed. Her designs play with different themes, shapes and original forms, making them perfect for contemporary interiors.

Agne Kondrataite is an expert artisan: she began her career in 2003.

INTERVIEW

The unpredictability of the result. Constant changes force you to experiment, to look for new techniques, and shapes. I enjoy big and small creative challenges that encourage improvement. I like that I can control the creative process manually and the fact that it is not monotonous.

Everything that surrounds me: architecture, all its elements, details, nature, theatre, modern dance, the human body and its anthropometry, conversations with interesting people. Everything I see and experience around me.

I think my work is 20 percent traditional and 80 percent innovative. I try to be innovative, but at the same time I do not try to avoid traditional shapes and techniques.

In every piece, I try to achieve visual and physical airiness, a quality which I think separates me from other artists. The most important thing to me is the object's shape and its ability to convey a feeling.