An Island of Light1- 30 September 2026
Suraj Kumar Sahu
©All rights reserved
Suraj Kumar Sahu
©All rights reserved
Suraj Kumar Sahu
©All rights reserved
Suraj Kumar Sahu
©All rights reserved
Suraj Kumar Sahu
©All rights reserved
Suraj Kumar Sahu
©All rights reserved

Suraj Kumar Sahu

Ceramicist

Vadodra, India

The hands behind the heritage

  • Suraj carves and pinches clay into forms that echo ancient architecture
  • His sculptures evoke the weathered look of archaeological discoveries
  • He treats red clay from the Ganges River as a living force

Suraj Kumar Sahu builds terracotta sculptures that pay tribute to the forgotten makers of ancient India’s sacred sites. At just 15 years old, he started building replicas of huge temple complexes in foam and plaster to celebrate popular Hindu festivals in his village. Studying these monuments and UNESCO World Heritage Sites inspired Suraj to research the artisans behind them. “Entire lineages perished building a single monument, and yet people never take a moment to wonder whose hands shaped it,” he says. Suraj sculpts fragments of temple architecture, then presses a limb or a face into the surface for the maker and monument to become inseparable. He exclusively works by hand, pinching red clay from the Ganges, a material he treats as a living force.

Suraj Kumar Sahu is a rising star: he began his career in 2022.

INTERVIEW

I use red clay sourced from the banks of the Ganges. The river, revered in Hindu life, is tied to birth, worship and death rites. When I sit down to work, I feel the energy move through the clay and guide me toward the forms it wants to take. I do not think of it just as a material, I think of it as a force.

I work with a needle and simple tools I make myself from bamboo. Once a piece is shaped, I pierce the surface and brush over the clay. As the clay dries, this gives it the worn, pitted look of old temple stone that has weathered over centuries. I want the work to feel like it was just excavated.

Among the ancient ruins of Hampi in southern India stands a great statue of the god Narasimha, carved from a single rock. I keep wondering how so many people agreed on one face and one shared vision. Near my home, the Mukteswara Temple has a sandstone archway whose balance and harmony I have found nowhere else.

Traditional idol makers in my village first drew me into sculpture. Many of them never had the chance to study, so they pushed me toward art school to live out what they could not. I owe them a great deal. I learned quickly because I had practised the craft since I was 15 years old, and that early start still guides me today.

Suraj Kumar Sahu

Ceramicist

Vadodra, India

ADDRESS

Address upon request, Vadodra, India

AVAILABILITY

By appointment only

LANGUAGES

Hindi, English

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