An Island of Light1- 30 September 2026
Reha Salvi
©Kirthana Devdas
Reha Salvi
©Kirthana Devdas
Reha Salvi
©Reha Salvi
Reha Salvi
©Kirthana Devdas
Reha Salvi
©Reha Salvi
Reha Salvi
©Reha Salvi

Reha Salvi

Lakkadghoom

Woodturner

Chennai, India

Where the shore meets the lathe

  • Reha turned to the lathe after experiencing a mind-to-hand disconnect
  • She learned her craft by watching master woodturners on YouTube
  • Beachcombing along the Chennai coast is an integral part of her creative process

After a decade of working as an architect and interior designer, Reha Salvi found her way into craftsmanship at the lathe. She taught herself woodturning in Chennai, as no formal path into the craft existed. Working with heavy and physically demanding wood, mounting large sections onto the lathe on her own is the daily reality. Reha works from her studio Lakkadghoom, turning, carving and charring Indian neem and teak wood into hollow forms that sit between vessel and sculpture. Their shapes are inspired by the shells and seed pods that she finds on the shore and carries back to the workshop. “Working on a lathe means committing to the moment. There are no rehearsals, no undoing. Whatever grows, cracks or resists becomes part of the work,” she says.

Reha Salvi is a rising star: she began her career in 2024.

INTERVIEW

I had a strong desire to make something with my hands and to own the whole process. The idea of pulling a form from something as raw as wood was fascinating. I was dreaming about woodturning before I even had a lathe.

The beach is within walking distance from my place in Chennai, which unlocked a new quality in me. I collect shells, seed pods and fossils, and I document everything. When I find something on the shore, I immediately think about how I can reimagine it on the lathe.

Rather than planks, I work with branches and logs to preserve the grain's continuity. Teak's natural tones deepen with treatment, while neem wood, which is paler, ebonises beautifully. I sometimes find spalting lines or black marks left by microbes. These are the wood’s own personal record.

Every step of my practice had to be established from scratch. As a craftswoman, I am still asked why I do not hire a man to do the work for me. However, women have been reaching out to me on Instagram, eager to learn the craft. The craft simply requires someone to gain visibility in it.

Reha Salvi

Lakkadghoom

Woodturner

Chennai, India

ADDRESS

Address upon request, Chennai, India

AVAILABILITY

By appointment only

LANGUAGES

English, Hindi

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