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Michaela Swade
Glass engraver
Kassel, Germany
Dedicated to full immersion
- Michaela is a glass engraver who only works on one object at a time
- Intuition and emotion guide her creative process
- Her atelier combines creation, exhibition and education
Michaela Swade found herself practising glass engraving when she was initially looking for a path into calligraphy. Her glass engraving training at the glass school Zwiesel in Lower Bavaria offered only minimal focus on lettering, but it introduced her to a material that immediately felt right to her. Michaela trained for nearly a decade, becoming skilled in engraving, design, and glass refinement. Today, she creates each work as a standalone exploration, one piece at a time. "I am guided by an inner theme. I move slowly through the sculptural processes of cutting deeply, breaking where needed and allowing the glass to reveal new meaning," Michaela says. In 2014, she opened her studio which became not only a site of personal creation, but also one of shared discovery, where others are welcomed into her world through workshops and exhibitions.
Discover her work
INTERVIEW
Every piece has its own rhythm, and I need to respect that. If I worked on several at once, it would disrupt the process. Each piece is a way for me to find greater clarity, so I work with one only until it is fully realised.
Glass engraving requires me to be extremely close to the piece, inspecting every detail. Since water and particles can additionally cloud my vision, it is a good idea to pause and step back occasionally.
Yes, in fact, glass design has been declared an endangered cultural heritage by UNESCO. In Germany, the community of practising glass artists is quite small and closely connected. I am a member of two associations, the regional Glass Artists’ Association and the international Glass Engraving Network. Both organisations are committed to keeping the craft visible through exhibitions and collaborative projects.
I would highly recommend starting at a glass school. In Germany, we are fortunate to have institutions that offer comprehensive training for glass crafts. The way students are introduced to the many facets of glass design, with access to traditional European knowledge and skills, is truly unique. How each individual chooses to apply that knowledge is, of course, up to them.
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