An Island of Light1- 30 September 2026
Kosei Fujikawa
©All rights reserved
Kosei Fujikawa
©All rights reserved
Kosei Fujikawa
©All rights reserved
Kosei Fujikawa
©All rights reserved
Kosei Fujikawa
©All rights reserved
Kosei Fujikawa
©All rights reserved

Kosei Fujikawa

Metal sculptor

Kameoka, Japan

A journey with metal through Japan

  • Kosei explores traditional techniques travelling through historic metal craft regions
  • His works are sometimes created with digital tools such as 3D printers and laser cutters
  • He was awarded the Japan Kogei Association Newcomer Prize at the Japan Traditional Crafts Exhibition

Kosei Fujikawa's practice spans traditional Japanese metalworking techniques such as engraving, damascening, forging, hammering and metal shaping, as well as their regional particularities. He began training in metalworking at the age of 16, encouraged by his father. After graduating from the Traditional Arts Super College of Kyoto, Kosei developed his craft in the Kanto region for two years before moving to Kanazawa to continue his research at the Utatsuyama Kogei Workshop. With a high level of technical skill and artistic maturity, he crafts a range of works, from art objects to tea ceremony utensils. "My pieces reflect a deep respect for the beauty and complexity of traditional crafts that have been passed down through the ages, while also exploring new expressive possibilities," Kosei explains.

Kosei Fujikawa is a rising star: he began his career in 2013 and he started teaching in 2024.

INTERVIEW

When I was 16, my local newspaper published an advertisement for an apprenticeship in Higo Zogan, the traditional metal inlay art of Kumamoto Prefecture. My father adamantly encouraged me to apply. As the youngest in the class, I was met with constant warmth and encouragement. That early validation made learning and creating very enjoyable.

I focus on the metalworking techniques and cultures of Kumamoto, Kyoto, Tokyo and Kanazawa, exploring traditional methods as I travel between these historic centres of metal craft production.

I studied in several regions across Japan and have been influenced by many masters, but the most profound impact came from my first metalworking teacher, Mitsutora Shiraki, from Kumamoto. He taught me the inlay and patination techniques that form the foundation of my craft, while helping shape who I am as a person. He brought me to exhibitions and different events, and even encouraged me to submit my work to the Japan Kogei Association.

Metalworking has been practised worldwide throughout human history, and today its materials are globally available. By applying traditional Japanese techniques and sensibilities to these shared materials, I hope to offer people a fresh appreciation of Japan's distinct craftsmanship.

Kosei Fujikawa

Metal sculptor

Kameoka, Japan

ADDRESS

Address upon request, Kameoka, Japan

AVAILABILITY

By appointment only

LANGUAGES

Japanese

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