An Island of Light1- 30 September 2026
Karin Seufert
©All rights reserved
Karin Seufert
©All rights reserved
Karin Seufert
©All rights reserved
Karin Seufert
©All rights reserved
Karin Seufert
©All rights reserved
Karin Seufert
©All rights reserved

Karin Seufert

Jewellery maker

Berlin, Germany

Statement dots

  • Karin makes versatile jewellery with mixed materials, including PVC
  • Time plays a central role in her creative process
  • She values the experience of slow accumulation

For Karin Seufert artistic freedom means above all the freedom to decide how she spends her time. Throughout her career she has repeatedly stepped away from certainty in favour of curiosity, first moving from traditional goldsmith training into contemporary jewellery, and later embracing unconventional materials such as PVC. “A few square metres of PVC are often enough for me to work with for an entire year,” Karin says. Her work is known for hollow architectural forms, conceptual investigations and meticulously constructed surfaces, built from thousands of tiny individual elements. Her pieces grow slowly over weeks and months, forming structures that can appear compact and almost heavy, while remaining physically light. This aesthetic gives visbility to time, establishing it as a central value within the work.

Karin Seufert is an expert artisan: she began her career in 1995.

INTERVIEW

Galleries are the main way my work meets its audience. Over the years, some relationships have come and gone, while others have endured. With Galerie Marzee, I have shared a relationship built on trust for decades, and there has always been room for a new solo exhibition.

Usually around three years. By the time an exhibition comes together, it may include 40 or 50 works of very different scales, from small brooches and pendants to larger necklaces or objects that may take several months to complete.

My practice is very independent, and I value that deeply, but I do not always work alone. My partner is jewellery artist Tore Svensson, and we move between Sweden and Berlin, sometimes sharing studios. We each stay in our own process, but there is a close exchange that I truly enjoy.

Most of my pieces are created with PVC, but I like to keep my materials open. I work with metal when it fits a piece, and of course I produce all brooch mechanisms, clasps and technical elements by hand. It is something I was trained in very thoroughly.

Karin Seufert

Jewellery maker

Berlin, Germany

ADDRESS

Karlsgartenstraße 19, 12049, Berlin, Germany

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AVAILABILITY

By appointment only

LANGUAGES

German

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