




Jennifer Robertson
Weaver
Kaleen, Australia
The rhythms of life and weaving
- Born in the UK, Jennifer is a renowned woven textile artist based in Australia
- She specialises in fine handloom weaving twinned with drawing and photography
- Her intricate process is inspired by the natural repetition in landscapes and geomorphology
Jennifer Robertson crafts textiles into detailed narratives that echo the weather, natural phenomena, and the tessellations engraved in the Earth's rock, resulting in monumental woven art. Her process begins with extensive research, and she utilises photography, drawing and sampling before moving to final prototypes and artistic textile work on the loom. Working with a multitude of thread materials, the objects she makes span a varied spectrum of colours, effects and textures in innovative, multi-layered woven artworks. Jennifer first studied woven textiles at the (formerly known) West Surrey College of Art & Design and completed her postgraduate studies at London’s Royal College of Art. After moving to Australia in 1986 and teaching her craft at the Australian National University in Canberra, in 1997, she became a luminary of the woven arts. From 2001 to 2003, Jennifer received the two-year, once in a lifetime, Australia Council Visual Art Craft Fellowship, pioneering innovative technical and artistic research in triple cloth weaving.
Discover her work
INTERVIEW
For large-scale artworks, I work with an animal, vegetable, mineral palette of very fine threads including wool, silk, linen, cotton, basalt, quartz, copper, stainless steel, titanium, brass, aluminium. The material qualities relate perfectly to nature, and they are highly durable.
To me, it is synonymous with being made to last. My first series woven on my new loom back in 1999 still looks new!
Most people may not realise how detailed and time-consuming weaving is, particularly when working with very fine threads and complex weave techniques.
I think the craft of weaving needs to be supported, as every society and culture needs textiles and will continue to as long as there is life on Earth. I believe it is the most time-consuming craft, requiring an intricate, complex balance of technique, mathematics and artistry.








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