Charlotte Hepworth
©All rights reserved
Charlotte Hepworth
©All rights reserved
Charlotte Hepworth
©All rights reserved
Charlotte Hepworth
©All rights reserved
Charlotte Hepworth
©Ruth Yardy
Charlotte Hepworth
©All rights reserved

Charlotte Hepworth

Artificial flower maker

Shropshire, United Kingdom

Fooling even the bees

  • Charlotte makes lifelike flowers, fruits and vegetables from paper and wax
  • She teaches courses at Highgrove Gardens and across the UK
  • She has made florals for Chatsworth House and Elizabeth Gage's shop windows

Charlotte Hepworth first encountered paper flowers at a craft fair. "I observed a French artist recreating a trailing morning glory, my father's favourite plant," she says. "I managed to convince her to teach me the craft." For years, she drove from Warwickshire to London weekly to learn from Monique Regester, who in turn was trained by Constance Spry, a pioneer in floristry in the mid-20th century. When Charlotte's daughter was a baby, she retrained as a primary school teacher and left behind her creative practice. Keen to return to her love of recreating paper botanicals, she took early retirement at the age of 55. A friend encouraged Charlotte to return to paper and wax, and she has not stopped her practice since. “Collectors who bought from me 30 years ago still come back to this day. They bring me the arrangements they purchased years ago to show me that they have lasted," she says.

Charlotte Hepworth is an expert artisan: she began her career in 1990 and she started teaching in 2023.

Discover her work

INTERVIEW

I start by pulling every layer of the real flower apart. I make notes and drawings so I remember every detail. I strive for botanical accuracy, so I work on perfectly engineering my pieces. A botanist once acquired some of my creations, and it meant the world to me.

I import my paper from Germany and Italy. I use 1950s French stamens on sisal, dipped in paint. A client once found me an untouched, pristine flower making kit from 1920s, but I will never use it as I could not possibly part with it.

Victorians waxed orange blossom for headdresses, I coat my work in clear beeswax and soy wax. A poppy needs one coat, a magnolia needs six. It is important to know when to stop to achieve the texture of a real plant. The blooms can even be placed in water among a real bouquet: the coating renders everything waterproof.

I was once commissioned to create 300 single-stem tulips for an English company selling widely in the USA. The process of cutting, painting and waxing flower after flower was incredibly demanding. I plan on revisiting tulips, specifically English Parrot tulips, with feathery, striped petals. I look forward to the challenge.

Charlotte Hepworth

Artificial flower maker

Shropshire, United Kingdom

ADDRESS

Address upon request, Shropshire, United Kingdom

AVAILABILITY

By appointment only

LANGUAGES

English, French

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