Ceramics for cosiness
- Cristina trained with master Corrie Bain in Barcelona
- She creates unique pieces that promote a sense of comfort and wellbeing
- Her work at Bruma is also a tribute to her great-grandfather, the sculptor Josep Viladomat
Cristina Pallàs has always wanted to express through lines, colours and shapes. As a child, she loved to paint in the privacy of her room, with the mountains of Andorra as a backdrop. She says she inherited her love of art from her great-grandfather, the sculptor Josep Viladomat, although they never met in person. This passion led her to study graphic design and illustration. Later, when she started working in an office, as she missed creating with her hands, travelling to other worlds and getting away from screens, she left her job and immersed herself in the world of clay. She took ceramics classes at various schools and studios in Barcelona until she found herself under the tutelage of Master Corrie Bain at the Corrie Bain Ceramics School to complete her training as a ceramicist. In August 2021, Cristina opened her studio, where she creates pieces with a strong accent on fostering comfort and wellbeing. For her, Bruma embodies colours, textures, the touch of fired clay and, above all, time: "Time to be present, to enjoy the process of imagining, being inspired, creating, waiting and sharing the result with you all."
INTERVIEW
The slogan of my studio, "Handmade ceramics for cosy moments", perfectly describes the essence of my work as a ceramicist. It effectively sums up the idea that my pieces are not only meant to be functional objects but also destined to add a touch of beauty and warmth to everyday life moments.
My inspiration comes from a wide range of influences, from nature and art to everyday life and personal experiences. These sources of inspiration allow me to create unique pieces that accompany people in their daily rituals, bringing them comfort and joy.
The combination of tradition and innovation in my work allows me to create ceramics that show a deep respect for traditional practices or procedures, such as the pinch or coil technique. At the same time, I like to glaze my ceramics in a more innovative way, giving them a more minimalist finish and contemporary flair.
A memorable moment was when I finally located the perfect place to set up my studio. I had been searching for a long time for a suitable space that would provide the ideal conditions for my work, and when I finally found it, I felt a deep sense of satisfaction and dizziness at the same time. As the workshop took shape and my first ceramics came to life, I felt grateful to be in the right place to pursue my passion.
