
In her Vanitas Vanitatum series, Tamsin explores the ephemeral nature of beauty and the vulnerability of excess. The series is based on Dutch 17th-century Vanitas paintings and was inspired by the tragic allure of Satis House in Dickens's Great Expectations, a symbol of dashed dreams and bitter disappointments. As demonstrated by this white ceramic vase, Tamsin aims to transpose to her works the fleeting moment when opulence turns into decay.
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Ceramic, Porcelain, Sculpture

Tamsin is fascinated by the scientific and medical world