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2026","bgColor","bgImgUrl","https://api.homofaber.com/uploads/9_16_1080x1920_50_175a29db28.png","bgRepeat","bgFit","contain","centerImgUrl","centerText","1 – 30 September 2026, San Giorgio Maggiore Island, Venice","centerImgFit","ctaLabel","Book your ticket","ctaBgColor","#FFFFFF","ctaUrl","textColor","white","2025-05-22T09:42:23.885Z","2026-04-27T09:13:30.731Z","2026-04-27T09:13:30.723Z","textLeftXs","bgImgUrlXs","ctaLabelXs","Book now","ActiveStartDate","2026-04-27T07:00:00.000Z","ActiveEndDate","2026-09-30T21:45:00.000Z","mainAdvert","guideTags",[627,629,631,634],{"_255":187,"_628":-5},"badge_color",{"_255":183,"_628":630},"#115C90",{"_255":632,"_628":633},"Homo Faber Capsule","#f0deca",{"_255":207,"_628":635},"#D9583B","isWebview","userAgent","Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; 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She explored various artforms such as ballet, painting and Ottoman illumination, before returning ceramics, the root of her artistic inspiration. \"I hold a deep respect for the material's nature,\" she says. Ayşe trained under ceramicist Ayten Turanlı and opened her ceramic studio in 2018, where she specialises in hand shaping and pinching techniques. Today, she creates tableware with timeless forms, influenced by nature’s abundance. “Clay has a memory. I talk to it, knead it and bake it: a process that allows for a bridge to form between my inner world and the material,” says Ayşe. “I see ceramics not only as a form but also as a carrier of emotion.”","craft",[662],"Ceramics","destinations",[665,666],"Türkiye","Istanbul","tags",[662],"objects",[671,672,673,674],"Antik Reef Büyük Kase","Mini Pebble Kase","Beyaz Sirsiz Reef Kase","Siyah Reef Oval Yüksek Kase","materials",[677,678,679,680],"White clay","Chamotte clay","Clay","Ceramic","categories",[683,684,685],"Bowl","Decorative objects","Decoration","has-experiences","type-of-artisan",[689],"Artisan","craft_person",[692],"Ceramicist","craft_metier",[662],"latitude",41.17906548324076,"longitude",28.88973266429441,"content_edit_date","2026-05-01T09:29:06.000+0000","city_and_country","Istanbul, Türkiye","is_new_until","2026-02-26","_geo",{"_707":696,"_708":698},"lat","lng","order",1614,{"_649":712,"_31":713,"_652":714,"_255":718,"_378":719,"_658":720,"_660":721,"_663":722,"_667":723,"_669":726,"_675":732,"_681":735,"_686":38,"_687":741,"_690":742,"_693":743,"_695":744,"_697":745,"_699":746,"_701":702,"_703":747,"_705":748,"_709":749},"profile-4937",4937,[715,716,717],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyN7_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyN7_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EyN7_Right2.jpg","Gülşah Taşkın","gülşah_taşkın-ceramics-istanbul","After completing degrees in visual arts and in interior design in Türkiye and Italy respectively, Gülşah Taşkın turned to ceramics with a strong desire to create something with her hands. What began as an amateur effort soon bloomed into her setting up her workshop, Chloris Ceramic, in 2017. Her studio is named after the goddess of flowers in Greek mythology. “The forms of my pottery pieces and the drawings I create are inspired by the plates of various sizes and colours that adorned the tables during my childhood,” says Gülşah. “My personal stories, the diverse cultural influences I have experienced over the years, and the vibrant essence of my city, Istanbul, also feature prominently in my work.” Focused on creating traditional forms of pottery, while also experimenting with a glazing technique that she developed herself, Gülşah specialises in wheel throwing and slip casting techniques, with glazing applied and all patterns drawn individually by hand.",[662],[665,666],[724,662,725,662],"Art de la table","Territory",[727,728,729,730,731],"Kumru design in blue","Viola","Rose cups","Turna","Kumru design in red",[680,733,734],"Glaze","Enamel, glaze and lacquer",[736,737,738,739,740],"Plate","Cup","Dishware","Drinkware","Table and kitchen",[689],[692],[662],41.013,28.9748,"2026-05-01T09:28:55.000+0000","2025-10-16",{"_707":744,"_708":745},658,{"_649":751,"_31":752,"_652":753,"_255":757,"_378":758,"_658":759,"_660":760,"_663":761,"_667":762,"_669":768,"_675":775,"_681":784,"_686":38,"_687":788,"_690":789,"_693":790,"_695":791,"_697":792,"_699":793,"_701":702,"_703":794,"_705":795,"_709":796},"profile-13",13,[754,755,756],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000034iG4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000034iE4AQ-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000034iF4AQ-right2.jpg","Metin Ertürk","metin-ertrk-ct6uz8","Metin Ertürk’s comprehensive background in ceramics includes a high school and associate degree in ceramics, a further degree in ceramics from Uşak University’s Faculty of Fine Arts and a master’s degree at Hacettepe University with a focus on terra sigillata. His expertise expanded further in 2013 with a studio pottery traineeship at the Michel François Porcelain workshop in England, and working alongside the ceramic master Tomohisa Obana in Japan. Metin is an award-winning artisan, and he unveiled his first solo exhibition in 2016 in Japan followed by another solo exhibition in Türkiye in 2023. His works blend traditional craftsmanship with an exploration of human emotions and psychology, somehow managing to be functional whilst also exuding artistic elegance. Wheel-throwing, red earthenware clays and terra sigillata finishes are where his interest lies primarily. \"Sometimes the forms I have thrown are akin to a canvas, and I apply alternative firings on the surface or use various slip techniques. Although I sometimes use glaze, it’s important for me to always feel the surface and texture of the clay,\" he explains.",[662],[665,666],[763,764,662,765,766,767],"Awarded","Decorative","Interiors","Mentored","Traditions",[769,770,771,772,773,774],"Vase","Hope","Holyness (to delete)","Darkness","Oldies but goldies","Holyness",[776,733,679,777,778,779,780,781,680,734,782,783],"Red Clay","Cobalt","Porcelain","Terra sigillata","Gold","Platinum","Minerals","Metals",[769,683,785,684,786,685,787],"Sculpture","Monuments","Architecture",[689],[692],[662],41.18167,28.98962,"2026-05-01T09:22:02.000+0000","2025-04-24",{"_707":791,"_708":792},5017,{"_649":798,"_31":799,"_652":800,"_255":804,"_378":805,"_658":806,"_660":807,"_663":809,"_667":810,"_669":812,"_675":818,"_681":826,"_686":38,"_687":830,"_690":831,"_693":833,"_695":834,"_697":835,"_699":793,"_701":702,"_703":836,"_705":837,"_709":838},"profile-18",18,[801,802,803],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000033pR4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000033pN4AQ-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000033pQ4AQ-right2.jpg","Enes Cinkay","enes-cinkay-8r7jgo","Enes Cinkay remembers a distinct moment when he was a child, in which he wondered how books could be repaired. It is a defining memory in his path towards becoming a master book restorer and binder, beginning with many trial-and-error attempts at a young age. Enes learned his craft alongside a master artisan and then studied book restoration at university. “I always use traditional techniques because I work with old books. I sew books in the traditional way. I bind books the way they used to be in the olden days, and only use modern and scientific techniques when necessary,” says the artisan. Enes opened his current atelier in 2020. With a specialty in 19th century Ottoman and 17th and 20th century European binding techniques, he also restores paper and leather, and creates handmade notebooks. “The idea that the books I restore and bind will last hundreds of years has been my greatest source of inspiration,” he adds. Enes is also inspired by the many people he meets who still love to read and collect books.",[808],"Bookbinding",[665,666],[811,767],"Paper",[813,814,815,816,817],"Sahtiyan Defter","Homeros – İlyada Destanı","Türk Edebiyatı Minyatür Kitap Serisi","Çift Yapraklı","Kuran-ı Kerim",[819,780,820,821,822,823,824,783,811,825],"Goatskin","paper","Cowhide","Goat leather","Acrylic paint","Animal materials","Synthetic materials and resins",[827,828,829],"Book cover","Library","Books and paper",[689],[832],"Bookbinder",[808],41.028517420859,28.9732728220462,"2025-04-17",{"_707":834,"_708":835},5536,{"_649":840,"_31":841,"_652":842,"_255":846,"_378":847,"_658":848,"_660":849,"_663":850,"_667":851,"_669":853,"_675":859,"_681":861,"_686":38,"_687":863,"_690":864,"_693":865,"_695":866,"_697":867,"_699":793,"_701":702,"_703":836,"_705":868,"_709":869},"profile-9",9,[843,844,845],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000033fk4AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000033fi4AA-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000033fj4AA-right2.jpg","Dalya Baruh","dalya-baruh-wre49n","After completing her education at the École Nationale Supérieure des Arts Plastiques and École Nationale Supérieure des Arts Appliqués Dupperé in Paris, Dalya Anter Baruh opened her own studio in Istanbul in 1989. “My life in art began with the study of patterns and engravings, but soon changed through my discovery of ancient earthenware pots, history’s first examples of artistic expression,” she says. Deeply inspired by the simplicity of these relics – formed by deft fingers and enhanced through colours and decorative finishes – Dalya wanted to understand clay further. Her potter’s wheel has not stopped turning since she embarked on this journey. Her works are inspired by nature: vessel forms thrown and finished with engobes or terra sigillata. “Ceramic art allows me to connect with nature, especially through materials such as organic ashes, sand, clay, granite or limestone. It is a unique art form because it gives us the chance to create something through the purposeful integration of the soil,” says Dalya.",[662],[665,666],[662,765,852,725],"Nature",[854,855,856,857,858],"Sizlere Yolumda Rastladım round","Sizlere Yolumda Rastladım tall","Sizlere Yolumda Rastladım stout","Sizlere Yolumda Rastladım collection","Sizlere Yolumda Rastladım with neck",[679,779,776,860,680,782],"Stone",[862,684,685],"Vessel",[689],[692],[662],41.046451094486,28.9855836850919,{"_707":866,"_708":867},3364,{"_649":871,"_31":872,"_652":873,"_255":877,"_378":878,"_658":879,"_660":880,"_663":882,"_667":883,"_669":886,"_675":892,"_681":897,"_686":38,"_687":904,"_690":905,"_693":907,"_695":908,"_697":909,"_699":746,"_701":702,"_703":910,"_705":911,"_709":912},"profile-4537",4537,[874,875,876],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG000000326z4AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG000000326v4AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG000000326y4AA-right2.jpg","Banu Kent","banu-kent-p6fh1s","Banu Kent returned to Istanbul in 2011 after eight years in Amsterdam. Walking through the Grand Bazaar one day, she was inspired by a quartz stone in one of the shops. A reputable silversmith offered to teach her how to make a pendant in his workshop, and Banu's path was set. “I went back the next day and started working on the bench. Days turned into months and I kept going back to that little workshop,” she recounts. In 2012, Banu opened her own atelier and boutique where her art-deco-inspired designs, made with ethically sourced stones from trusted suppliers, are showcased on appointment. “When someone buys a piece of jewellery, it is mostly to remember or celebrate an important event such as a wedding, birthday, anniversary or accomplishment. So, in simple words, I create keepsakes of unforgettable moments of life,” she says.",[881],"Jewellery making",[665,666],[884,766,885,767],"Jewellery","New career",[887,888,889,890,891],"Swan and Cleo rings","Ivy Flower earring","Filigree necklace","Salt & Pepper rings","For Melek",[893,894,780,895,896,782,783],"Diamond","Tourmaline","Emerald","18 carat gold",[898,899,900,901,902,903],"Ring","Earring","Necklace","Jewellery set","Jewellery and watches","Mode",[689],[906],"Jewellery maker",[881],41.0280242819426,28.9766884879038,"2025-04-10",{"_707":908,"_708":909},4519,{"_649":914,"_31":915,"_652":916,"_255":920,"_378":921,"_658":922,"_660":923,"_663":925,"_667":926,"_669":927,"_675":933,"_681":937,"_686":38,"_687":940,"_690":941,"_693":943,"_695":944,"_697":945,"_699":746,"_701":702,"_703":946,"_705":947,"_709":948},"profile-4533",4533,[917,918,919],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002g4r4AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002g4n4AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002g4q4AA-right2.jpg","Neslihan Algünerhan","homofaber-b4qub0","In the serene courtyard of Arif Paşa Apartments, Neslihan Algünerhan can be found in her workshop and boutique, Nauna Linen. Built in 1902 to accommodate former Ottoman palace residents, the Arif Paşa Apartments are among the many iconic, yet hidden, corners of Istanbul which actively preserve the style and feel of the past. It is a whitewashed space filled with delicate linen objects in natural tones with creative nature-inspired prints. Having studied in the traditional Turkish crafts department at Marmara University, Neslihan quickly realised that hand-printing was her true calling. After a brief stint in the corporate world of home textiles, she resigned and took the plunge in 2018, opening her own workshop. “I produce home textile and products that convey my own inner world, by printing the patterns I draw on linen fabrics in colours that I like,” says Neslihan. She practices a traditional Anatolian hand-printing method that is more than 600 years old, taking care to use 100% natural materials.",[924],"Textile printing",[665,666],[724,764,765,885],[928,929,930,931,932],"Linen lamp with Rooster","Table runner with foliage","Drying cloth","Sailboat bags","Tablecloths",[680,934,935,936,783],"Linen","Copper wire","Fibres and textiles",[938,939,685],"Fabric painting","Wall decorations",[689],[942],"Textile printer",[924],41.04289,28.981475,"2025-02-06",{"_707":944,"_708":945},5465,{"_649":950,"_31":951,"_652":952,"_255":956,"_378":957,"_658":958,"_660":959,"_663":961,"_667":962,"_669":965,"_675":971,"_681":977,"_686":38,"_687":981,"_690":982,"_693":984,"_695":985,"_697":986,"_699":746,"_701":702,"_703":946,"_705":987,"_709":988},"profile-4535",4535,[953,954,955],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002gzJ4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002gzF4AQ-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002gzI4AQ-right2.jpg","Cengiz Özek","cengiz-zek-ziwn2m","Born in Istanbul, Cengiz Özek studied in the Traditional Turkish Decorative Arts and Theatre departments at the Istanbul Municipality Conservatory before becoming one of the country’s most well-known depiction artists and actors of traditional Turkish puppetry. In his shows, the figure of Karagöz, which is part of UNESCO’s list of Intangible Cultural Heritage of Humanity, is central. Cengiz makes this traditional shadow-puppet by hand. Composed of cow and camel leather, the delicate puppets come to life in a shadow theatre show, in which the artist and artisan's imagination captivate the audience. “I can make all the figures present in my imagination come alive, from a mermaid to Atatürk, the founder of the Turkish Republic, from witches and musicians to celebrities such as Karl Lagerfield, Salvador Dali and Iris Apfel,” says Cengiz. He is active in promoting the art through exhibitions and festivals, as well as through the Istanbul Karagöz Puppet Foundation, which he founded.",[960],"Puppetry",[665,666],[963,964,767],"Family and Children","Performing Arts",[966,967,968,969,970],"Tiryaki and Tuzsuz Deli Bekir","Zenne and Çelebi","Musicians","Magic Tree","Beberuhies",[972,973,974,824,975,976],"Leather","Watercolour","Ink","Cement, plaster, pigments","Botanical",[978,979,980],"Puppet","Cinema and Theatre","Performing arts",[689],[983],"Puppet maker",[960],41.03318,28.98545,{"_707":985,"_708":986},5013,{"_649":990,"_31":991,"_652":992,"_255":996,"_378":997,"_658":998,"_660":999,"_663":1001,"_667":1002,"_669":1006,"_675":1012,"_681":1013,"_686":38,"_687":1016,"_690":1017,"_693":1019,"_695":1020,"_697":1021,"_699":746,"_701":702,"_703":946,"_705":1022,"_709":1023},"profile-4531",4531,[993,994,995],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002gpc4AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002gpa4AA-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002gpb4AA-right2.jpg","Yunus Karma","yunus-karma-uglb91","Yunus Karma’s fascination with flowers began when he was merely nine years old, admiring the riot of colours and scents in his grandmother’s garden. “Those flowers, tended by her loving hands, were my first muses. The fascination they sparked became my life's work, and the memory of that garden is always with me, like a constant whisper of inspiration in my art,” says the self-taught artisan. Yunus worked as an apprentice for many years before opening his own studio in 2009. Apart from offering custom-designed fresh flower arrangements and installations, he also creates floral sculptures, in which the natural and man-made come together to form unique artistic expressions. “This sculpting process is not about altering the flowers’ essence, but rather about framing it, highlighting each petal, each curve, in ways that unveil their truest beauty,” he explains. Since the mid-2000s, Yunus has also been training apprentices with a conviction to develop the next bloom of creative talent.",[1000],"Flower designing",[665,666],[1003,852,1004,1005],"Flowers","Self-taught","Teacher",[1007,1008,1009,1010,1011],"Butterfly Dance","EcoAmarant Fall","Sun Whisper","Cocoon","Childhood Skates",[],[1014,1015,685],"Floral arrangement","Botanical art",[689],[1018],"Flower designer",[1000],41.0561631286883,29.0060984356559,{"_707":1020,"_708":1021},4751,{"_649":1025,"_31":1026,"_652":1027,"_255":1031,"_378":1032,"_658":1033,"_660":1034,"_663":1035,"_667":1036,"_669":1038,"_675":1044,"_681":1054,"_686":38,"_687":1055,"_690":1056,"_693":1057,"_695":1058,"_697":1059,"_699":746,"_701":702,"_703":946,"_705":1060,"_709":1061},"profile-4526",4526,[1028,1029,1030],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002gjB4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002gj74AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002gjA4AQ-right2.jpg","Burcu Büyükünal","burcu-buyukunal-jxqpkk","For Burcu Büyükünal, becoming a jewellery artisan was the only foreseeable path. “I remember making small ships out of pine bark, and a clay pot out of mud at the age of five or six,” she recounts. Burcu initially studied industrial product design, later finding her true calling working in the workshop of Ela Cindoruk and Nazan Pak, two of Türkiye's pioneering contemporary jewellery makers. After receiving a Fulbright scholarship, Burcu honed her skills with an MFA in Metal at the State University of New York. She returned to Türkiye and co-founded the Maden Contemporary Jewellery Studio in 2011. By 2023, Burcu had opened her own studio, as a place to teach and create her work. “I love making my work in my small, isolated bubble. I love that productive and fruitful loneliness,” she explains. Her creations teeter on the boundary between a designed functional product and an arbitrary piece of artistic whim that can’t be classified.",[881],[665,666],[1037,884,766],"Digital tools",[1039,1040,1041,1042,1043],"Let It Brooch","Burcu brooch","Leaves rings","Filigree earrings","Origami rings",[1045,1046,1047,1048,1049,1050,1051,1052,783,1053,976,825,824],"Stainless steel","Sterling silver","Wax","Straw","Plexiglass","Pearl","Silver","Steel","Natural essences",[901,902,903],[689],[906],[881],41.01629,29.16091,{"_707":1058,"_708":1059},3104,{"_649":1063,"_31":1064,"_652":1065,"_255":1069,"_378":1070,"_658":1071,"_660":1072,"_663":1074,"_667":1075,"_669":1077,"_675":1083,"_681":1089,"_686":38,"_687":1094,"_690":1095,"_693":1097,"_695":1098,"_697":1099,"_699":746,"_701":702,"_703":946,"_705":1100,"_709":1101},"profile-4532",4532,[1066,1067,1068],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002h8z4AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002h8v4AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002h8y4AA-right2.jpg","Şahide Yazıcıoğlu","ahide-yazcolu-ovyiv1","Şahide Yazıcıoğlu worked as a journalist and editor at various Turkish newspapers for more than 20 years before deciding to focus on her passion for wood. Having grown up in a wooden house, Şahide’s fascination for the smell, colour and texture of wood have accompanied her throughout her life. In 2009, she enrolled in a woodcarving course and learned the craft from master Ayhan Tomak for about five years. Şahide opened her own workshop in 2015. “I love being able to produce new designs, carving pieces of wood in the way I envision, making a usable form, and carving rough forms to give them a more elegant appearance,” she says. Her works are completely hand carved wooden product, made from the fusion of traditional carving methods such as surface carving, shape carving and cut carving.",[1073],"Wood carving",[665,666],[724,885,767,1076],"Wood",[1078,1079,1080,1081,1082],"Braid spoon","Auger spoon","Flame spatula","Presentation plate","Sun spoon",[1084,1085,1086,1087,1088,1053,825,1076],"Linseed oil","Shellac","Walnut wood","Cherry wood","Olivewood",[1090,1091,736,1092,1093,738,740],"Spoon","Spatula","Cutlery","Cookware",[689],[1096],"Woodcarver",[1073],41.06033,29.01089,{"_707":1098,"_708":1099},2226,{"_649":1103,"_31":1104,"_652":1105,"_255":1109,"_378":1110,"_658":1111,"_660":1112,"_663":1114,"_667":1115,"_669":1118,"_675":1124,"_681":1126,"_686":38,"_687":1128,"_690":1129,"_693":1131,"_695":1132,"_697":1133,"_699":746,"_701":702,"_703":946,"_705":1134,"_709":1135},"profile-4525",4525,[1106,1107,1108],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002gEY4AY-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002gEU4AY-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002gEX4AY-right2.jpg","Felekşan Onar","feleksan-onar-ir2t0i","After completing an undergraduate degree in economics and music history at Cornell University and a master’s degree at Harvard Business School, Felekşan Onar deviated her life’s course entirely by moving to the world of glass. The Turkish artisan began her career in a private atelier before receiving formal training in traditional glass making at The Glass Furnace in Istanbul. By 2003, Felekşan had established her own atelier, Fy-Shan Glass Studio, where she experiments by blurring the boundaries between traditional craftsmanship, modern design and contemporary art. “I describe myself as a person who speaks through glass, who breathes through glass,” she says. Her most well-known work, Perched, is a metaphorical series of glass birds that reflect the plight of refugees in Türkiye. Felekşan's works are part of important public collections such as at the Victoria & Albert Museum in London and the Riihimaki Glass Museum in Finland, among others.",[1113],"Glass sculpting",[665,666],[1116,1117],"Exhibitions/Museums","Glass",[1119,1120,1121,1122,1123],"Strata","Ferris Wheel","Solid Green","Perched","Odysseus",[1125,1117],"Blown glass",[785,1127,786,684,787,685],"Installation",[689],[1130],"Glass sculptor",[1113],41.030995,28.97301,{"_707":1132,"_708":1133},1809,{"_649":1137,"_31":1138,"_652":1139,"_255":1142,"_378":1143,"_658":1144,"_660":1145,"_663":1146,"_667":1147,"_669":1150,"_675":1156,"_681":1158,"_686":38,"_687":1159,"_690":1160,"_693":1161,"_695":1162,"_697":1163,"_699":746,"_701":702,"_703":946,"_705":1164,"_709":1165},"profile-4534",4534,[1140,1141],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002gZU4AY-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002gZS4AY-left1.jpg","Tülin Bozüyük","homofaber-fm9ruw","Tülin Bozüyük’s tableware designs showcase how dance can inspire fluid aesthetics in ceramic designs. For Tülin, it all began when she researched ceramic design to create plates for her own restaurant. This evolved into a passionate career, and she started teaching ceramic techniques at her studio, Touline Ceramics, in Etiler, Istanbul. “This blend of artistic and analytical training enriches my creations, reflecting my aesthetic sensibilities and disciplined craftsmanship,” says Tülin. She is inspired by nature’s organic shapes and the simple yet functional designs of primitive vessels and structures from ancient times. With all these elements combined, her ceramic tableware collections possess a modern flair twinned with timeless charm.",[662],[665,666],[724,1148,662,1149,885],"Collaborations","Hospitality",[1151,1152,1153,1154,1155],"Margot","Ocean","Pavlova","White","Green",[1157,680],"Stoneware",[736,738,740],[689],[692],[662],41.04224,28.98546,{"_707":1162,"_708":1163},972,{"_649":1167,"_31":1168,"_652":1169,"_255":1173,"_378":1174,"_658":1175,"_660":1176,"_663":1178,"_667":1179,"_669":1180,"_675":1184,"_681":1186,"_686":38,"_687":1189,"_690":1190,"_693":1192,"_695":1193,"_697":1194,"_699":793,"_701":702,"_703":946,"_705":1195,"_709":1196},"profile-14",14,[1170,1171,1172],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002gT34AI-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002gSz4AI-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002gT24AI-right2.jpg","Kenan Usta","kenan-usta-h75hk8","The bağlama has an immense cultural and emotional value in Anatolian folk music, serving as a deep source of inspiration for Turkish musicians from many different genres. Having grown up within this culture and the classic songs of Anatolian folk music, this famed and poignant instrument was a clear choice for self-expression for Kenan Usta. Listening to it, playing it, and indeed making this lute with love, passion and dedication. With no formal training, Kenan taught himself to make the bağlama over years of practice. “I believe that having learnt this craft on my own, without the guidance of a master, allowed me to create my own style, to discover things on my own, rather than to only apply the same techniques as my teacher,” he says. Kenan has been a luthier since the early 2000s, creating ergonomic instruments with a high sound quality and carefully selected wood. “Making a bağlama is not just about technique, you have to create a relationship with the musician, to understand their emotions. The emotion is the fundamental part of instrument creation,” says Kenan.",[1177],"Lutherie",[665,666],[964,767,1076],[1181,1182,1183],"Short handle bağlama","Curved mulberry Turna Dede bağlama","Short handle curved cura",[1185,976],"Mulberry",[1187,1188,980],"Guitar","Musical instruments",[689],[1191],"Luthier",[1177],41.0532712116072,28.9624091977577,{"_707":1193,"_708":1194},630,{"_649":1198,"_31":1199,"_652":1200,"_255":1204,"_378":1205,"_658":1206,"_660":1207,"_663":1209,"_667":1210,"_669":1212,"_675":1218,"_681":1221,"_686":38,"_687":1226,"_690":1227,"_693":1229,"_695":1230,"_697":1231,"_699":700,"_701":702,"_703":946,"_705":1232,"_709":1233},"profile-4737",4737,[1201,1202,1203],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002g6T4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002g6P4AQ-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002g6S4AQ-right2.jpg","Gülçin Anmaç","glin-anma-aejmba","Art was always an innate passion for Gülçin Anmaç who graduated from Istanbul University’s Department of Anthropology. Her discovery of Turkish miniature painting during her undergraduate years cemented her resolve to pursue this traditional art form, researching and working alongside some of the country’s most important masters. “I chose miniature painting because I love it and because it is the sole art form through which I can express myself most beautifully and thoroughly. I also chose to teach miniatures because I believe its deep roots and rich cultural heritage need to be preserved and transferred to future generations,” says Gülçin. The artist opened her own atelier in 2014, after painting from home for many years in addition to her day job. Using traditional Murakka paper, Gülçin is inspired by Istanbul, as well as the world of flora and fauna, legends and symbols, historic events and myths.",[1208],"Miniature painting",[665,666],[885,811,767,1211],"Visual Arts",[1213,1214,1215,1216,1217],"İstanbul Belgrad Ormanı ve Sonbahar","Dalgalı Denizde Yelkenliler","İstanbul Çemberlitaş’ta Bulunan Konstantin Sütunu","Sema Töreni ve Dervişler","Borsa İstanbul hatıra panosu",[1219,973,811,780,1220,733,975,783,734],"Gouache","Paint",[1222,1223,1224,1225,829,787],"Illustration","Wall panel","Graphic design","Building 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