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BY","https://www.michelangelofoundation.org/",{"_31":575,"_62":576,"_255":577,"_257":-5,"_258":-5,"_259":578,"_261":579,"_262":-5,"_263":580,"_265":518,"_267":519,"_269":581,"_46":582,"_272":-5,"_273":274,"_275":-5,"_66":583,"_68":583,"_70":584,"_278":-5},76,"fcyvf2nl8hzfkd7vqixf1sk5","logo-mfo.svg",539,119,"logo_mfo_55eabd6b6c",12.04,"/uploads/logo_mfo_55eabd6b6c.svg","2025-04-07T12:55:43.352Z","2025-04-07T12:55:43.354Z","MainFooterNewsletterURI","https://www.homofaber.com/en/subscribe-homo-faber-newsletter","MainFooterNewsletterCTALabel","Subscribe to our newsletter","MainFooterNewsletterInvite","topBanner",{"_31":592,"_62":593,"_594":595,"_596":-5,"_597":598,"_599":-5,"_600":601,"_602":-5,"_603":604,"_605":-5,"_606":607,"_608":609,"_610":154,"_611":612,"_66":613,"_68":614,"_70":615,"_616":595,"_617":598,"_618":619,"_620":621,"_622":623},1,"zww7zy7yk4l92abdveorjg5h","textLeft","HOMO FABER 2026","bgColor","bgImgUrl","https://api.homofaber.com/uploads/9_16_1080x1920_50_175a29db28.png","bgRepeat","bgFit","contain","centerImgUrl","centerText","1 – 30 September 2026, San Giorgio Maggiore Island, Venice","centerImgFit","ctaLabel","Book your ticket","ctaBgColor","#FFFFFF","ctaUrl","textColor","white","2025-05-22T09:42:23.885Z","2026-04-27T09:13:30.731Z","2026-04-27T09:13:30.723Z","textLeftXs","bgImgUrlXs","ctaLabelXs","Book now","ActiveStartDate","2026-04-27T07:00:00.000Z","ActiveEndDate","2026-09-30T21:45:00.000Z","mainAdvert","guideTags",[627,629,631,634],{"_255":187,"_628":-5},"badge_color",{"_255":183,"_628":630},"#115C90",{"_255":632,"_628":633},"Homo Faber Capsule","#f0deca",{"_255":207,"_628":635},"#D9583B","isWebview","userAgent","Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)","emailHash","request",["SingleFetchClassInstance",642],{},"routes/$lang","routes/$lang.artisans._index",{"_646":647,"_1750":647,"_1751":1752,"_2206":2207},"profiles",[648,706,747,793,838,876,903,948,987,1018,1046,1094,1124,1156,1193,1225,1259,1287,1320,1349,1387,1417,1442,1477,1505,1536,1579,1612,1648,1679,1715],{"_649":650,"_31":651,"_652":653,"_255":657,"_378":658,"_659":660,"_661":662,"_664":665,"_668":669,"_675":676,"_677":678,"_679":680,"_681":38,"_682":683,"_685":686,"_688":689,"_690":691,"_692":693,"_694":695,"_696":697,"_698":699,"_700":701,"_704":705},"_meilisearch_id","profile-4818",4818,"picture",[654,655,656],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ey4l_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ey4l_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ey4l_Right2.jpg","Alexander von der Decken","alexander_von_der_decken-restoration-hamburg","description","For Alexander von der Decken, everything begins with respect. He cares for his tools like medical instruments, selects his materials with clear intention, and trusts in time-tested techniques. His journey took him from cabinetmaking into the precision work of historical restoration, where he specialises in wood surfaces and the refined use of shellac. In every project, Alexander searches for what will last. \"I always try to find the simplest way to reach the best possible result,\" he says. While restoration work follows the rules set by the object, his own designs give him room to explore form freely. Alexander's tableware unites clarity and warmth. Turned by hand and often ebonised, his sculptural pieces invite touch, become companions in daily rituals, and slowly gather the traces of time.","craft",[663],"Restoration","destinations",[666,667],"Germany","Hamburg","tags",[670,671,672,673,674],"Art de la table","Design","Innovation","Traditions","Wood","objects",[],"materials",[],"categories",[],"has-experiences","type-of-artisan",[684],"Artisan","craft_person",[687],"Restorer","craft_metier",[663],"latitude",53.573379,"longitude",10.082091,"content_edit_date","2026-05-01T09:28:32.000+0000","city_and_country","Hamburg, Germany","is_new_until","2025-11-06","_geo",{"_702":691,"_703":693},"lat","lng","order",5035,{"_649":707,"_31":708,"_652":709,"_255":713,"_378":714,"_659":715,"_661":716,"_664":718,"_668":719,"_675":723,"_677":729,"_679":733,"_681":38,"_682":736,"_685":737,"_688":739,"_690":740,"_692":741,"_694":742,"_696":743,"_698":744,"_700":745,"_704":746},"profile-4932",4932,[710,711,712],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EvgG_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EvgG_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000EvgGb_Right2.jpg","Isabel Roos","isabel_roos-illustration-würzburg","Isabel Roos works with vivid colours, structures and organic patterns to create immersive, visual worlds that are uniquely hers. “I like to dive so deep into a project that it fills all my thoughts,” says Isabel. This passion for immersive exploration shapes her practice's aesthetic. With degrees in illustration and scientific illustration from HAW Hamburg, Isabel’s works move between focused observation, research and creative invention. Her illustrations often begin with analogue ink drawings and evolve into intricately crafted, multi-layered scenes. By inserting fine, highly detailed structures into her illustrations, she imparts a distinct internal logic to each piece.",[717],"Illustration",[666,667],[720,721,673,722,721],"Digital tools","Paper","Visual Arts",[724,725,726,727,728],"Raven","Findlinge","The Way Out","Way to school","Looking up",[730,731,721,732],"Ink","Digital","Botanical",[717,734,735],"Graphic design","Books and paper",[684],[738],"Illustrator",[717],49.79103355062375,9.950581273443335,"2026-05-01T09:25:43.000+0000","Würzburg, Germany","2025-10-16",{"_702":740,"_703":741},945,{"_649":748,"_31":749,"_652":750,"_255":754,"_378":755,"_659":756,"_661":757,"_664":759,"_668":760,"_675":769,"_677":775,"_679":780,"_681":38,"_682":784,"_685":785,"_688":787,"_690":788,"_692":789,"_694":695,"_696":697,"_698":790,"_700":791,"_704":792},"profile-4115",4115,[751,752,753],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ey3J_Center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ey3J_Left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/a1OTG000000Ey3J_Right2.jpg","Detlef Stiebich & Julia Rieth","detlef_stiebich__julia_rieth-bag_making-hamburg","Julia Rieth and Detlef Stiebich met while working at German fashion houses like Joop, Bogner and Wunderkind, and their strong creative chemistry and shared vision quickly became clear. \"After years of designing for others, we felt the urge to shape something truly our own,\" the duo says. Their studio, Stiebich & Rieth, was born out of this ambition – a bag atelier that values purity, function and traditional craftsmanship. \"Early on, we realised that conventional production methods could not bring our ideas to life, so we chose to learn saddlery from the ground up and take the entire process into our own hands,\" Julia and Detlef say. In their Hamburg workshop, each prototype is developed through exploration and careful refinement. \"Together, we craft bags that merge sculptural calmness with enduring strength, in a way that reflects our shared sense for minimalism and function in every detail,\" the duo explains.",[758],"Bag making",[666,667],[761,762,763,764,765,766,767,768,764],"Collaborations","Creative duos","Exhibitions/Museums","Fashion","Functional","Lifestyle","Partners in craft","Sustainable",[770,771,772,773,774],"DRIFTER","CHERRY multicolour","LOOP","PIPE","PAPILLON",[776,777,778,779],"Calf leather","Nappa","Suede leather","Animal materials",[781,782,783],"Handbag","Bags and luggages","Mode",[684],[786],"Bag maker",[758],53.6,10,"2025-10-02",{"_702":788,"_703":789},4766,{"_649":794,"_31":795,"_652":796,"_255":800,"_378":801,"_659":802,"_661":803,"_664":805,"_668":806,"_675":808,"_677":814,"_679":825,"_681":49,"_682":828,"_685":829,"_688":831,"_690":832,"_692":833,"_694":834,"_696":697,"_698":835,"_700":836,"_704":837},"profile-3915",3915,[797,798,799],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003agX4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003agT4AQ-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003agW4AQ-right2.jpg","Frank Pressentin","frank-pressentin-r4fmeh","In his Hamburg workshop, Frank Pressentin handcrafts writing instruments that emphasise meticulous craftsmanship, precision and the integrity of every material he uses. \"I define my approach to craftsmanship as 'new luxury'. My focus is not on loud, flashy objects but on authentic, timeless quality and a deep respect for materials,\" he says. Frank's journey began in academia, but it was the process of building a boat for his family that sparked his passion for hands-on work. He created his first fountain pen using leftover boat materials. Frank’s work is driven by the belief that true value lies in understanding where each piece comes from and the care invested in its creation.",[804],"Pen making",[666,667],[765,766,807],"Self-taught",[809,810,811,812,813],"POCKETMASTER pocket fountain pen 1","LONGCAP fountain pen 2","POCKETMASTER pocket fountain pen 2","LONGCAP fountain pen 1","SHORTCAP fountain pen",[815,816,817,818,819,820,821,822,823,674,824],"Rose gold","18 carat gold","Silver","Ebony wood","Gold","Copper","Ebonite","Metal","Metals","Synthetic materials and resins",[826,827,735],"Pen","Stationery",[684],[830],"Pen maker",[804],53.59141344028936,10.12316302602453,"2026-05-01T09:28:23.000+0000","2025-08-08",{"_702":832,"_703":833},555,{"_649":839,"_31":840,"_652":841,"_255":845,"_378":846,"_659":847,"_661":848,"_664":850,"_668":851,"_675":855,"_677":861,"_679":863,"_681":38,"_682":867,"_685":868,"_688":870,"_690":871,"_692":872,"_694":695,"_696":697,"_698":873,"_700":874,"_704":875},"profile-4152",4152,[842,843,844],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003Dte4AE-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003Dta4AE-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000003Dtd4AE-right2.jpg","Ina Hattebier","ina-hattebier-ggubwt","Ina Hattebier studied design and fine arts and has been an independent artist since 1990. She has worked out of studios in several artist collectives in Hamburg. Since 2016, Ina has run her own studio at the Künstlerhaus Dosenfabrik. Her journey with paper began through running a children's workshop where she experimented with papermaking, a process that became central to her artistic practice. She works with papers made by Italian and Nepalese papermakers and produces her own plant-based papers to expand her repertoire. In 2011, Ina trained as a grief counsellor to explore mourning and funeral rituals. While initially unsure how to combine this with her art, she later discovered a profound connection between the impermanence of paper and the rituals of grief and burial.",[849],"Urn making",[666,667],[852,853,854,721,768],"Craft therapy","Family and Children","Decorative",[856,857,858,859,860],"Türkis-Meerestiere","Memento, sternenklare nacht, gold","Mohnblumen","Pusteblumen, grün","Baroque, blau",[862,721],"paper",[864,865,866],"Funeral urn","Ceremonial objects","Spiritual",[684],[869],"Urn maker",[849],53.563493,9.921264,"2025-05-22",{"_702":871,"_703":872},3030,{"_649":877,"_31":878,"_652":879,"_255":883,"_378":884,"_659":885,"_661":886,"_664":887,"_668":888,"_675":891,"_677":892,"_679":893,"_681":38,"_682":894,"_685":896,"_688":897,"_690":898,"_692":899,"_694":695,"_696":697,"_698":900,"_700":901,"_704":902},"profile-4112",4112,[880,881,882],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002tzl4AA-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002tzh4AA-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002tzk4AA-right2.jpg","Klangmanufaktur","homofaber-ujioz6","Founded in 2015, Klangmanufaktur is dedicated to the restoration and acoustic enhancement of Steinway & Sons concert grand pianos. Each instrument is meticulously rebuilt, blending the rich character of aged wood with the precision of modern craftsmanship. In addition to offering Steinway rentals for concerts, recordings, and long-term use, the workshop provides accessible rehearsal spaces, all featuring high-quality pianos. With a deep commitment to sustainability, collaboration, and innovation, Klangmanufaktur fosters a dynamic community of musicians and artisans.",[663],[666,667],[889,890],"Manufacturer","Performing Arts",[],[],[],[895],"Atelier",[687],[663],53.550666,10.038801,"2025-03-13",{"_702":898,"_703":899},4506,{"_649":904,"_31":905,"_652":906,"_255":910,"_378":911,"_659":912,"_661":913,"_664":915,"_668":916,"_675":919,"_677":925,"_679":935,"_681":38,"_682":939,"_685":940,"_688":942,"_690":943,"_692":944,"_694":834,"_696":697,"_698":945,"_700":946,"_704":947},"profile-3934",3934,[907,908,909],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002l1J4AQ-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002l1F4AQ-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000002l1I4AQ-right2.jpg","Birgit Borstelmann","birgit-borstelmann-cairk4","Birgit Borstelmann creates objects that make people smile. Originally from a tiny island in northern Germany, she grew up by the sea, surrounded by many boats and harboured a fascination for mechanical objects. Now, in her studio in Hamburg, she creates inventive objects out of second-hand items. Her creations look like mechanical sculptures while at the same time being toys. But these are toys made to remind people that, in addition to routine and obligations, life should leave room for fantasy. \"It is an extraordinary pleasure when you can turn on an object and it starts to move, as if you have woken it up from sleep,\" shares Birgit. She gives things a second life and people joy.",[914],"Automaton building",[666,667],[852,853,766,917,768,918],"Mixed media","Upcycling",[920,921,922,923,924],"UFO","Blue Shark","Kopernikus","Light Rocket","Poseidon",[926,927,928,929,930,931,932,820,933,823,824,674,934],"Fused-glass","Brass","Iron","Acrylic paint","wood","Nylon","Aluminium","Glass","Fibres and textiles",[936,937,938],"Automaton","Mechanical works","Leisure",[684],[941],"Automaton builder",[914],53.56987,9.89825,"2025-02-20",{"_702":943,"_703":944},2876,{"_649":949,"_31":950,"_652":951,"_255":955,"_378":956,"_659":957,"_661":958,"_664":960,"_668":961,"_675":963,"_677":968,"_679":973,"_681":38,"_682":977,"_685":978,"_688":980,"_690":981,"_692":982,"_694":983,"_696":697,"_698":984,"_700":985,"_704":986},"profile-141",141,[952,953,954],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001Cs14AE-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001Crx4AE-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000001Cs04AE-right2.jpg","Hanna Winkler","hanna-winkler-yjdhpe","Hanna Winkler appreciates the archaic nature of ceramics, the possibility of pursuing a millennia-old tradition, and the concentration required when working. After studying decorative painting in Brussels, specialising in wood and marble imitation, and later studying graphic design and working in exhibition design, Hanna realised how much she missed the handmade. She decided to work with clay and came to ceramics, encouraged by a couple of artist friends. They introduced her to the subtleties of the craft and showed her the link between ceramics, one of the oldest crafts, and ethnology. \"I like it when you cannot tell in what era an item was made by looking at it,\" she says. Now immersed in the craft, Hanna calls clay her friend and creates vessels that can add a restrained beauty and timelessness to everyday life.",[959],"Ceramics",[666,667],[670,853,959,765,962],"Interiors",[964,965,966,967],"Black and White moon jars","The Black Moon Jar","White Moon Jar","Two vases",[969,970,971,972],"Stoneware","Glaze","Ceramic","Enamel, glaze and lacquer",[974,975,976],"Vase","Decorative objects","Decoration",[684],[979],"Ceramicist",[959],53.557431,9.863717,"2026-05-01T09:22:02.000+0000","2024-07-04",{"_702":981,"_703":982},5053,{"_649":988,"_31":989,"_652":990,"_255":994,"_378":995,"_659":996,"_661":997,"_664":998,"_668":999,"_675":1002,"_677":1008,"_679":1009,"_681":38,"_682":1010,"_685":1011,"_688":1012,"_690":1013,"_692":1014,"_694":834,"_696":697,"_698":1015,"_700":1016,"_704":1017},"profile-3912",3912,[991,992,993],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000mMT4AY-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000mMP4AY-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000mMS4AY-right2.jpg","Sebastian König","sebastian-knig-0pzfka","Before Sebastian König consciously chose a career as an illustrator, he worked as a graphic designer. Even though he has always been creative, it was his drawing teacher at the School of Visual Arts in Alsterdamm who instilled in him the love of drawing. \"As a result of Michael Mau's instruction, I was able to look at any object until I recognised what its unique quality was.\" Otl Aicher's work for the 1972 Olympics was also a great source of inspiration for Sebastian. Pictograms are an essential part and strength of Sebastian's artwork. With just a few shapes and a limited colour palette, he is able to convey complex stories. His illustrations remain lively despite their minimalism. He achieves this not only by using stylistic devices such as colouring the surface with coloured pencil and adding hand-drawn lines, but more importantly by expressing his quiet sense of humour through his work.",[717],[666,667],[1000,1001,721,722],"First generation","New career",[1003,1004,1005,1006,1007],"Jamming, The ambulance","Jamming: The room with a view","Facts & Figures zine","Jamming, The biker","Facts & Figures riso print",[721],[717,734,735],[684],[738],[717],53.559183,9.946618,"2024-05-02",{"_702":1013,"_703":1014},2221,{"_649":1019,"_31":1020,"_652":1021,"_255":1025,"_378":1026,"_659":1027,"_661":1028,"_664":1029,"_668":1030,"_675":1032,"_677":1037,"_679":1038,"_681":49,"_682":1039,"_685":1040,"_688":1041,"_690":1042,"_692":789,"_694":834,"_696":697,"_698":1043,"_700":1044,"_704":1045},"profile-3911",3911,[1022,1023,1024],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000T3g4AE-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000UVx4AM-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG0000000T3f4AE-right2.jpg","Benjamin Gottwald","benjamin-gottwald-skqd0v","Benjamin Gottwald realised early on that he would somehow have to find a way in life to earn an income from his passion for drawing. Via his uncle he discovered the work of architectural drafting, and initially studied art education. After a few years he started to earn an income as a freelance illustrator and simultaneously applied to the University of Applied Sciences in Hamburg. There, he studied Illustration for a bachelor's and master's degree. For his thesis, Benjamin produced the children's book Spider Plays the Piano. This work shows a collection of 160 illustrations that invite the viewer to invent a suitable sound for each motif. Spider Plays the Piano not only found a publisher immediately, but was also translated into several languages and won awards for the Best Children's Book in several European countries. In addition to children's books, graphic novels and freelance work, Benjamin draws for various well-known magazines.",[717],[666,667],[1031,853,720,721,722],"Awarded",[1033,1034,1035,1036],"Mondlandung 69","Spinne spielt Klavier","Spring","Procreate",[731,721],[717,734,735],[684],[738],[717],53.5,"2024-03-14",{"_702":1042,"_703":789},4348,{"_649":1047,"_31":1048,"_652":1049,"_255":1053,"_378":1054,"_659":1055,"_661":1056,"_664":1058,"_668":1059,"_675":1062,"_677":1068,"_679":1075,"_681":38,"_682":1085,"_685":1086,"_688":1088,"_690":1089,"_692":1090,"_694":834,"_696":697,"_698":1091,"_700":1092,"_704":1093},"profile-3933",3933,[1050,1051,1052],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000003Sb4AI-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000003SX4AY-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000003Sa4AI-right2.jpg","Kathrin Heinicke","kathrin-heinicke-cpqeue","Kathrin Heinicke lives and works in Hamburg, but her work is inextricably linked to the North of Germany. Born in Sylt, she translates Nordic restraint, the play of lines and the landscape of the dunes shaped by wind and water, into her jewellery pieces. The architecture of bridges and the North are two of her main inspirations. The North is reflected in the restrained forms of vessels and jewellery, in the blues and greens of cold water. From an early age, Kathrin knew she wanted to work in the arts. She chose goldsmithing, with the support of her family, and has never been disappointed. Since the mid-1980s, she has been creating jewellery and vessels in her studio, addressing themes such as natural phenomena, the impact of time on landscapes and historical events.",[1057],"Jewellery making",[666,667],[1060,1061],"Jewellery","Territory",[1063,1064,1065,1066,1067],"Architectonic","Architectonic rings","Of man and humanity – what I nourish myself with","Idea about the sea","Serving plate HH° located",[1069,1070,1071,1072,933,1073,823,1074,674],"Gold AU750","Rutile","Tourmaline","Silver 925","Olivewood","Minerals",[1076,1077,1078,1079,1080,1081,975,1082,1083,783,976,1084],"Jewellery set","Ring","Bowl","Tea set","Serving platter","Jewellery and watches","Coffee and tea","Serving ware","Table and kitchen",[684],[1087],"Jewellery maker",[1057],53.64062,9.908812,"2023-12-14",{"_702":1089,"_703":1090},3927,{"_649":1095,"_31":1096,"_652":1097,"_255":1101,"_378":1102,"_659":1103,"_661":1104,"_664":1105,"_668":1106,"_675":1107,"_677":1113,"_679":1114,"_681":38,"_682":1116,"_685":1117,"_688":1118,"_690":1119,"_692":1120,"_694":834,"_696":697,"_698":1121,"_700":1122,"_704":1123},"profile-3968",3968,[1098,1099,1100],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000002GO4AY-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000002GM4AY-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YLTG00000002GN4AY-right2.jpg","Claudia Westhaus","claudia-westhaus-wcz6ay","If one were to summarise Claudia Westhaus’ art, it would be, in her own words “making the technically impossible possible.” Whilst she uses traditional jewellery techniques acquired during an apprenticeship and several university degrees from London Guildhall University and the Royal College of Art in London, she likes to push their limits. To Claudia, the process of making and the treatment of material do not underlie any set rules, but rather the idea behind a particular piece. Sterling silver is Claudia’s material of choice as it emphasises the lightness and ease of her designs. Located in the House for Arts, Design and Crafts named Koppel 66 in Hamburg, her workshop is open to anyone who would like to browse and see her creation process.",[1057],[666,667],[1000,1060],[1108,1109,1110,1111,1112],"Paradiesfinger brooch","Starflower brooch","Dalia Maxima brooch","Burst brooch","Waves rings",[1072,823],[1115,1077,1081,783],"Brooch",[684],[1087],[1057],53.55846,10.011197,"2023-12-11",{"_702":1119,"_703":1120},3900,{"_649":1125,"_31":1126,"_652":1127,"_255":1131,"_378":1132,"_659":1133,"_661":1134,"_664":1135,"_668":1136,"_675":1138,"_677":1144,"_679":1145,"_681":38,"_682":1148,"_685":1149,"_688":1150,"_690":1151,"_692":1152,"_694":834,"_696":697,"_698":1153,"_700":1154,"_704":1155},"profile-3929",3929,[1128,1129,1130],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004WGWWA2-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004WGUWA2-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q0000004WGVWA2-right2.jpg","Maren Amini","maren-amini-4bbxtd","Maren Amini can still remember the very first drawing she made. She was a child then, and she had seen a monster drawn on the wall of a trendy store in Hamburg. When she went back home, she tried to reproduce it. The result hit her like a blow: she could not believe that such an amazing picture had come from her own hand. From that day on, she has never stopped drawing. Maren's passion was encouraged by her family – her father is an artist himself – and her imagination was fed with comics, cartoons and fairy tales, in particular with the works of Wilhelm Busch, André Franquin, Jean-Jacques Sempé and the brothers Grimm. She graduated from the University of Applied Sciences Hamburg with a degree in Illustration and Communication Design, and began her career as an illustrator, focusing on “the small, silly, smart, loving human being,” as she likes to describe her main subject. “My aim is to touch people’s heart and make them laugh,” she says. As an illustrator, Maren is represented outside Germany by the agency AnnaGoodson. Her book is due to be published in 2024 and is called Ahmadjan und der Wiederhopf.",[717],[666,667],[854,720,1137,766,721],"Heritage",[1139,1140,1141,1142,1143],"OK-Man","Happy 60th","On the move","The little things","Beatus Homo (the beautiful person)",[721],[1146,1147,976],"Drawing","Wall decorations",[684],[738],[717],53.553379,9.961664,"2023-11-02",{"_702":1151,"_703":1152},2631,{"_649":1157,"_31":1158,"_652":1159,"_255":1162,"_378":1163,"_659":1164,"_661":1165,"_664":1167,"_668":1168,"_675":1169,"_677":1175,"_679":1180,"_681":38,"_682":1184,"_685":1185,"_688":1187,"_690":1188,"_692":1189,"_694":834,"_696":697,"_698":1190,"_700":1191,"_704":1192},"profile-3939",3939,[1160,1161],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PdRmWAK-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PdRcWAK-left1.jpg","Claudia Christl","claudia-christl-a6wje4","Claudia Christl studied goldsmithing, silversmithing, and then industrial design at the Burg Giebichenstein University of Art and Design in Halle/Saale. In 1996 she set up her own studio, and for thefollowing six years worked as chief designer at Wilkens Silver Manufacture. These successive studies and work experiences allowed her to create both jewellery and everyday objects with minimalist forms, elegant and simple at the same time. Today, Claudia is particularly interested in daily tableware culture, which adorns and enhances our everyday life. Claudia's bowls, cups, salt bowls, and cutlery are handmade. Her signature aesthetic is restrained, classical, functional, and unpretentious, yet impossible to miss. She believes \"the objects we see and use every day can be extraordinary.\"",[1166],"Silversmithing",[666,667],[670,853,765],[1170,1171,1172,1173,1174],"Children II","Rough and fine","Duo (finger rings)","Big Moon and Dolce","Red Moon and Goldie",[1176,1177,1178,817,1179,927,819,823],"Stainless steel","Sterling silver","Gold plated","Steel",[1181,1078,1077,1182,1183,975,1081,1083,1084,976,783],"Cutlery set","Serving ware set","Cutlery",[684],[1186],"Silversmith",[1166],53.566835,9.879796,"2023-08-31",{"_702":1188,"_703":1189},1864,{"_649":1194,"_31":1195,"_652":1196,"_255":1199,"_378":1200,"_659":1201,"_661":1202,"_664":1203,"_668":1204,"_675":1205,"_677":1210,"_679":1212,"_681":49,"_682":1217,"_685":1218,"_688":1219,"_690":1220,"_692":1221,"_694":834,"_696":697,"_698":1222,"_700":1223,"_704":1224},"profile-3946",3946,[1197,1198],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PcLOWA0-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PcLEWA0-left1.jpg","Nana König","knig-nana-crdbkt","Nana König lives in Hamburg and has her ceramics studio on a former farm on the outskirts of the city. She finds peace and inspiration here. Nana came to ceramics while working as art director for a German publishing house. What began as a hobby to switch off from work quickly evolved into a passion and she knew exactly what she wanted to create. In order to gain the knowledge to implement her ideas, she began studying ceramic design part-time at a technical school. \"I absorbed lots of specialist knowledge of the ceramics craft in the technical school at the beginning of my studying – including cramming the periodic table once again.\" Nana has experimented with many different techniques. However, her style remains recognisable. She is currently focusing on free-form work. Her process involves letting go of all limits, not pursuing a particular goal, and being empowered by chance – the result of which are unique pieces.",[959],[666,667],[670,854,959,1001],[1206,1207,1208,1209],"Calligraphy cup","Graffiti cups","School of fish plates","Sculptural vase",[1211,969,971],"Porcelain",[1213,1214,974,1215,1216,975,1084,976],"Cup","Plate","Drinkware","Dishware",[684],[979],[959],53.494832,9.924547,"2023-08-10",{"_702":1220,"_703":1221},4928,{"_649":1226,"_31":1227,"_652":1228,"_255":1232,"_378":1233,"_659":1234,"_661":1235,"_664":1236,"_668":1237,"_675":1239,"_677":1245,"_679":1249,"_681":38,"_682":1251,"_685":1252,"_688":1253,"_690":1254,"_692":1255,"_694":834,"_696":697,"_698":1256,"_700":1257,"_704":1258},"profile-3948",3948,[1229,1230,1231],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PcDUWA0-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PcDeWAK-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PcDkWAK-right2.jpg","Sabine Lang","lang-sabine-j8wlyl","Sabine Lang’s jewellery is not only inspired by nature but it also shares the characteristics of nature, in its organic process meeting precision. Having had a knack for handicrafts throughout her school years, Sabine discovered goldsmithing through a course she took as a teenager. She has never stopped since. What followed was training with a journeyman’s certificate at the Hanau Academy of Design, studying at the Design Faculty in Düsseldorf and a working stay in Bristol, England. In 2014, Sabine opened her own workshop. “I found a very nice shop in Hamburg's Neustadt. Over a hundred years ago, the builder of the house was a jeweller and goldsmith. My landlady showed me old photos, brochures and the old goldsmith's newspapers. And she had also kept the tools of her great-great-grandfather.”",[1057],[666,667],[854,1060,1238],"Nature",[1240,1241,1242,1243,1244],"Fruchtkaspel Ringe","Sepia ring","Brücken","Löffel","Freestyle cast rings",[817,1246,1247,819,1248,1074,823],"Quartz","Topaz","Amethyst",[1077,1250,1081,1183,783,1084],"Spoon",[684],[1087],[1057],53.55336,9.982421,"2023-06-29",{"_702":1254,"_703":1255},865,{"_649":1260,"_31":1261,"_652":1262,"_255":1265,"_378":1266,"_659":1267,"_661":1268,"_664":1269,"_668":1270,"_675":1271,"_677":1277,"_679":1278,"_681":38,"_682":1279,"_685":1280,"_688":1281,"_690":1282,"_692":1283,"_694":695,"_696":697,"_698":1284,"_700":1285,"_704":1286},"profile-4071",4071,[1263,1264],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbR8WAK-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbRSWA0-left1.jpg","Stefan Fink","stefan-fink-pen-making-germany","Stefan Fink is a Hamburg native who grew up in his father's carpenter workshop. He began an apprenticeship with master woodturner Werner Nehring as a teenager, where he felt very supported to develop his creativity. Stefan then worked with several cabinetmakers, and in 1982 enrolled at the University of Hamburg (HfbK) to study industrial design. In 1987 he founded his own woodturning and cabinetmaking workshop. For Stefan it has always been important to pick up on the spirit of the time while using traditional skills. In the 1980s for example, he created a wooden pocket condom case that looked rather inconspicuous. Today he welcomes his customers in the beautiful atmosphere of his workshop, which looks out over the Elbe in Hamburg.",[804],[666,667],[852,765,766,674],[1272,1273,1274,1275,1276],"Albatross Twins","Fountain pen Albatross","Dark birds","Light birds","Fountain pen Starling",[819,1179,674,823],[826,827,735],[684],[830],[804],53.532031,10.03813,"2023-06-01",{"_702":1282,"_703":1283},2373,{"_649":1288,"_31":1289,"_652":1290,"_255":1294,"_378":1295,"_659":1296,"_661":1297,"_664":1298,"_668":1299,"_675":1301,"_677":1307,"_679":1310,"_681":38,"_682":1312,"_685":1313,"_688":1314,"_690":1315,"_692":1316,"_694":1317,"_696":697,"_698":1284,"_700":1318,"_704":1319},"profile-4674",4674,[1291,1292,1293],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbR9WAK-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbS6WAK-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PbS2WAK-right2.jpg","Vera Siemund","vera-siemund-jewellery-making-germany","Vera Siemund grew up near Pforzheim in Germany, a region with a long-standing tradition in goldsmithing. This and her love for painting and the liberal arts led her to a goldsmithing internship at 18 years old. Rather than training in a company, she decided to train at The National Drawing Academy in Hanau, which she considered a more versatile environment. Vera then pursued her studies with Dorothea Prühl at the Burg Giebichenstein University of Art and Design in Halle. Inspired by architecture, historic ornament, trivia and pop culture, she mainly uses iron, copper and enamel in her creations, although silver, gold and stones do appear, too. What Vera loves the most about her craft is \"deciding what you create yourself, which is often gruelling.\"",[1057],[666,667],[1031,1300,764,1060],"Fairytale",[1302,1303,1304,1305,1306],"Haphazard","Crowns","Gothic crest","Green","Balcony",[1179,1308,817,820,1309,823,779,972],"Coral","Enamel",[1311,1115,1081,783],"Necklace",[684],[1087],[1057],53.494314,10.224078,"2026-05-01T09:29:06.000+0000",{"_702":1315,"_703":1316},944,{"_649":1321,"_31":1322,"_652":1323,"_255":1327,"_378":1328,"_659":1329,"_661":1330,"_664":1332,"_668":1333,"_675":1335,"_677":1336,"_679":1337,"_681":49,"_682":1338,"_685":1340,"_688":1342,"_690":1343,"_692":1344,"_694":1345,"_696":697,"_698":1346,"_700":1347,"_704":1348},"profile-3814",3814,[1324,1325,1326],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POmkWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POmiWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POmmWAG-right2.jpg","Steinway & Sons Hamburg","steinway--sons-hamburg-piano-making-germany","The glorious history of Steinway & Sons dates back to 1853, when German piano builder Henry Engelhard Steinway founded his factory in New York. Together with the Hamburg branch, which was established in 1880, the two plants have been dedicated to making world-class grand and upright pianos characterised by impeccable craftsmanship. Since their foundation, Steinway & Sons Hamburg and New York have produced over 615 000 pianos based on the principle of the 'Steinway System,' which includes more than 140 original patents.",[1331],"Instrument making",[666,667],[1031,1334,1137,765,962,889,766,890,673],"Family business",[],[],[],[1339],"Manufacture",[1341],"Instrument maker",[1331],53.575007,9.924096,"2026-05-01T09:28:05.000+0000","2023-03-30",{"_702":1343,"_703":1344},2413,{"_649":1350,"_31":1351,"_652":1352,"_255":1355,"_378":1356,"_659":1357,"_661":1358,"_664":1360,"_668":1361,"_675":1362,"_677":1368,"_679":1373,"_681":38,"_682":1378,"_685":1379,"_688":1381,"_690":1382,"_692":1383,"_694":834,"_696":697,"_698":1384,"_700":1385,"_704":1386},"profile-4048",4048,[1353,1354],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PVFSWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PYORWA4-left1.jpg","Sandra Schollmeyer","sandra-schollmeyer-textile-sculpting-germany","Sandra Schollmeyer is a textile and set designer in Hamburg. Her product design studies began in Kahlsruhe, where she was granted a scholarship to study at the Istituto Europeo di Design in Rome for two semesters. Upon returning to Germany, she enrolled in Textile Design at the HfbK in Hamburg, immersing herself in all textile techniques, such as tufting, weaving, screen printing and dyeing. After a semester, Sandra realised she could achieve a lot with her hands. Alongside her applied work and design activities, Sandra is interested in textile research and development. She worked as a project manager, consultant and researcher for the Goethe-Institute in Bangkok and Indonesia on the three-year regional project IKAT/eCut. The project explored the past, present and future of textiles in southeast Asia, Australia and New Zealand between tradition, technology, art and design.",[1359],"Textile sculpting",[666,667],[1000,854,672,962,917,1238,722],[1363,1364,1365,1366,1367],"Cylindrical D55 SGGRN, Cylindrical D50 RSHPRD, Cylindrical D40 BLCKPRPL","Wall Art","Circular D100 GLB","Plaid W50","Circular D50 GIV",[928,1369,674,1370,1371,1372,823,824,934],"Synthetic materials","Cotton","wool","MDF",[1374,1375,1376,1147,1377,976],"Sculpture","Wall hanging","Monuments","Architecture",[684],[1380],"Textile sculptor",[1359],53.5510917979834,9.99704260421658,"2022-11-10",{"_702":1382,"_703":1383},281,{"_649":1388,"_31":1389,"_652":1390,"_255":1394,"_378":1395,"_659":1396,"_661":1397,"_664":1398,"_668":1399,"_675":1401,"_677":1407,"_679":1408,"_681":38,"_682":1409,"_685":1410,"_688":1411,"_690":1412,"_692":1413,"_694":834,"_696":697,"_698":1414,"_700":1415,"_704":1416},"profile-4014",4014,[1391,1392,1393],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PU82WAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PU80WAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PU83WAG-right2.jpg","Niklas Wesner","niklas-wesner-illustration-germany","Niklas Wesner lives in Hamburg and studied illustration for his bachelor's and master's degrees at the HAW in Hamburg. Drawing has always been a passion for him but he also considered working as an author, filmmaker, or graphic designer. By composing his own images as an illustrator, he can accomplish all of these professions. His pictures portray emotions and tell stories. \"To create images that evoke a sense of a longer period of time is particularly intriguing to me, such as the feelings associated with a special day or event,\" Niklas says. A popular technique he uses is to create surreal spaces that combine or superimpose different impressions. This approach also allows him to effectively express texts and concepts. The style of his drawings is influenced by Japanese art in particular by the Japanese woodcut artist Hokusai. His clear lines allow him to incorporate a variety of detail-oriented information into one picture without causing the composition to seem disjointed.",[717],[666,667],[761,1000,854,720,1400,917,722],"Mixing cultures",[1402,1403,1404,1405,1406],"Introspection (2021)","Wake Up!","Where does the cat go?","Organic plastic","Got Lost Somewhere",[731],[717,734,735],[684],[738],[717],53.561291,10.01868,"2022-09-29",{"_702":1412,"_703":1413},5509,{"_649":1418,"_31":1419,"_652":1420,"_255":1424,"_378":1425,"_659":1426,"_661":1427,"_664":1428,"_668":1429,"_675":1431,"_677":1432,"_679":1433,"_681":38,"_682":1434,"_685":1435,"_688":1436,"_690":1437,"_692":1438,"_694":1345,"_696":697,"_698":1439,"_700":1440,"_704":1441},"profile-3834",3834,[1421,1422,1423],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PU89WAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PU86WAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PU8BWAW-right2.jpg","Laura Germann","laura-germann-restoration-germany","Laura Germann's desire to become a luthier was sparked when she first heard the word from her violin teacher at the age of 6. From then on, she dreamed of pursuing the profession. While she was still at school, she sent over 100 applications to violin makers for an internship and finally recieved an opportunity in Zurich, 200 km away from her hometown. For the internship, she travelled 400 km by train every day. Completely unexpected, her boss at the time rewarded her dedication with a small salary. Having her own workshop became Laura's goal. Wind the clock forward and today she has her own workshop in the center of Hamburg, near the Michel in Hamburger Neustadt, which she set up in 2016. As well as restoring historic string instruments, Laura also purchases and brokers very valuable instruments for investment purposes, so that they can be played again by professional musicians.",[663],[666,667],[761,1000,765,1430,890,673],"Mentored",[],[],[],[684],[687],[663],53.55089,9.982443,"2022-09-22",{"_702":1437,"_703":1438},3092,{"_649":1443,"_31":1444,"_652":1445,"_255":1449,"_378":1450,"_659":1451,"_661":1452,"_664":1454,"_668":1455,"_675":1456,"_677":1462,"_679":1463,"_681":38,"_682":1468,"_685":1469,"_688":1471,"_690":1472,"_692":1473,"_694":695,"_696":697,"_698":1474,"_700":1475,"_704":1476},"profile-4056",4056,[1446,1447,1448],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPFtWAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPFsWAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PPFwWAO-right2.jpg","Nicole Kiersz","kiersz-nicole-dkqmlt","Nicole Kiersz is a textile artist from Hamburg. Although she gained a master's degree in textile design, she decided not to work in the industry. Nicole describes her studies at the HAW as being craft-focused. There she became intrigued by the loom and she decided to learn more. The desire to produce her own fabrics forced Nicole to learn increasingly complex techniques so she could experiment with haptics and optics. Nicole's woven pieces are inviting to touch, not least because of the superior quality materials that she chooses. In her free work, she explores the facts and aspects of different environments in greater detail. Among other things, she studies the colours and shapes of places in nature to gain a new perspective on objects, which she then translates in her weaving.",[1453],"Weaving",[666,667],[1031,1000,854,765,962,673],[1457,1458,1459,1460,1461],"Corolla, side B","DAX-Crash","DAX-Crash 2 (pink & dark blue)","Corolla","Neue Einheit",[1370,1371,1369,934,824],[1464,1465,1466,1467],"Fabric sample","Woven fabric","Fabrics","Home textiles",[684],[1470],"Weaver",[1453],53.560223,10.064675,"2022-07-21",{"_702":1472,"_703":1473},5478,{"_649":1478,"_31":1479,"_652":1480,"_255":1483,"_378":1484,"_659":1485,"_661":1486,"_664":1487,"_668":1488,"_675":1490,"_677":1496,"_679":1498,"_681":38,"_682":1499,"_685":1500,"_688":1501,"_690":788,"_692":789,"_694":695,"_696":697,"_698":1502,"_700":1503,"_704":1504},"profile-4089",4089,[1481,1482],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWpXWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWpVWAW-left1.jpg","Julia Plath","julia-plath-illustration-germany","Julia Plath lives in Hamburg. At the HAW, she earned both her bachelor's and her master's degree in Illustration. Julia’s work is strongly figurative, full of symbolism and meaning. Many of her works contain nostalgic elements and a hint of melancholy. The works of other artists inspire Julia. The spectrum ranges from Renaissance painters such as Jacopo da Pontormo to filmmakers like Ingmar Bergman or Jacques Demy. Generally, films are a major source of inspiration for her. In this case Julia prefers films with elaborate set designs like the old Czech fairy tale films with their real special effects. She has a huge collection of screenshots from film scenes on her computer. In her recently submitted master's thesis, she discusses the role of the Doppelgangers that keep appearing in her illustrations and often very much look like her.",[717],[666,667],[1000,854,720,721,1489,673],"Teacher",[1491,1492,1493,1494,1495],"Secrets","Rast","I See Double","The Queen","The Queen Returns",[1497,721,732],"Pencil",[1146,1147,976],[684],[738],[717],"2022-06-30",{"_702":788,"_703":789},5265,{"_649":1506,"_31":1507,"_652":1508,"_255":1512,"_378":1513,"_659":1514,"_661":1515,"_664":1517,"_668":1518,"_675":1519,"_677":1525,"_679":1526,"_681":38,"_682":1528,"_685":1529,"_688":1531,"_690":1532,"_692":1533,"_694":834,"_696":697,"_698":1502,"_700":1534,"_704":1535},"profile-4049",4049,[1509,1510,1511],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWqWWAW-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWqXWAW-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PWqYWAW-right2.jpg","Renate von Löwis of Menar","von-lwis-of-menar-renate-dvcdxs","Renate von Löwis von Menar is happiest when she can create new designs on her looms in her studio in Hamburg. Her daily work schedule can reach 10 hours per day. Renate was introduced to the Bauhaus style of textiles when she was a child by regular visiting Gustav Beck, an artist and art collector. At the time, Beck brought many international artists to Wolfsburg, Renate's hometown. Her fascination with the Bauhaus tapestry not only motivated her to train as a hand weaver, but also led her to create her own designs and even weaving techniques. Another important influence in Renate's work is music and her time as a tour manager in the music industry.",[1516],"Tapestry making",[666,667],[1000,854,765,672,1001,673],[1520,1521,1522,1523,1524],"Kleiner roter Punkt","Transparency 1","Moss","Transparency 2","The 70ies",[1370,1371,934],[1527,975,976],"Tapestry",[684],[1530],"Tapestry maker",[1516],53.55157,9.964117,{"_702":1532,"_703":1533},5015,{"_649":1537,"_31":1538,"_652":1539,"_255":1543,"_378":1544,"_659":1545,"_661":1546,"_664":1548,"_668":1549,"_675":1550,"_677":1556,"_679":1560,"_681":38,"_682":1570,"_685":1571,"_688":1573,"_690":1574,"_692":1575,"_694":834,"_696":697,"_698":1576,"_700":1577,"_704":1578},"profile-3985",3985,[1540,1541,1542],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUodWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUobWAG-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUofWAG-right2.jpg","Ragna Gutschow","ragna-gutschow-cabinetry-germany","Ragna grew up west of Hamburg, where she still lives and works. The Gutschow family has been involved with craftsmanship and aesthetics for generations. Ragna's grandfather was the architect Konstanty Gutschow, her sister is a goldsmith, and her father Halvor Gutschow was a well-known furniture maker whose company specialised in decorating famous yachts and ships. He was also responsible for the interior design of some villas under the direction of the star architect Caeser Pinnau. Ragna did her three-year apprenticeship in her father's company and then worked there for another year as a journeyman. Aged 27, when she was pregnant with her daughter, she decided to became self-employed.",[1547],"Cabinetry",[666,667],[1377,1137,765,962,1238,673],[1551,1552,1553,1554,1555],"Shoe shine case","American walnut sideboard","Pearwood desk","Pearwood cabinet","Collection cabinet",[1557,1558,1559,674],"Pear wood","Walnut wood","Maple wood",[1561,1562,1563,1564,1565,1566,1567,1568,1569],"Vanity case","Console","Desk","Cabinet","Toiletry and makeup bags","Tables","Storage furniture","Beauty","Furniture",[684],[1572],"Cabinetmaker",[1547],53.573393,9.745862,"2022-06-02",{"_702":1574,"_703":1575},261,{"_649":1580,"_31":1581,"_652":1582,"_255":1586,"_378":1587,"_659":1588,"_661":1589,"_664":1591,"_668":1592,"_675":1593,"_677":1599,"_679":1602,"_681":49,"_682":1603,"_685":1604,"_688":1606,"_690":1607,"_692":1608,"_694":695,"_696":697,"_698":1609,"_700":1610,"_704":1611},"profile-4081",4081,[1583,1584,1585],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNUNWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNUOWA4-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PNUPWA4-right2.jpg","Silke Decker","silke-decker-porcelain-crafting-germany","Silke Decker studied product design at the University of Fine Arts in Hamburg. She founded her own studio immediately after completing her studies in 2008. Her studio is located next to a small park, not far from the river Elbe. Silke works there independently, enjoying the peace and solitude. \"The best thing about my job is the independence and the variety of tasks that being self-employed entails. But also the thought of being able to work in the studio for a whole day makes me smile – every day.\" Silke sometimes works for companies like Rosenthal or Kähler as a product designer. But her main focus is on continuing and developing her artistic porcelain line of cord porcelain. Some of her objects are award winners and are on display as part of many museum collections and institutions. Silke is an advisory member of the Siemens Foundation and a member of the Hamburg and Gedok Arts and Crafts council.",[1590],"Porcelain crafting",[666,667],[1031,854,959,763,672,917,807],[1594,1595,1596,1597,1598],"Mountain bowl","Rhomb bowl","Double walled bowl","Pinstripe vases","Flower bowl",[1600,1601,1211,971],"Bone China","Limoges porcelain",[1078,974,975,976],[684],[1605],"Porcelain maker",[1590],53.550573,9.912343,"2022-03-24",{"_702":1607,"_703":1608},1558,{"_649":1613,"_31":1614,"_652":1615,"_255":1619,"_378":1620,"_659":1621,"_661":1622,"_664":1624,"_668":1625,"_675":1626,"_677":1632,"_679":1635,"_681":38,"_682":1639,"_685":1640,"_688":1642,"_690":1643,"_692":1644,"_694":834,"_696":697,"_698":1645,"_700":1646,"_704":1647},"profile-4026",4026,[1616,1617,1618],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX7wWAG-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX7xWAG-right1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PX7yWAG-right2.jpg","Jan Hempel","hempel-jan-3wpa6e","After the fall of the Berlin Wall, Jan Hempel moved from Hamburg to East Berlin. The plan was to study design there and to be part of the burgeoning creative scene. \"In my teenage years, I discovered the junkyards in the harbour of Hamburg: I was fascinated and collected a lot of bizarre formed metal pieces which I used to build my first lamps.“ In Berlin-Kreuzberg, Jan found a locksmith workshop who trained him. He had a change of heart, and instead of applying to an art academy, he decided to work as an assistant with the international Artist Group ODIOUS for a few years. In an old factory hall near the Reichstag, together with three steel sculptors, he manufactured enormous abstract sculptures for public spaces in Germany. Today, Jan continues this tradition but runs his own workshop called Lichtsubjekte in Hamburg.",[1623],"Lamp making",[666,667],[765,917],[1627,1628,1629,1630,1631],"Loop","Should Be","Blos","Nagelfeld","Nel-Sun",[933,1179,928,1633,1634,823,824],"Nail tip","Iridescent foil",[1636,1637,1638],"Table lamp","Ceiling lamp","Lighting",[684],[1641],"Lamp maker",[1623],53.5542999996834,9.93127000189951,"2022-03-10",{"_702":1643,"_703":1644},4808,{"_649":1649,"_31":1650,"_652":1651,"_255":1654,"_378":1655,"_659":1656,"_661":1657,"_664":1659,"_668":1660,"_675":1661,"_677":1666,"_679":1667,"_681":49,"_682":1670,"_685":1671,"_688":1673,"_690":788,"_692":1674,"_694":1675,"_696":697,"_698":1676,"_700":1677,"_704":1678},"profile-4587",4587,[1652,1653],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POEPWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000POENWA4-left1.jpg","Eloïse Boulerne","elose-boulerne-carpet-making-germany","The name of Eloïse Boulerne's atelier, Kaisla, reflects the spirit central to her work: bringing back long-established traditions into contemporary craft. An old Finnish name, she describes “Kaisla” as also having a modern feel, just like the rugs she creates. Largely inspired by Finland, where the French-born craftswoman lived for a decade, she uses traditional patterns with a twist to design and create her rugs and link them with modern aesthetics. Working with the crochet technique, traditional and somewhat rooted in the past, Eloïse brings a new perspective to this craft and the possibilities it offers. Now settled in Hamburg, she founded Atelier Kaisla in 2019 with the goal of creating unique, thoughtfully crafted rugs with traditional Nordic designs.",[1658],"Carpet making",[666,667],[1000,854,765,962,1400,1001,673],[1662,1663,1664,1665],"Vaasa","Laponia","Kukkamäki","Seinäjoki",[1370,934],[1668,1669,1467],"Rug","Soft furnishings",[684],[1672],"Carpet maker",[1658],9.9,"2026-05-01T09:28:55.000+0000","2021-08-12",{"_702":788,"_703":1674},4186,{"_649":1680,"_31":1681,"_652":1682,"_255":1686,"_378":1687,"_659":1688,"_661":1689,"_664":1690,"_668":1691,"_675":1692,"_677":1698,"_679":1703,"_681":38,"_682":1707,"_685":1708,"_688":1709,"_690":1710,"_692":1711,"_694":1345,"_696":697,"_698":1712,"_700":1713,"_704":1714},"profile-3829",3829,[1683,1684,1685],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSW2WAO-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSW0WAO-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PSW4WAO-right2.jpg","Hendrike Farenholtz","hendrike-farenholtz-cabinetry-germany","After her anthropology and art history studies, Hendrike Farenholtz decided to become a carpenter. This training led her to travel around as a journeywoman learning from master craftspeople including Andrew Kindler in London and Sir Terence Conran in Salisbury, as well as some time in Sarawak, East Malaysia, thanks to a scholarship. In 1989 Hendrike opened her own workshop in Hamburg where she has been working on her signature furniture ever since – bespoke pieces where sober and elegant forms meet clever functionality. Even years later, the process of gluing individual solid wood parts into a three-dimensional object never ceases to surprise her. “Every time it is an exciting moment for me and a little surprise in terms of expression and the spatial effect.”",[1547],[666,667],[765,962],[1693,1694,1695,1696,1697],"Stair shaped cabinet","Square table","Writing desk","Chairs and table","Small office set",[1699,933,1557,1700,1701,1702,674,779],"Cherry wood","Rosewood","Leather","Oak wood",[1564,1704,1563,1705,1706,1567,1566,1569],"Table","Dining set","Sideboard",[684],[1572],[1547],53.554724,9.894143,"2021-06-24",{"_702":1710,"_703":1711},2626,{"_649":1716,"_31":1717,"_652":1718,"_255":1722,"_378":1723,"_659":1724,"_661":1725,"_664":1727,"_668":1728,"_675":1729,"_677":1735,"_679":1739,"_681":38,"_682":1743,"_685":1744,"_688":1746,"_690":1119,"_692":1120,"_694":834,"_696":697,"_698":1747,"_700":1748,"_704":1749},"profile-4058",4058,[1719,1720,1721],"https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUPFWA4-center.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PYNSWA4-left1.jpg","https://hfgnext.s3.eu-west-3.amazonaws.com/img/4YL7Q000000PUPHWA4-right2.jpg","Sandro Dühnforth","dhnforth-sandro-t5mdpr","Sandro was lucky to learn his craft from a unique master: Friar Gerhard Busche at Frauenberg monastery, who has won several awards and is renowned as one of Germany’s best tailors. Today, having opened his own workshop in Hamburg, he is very concerned about the future of his craft and so has been training apprentices since the first year of running his own business. He also founded the German Tailors’ Association to ensure the future of bespoke tailoring. Sandro emphasises that there are only a few masters of his craft left; many ready-to-wear and made-to-measure sellers use the term 'tailor made' without being trained in bespoke tailoring.",[1726],"Tailoring",[666,667],[764,765,1430],[1730,1731,1732,1733,1734],"Military Overcoat I Open","Military Overcoat II Closed","Hunting jacket","Bond Coat","Shaped Check",[1736,1371,1701,1737,1738,779,934],"Horn","Harris 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