Wilma Plaisier
Porcelain decorator
Putten, Netherlands
In pursuit of porcelain blue and white
- Wilma's independent practice was preceded by a career at Royal Delft and Heinen Delfts Blauw
- She started giving masterclasses during Dutch Design Week in 2014
- Her personal drive for perfection later became her professional identity
Born in South Africa, Wilma Plaisier discovered her passion for Delft Blue ceramics shortly after moving to the Netherlands. “I was 11 years old, and my uncle took us to Royal Delft, the museum and one of the oldest factories still producing traditional delftware,” she says. “I remember being in awe of what the painters' work.” Wilma started her career in 1999 and spent a decade mastering its highly specific visual language and developing a signature style adorned for its refinement. As an independent artist, she pushes the craft beyond tradition, blending classic techniques with modern experimentation. Wilma's collaboration with the renowned Dutch interior designer Marcel Wanders marked a turning point, revealing her strength not only as a craftswoman but also as a designer. Today, she continues to innovate while teaching and promoting the historic craft as a living, contemporary art form.
INTERVIEW
I combine traditional brushwork with airbrush techniques. Airbrushing creates a very smooth transition from dark to light, almost like mist, which adds depth. When I presented this work at a fair in Amsterdam, many Dutch visitors said, ‘This is Delft Blue, but so different.’ That was exactly the reaction I wanted. I was happy to show that traditional Delft Blue ceramics can be modern without losing their history.
I collaborated with designer Marcel Wanders on Fragile Fingers, a tattoo project for Dutch pianist Iris Hond. I was asked to design ten different full-sleeve tattoo concepts on porcelain arms based on her own. I had never really been challenged to design something from a blank canvas. It forced me to think differently. I realised I was capable of designing new concepts, beyond copying or refining traditional work.
During a podcast about the Japanese concept of takumi, which translates to master craftsperson, I shared my life story. Marcel Wanders said that when he gives me his ideas, I elevate them far beyond what he could have imagined. It was an incredible compliment, especially coming from someone with his experience.
While visiting Homo Faber in 2018, I was deeply impressed by the beauty of Venice as I had never seen the city before. As a craftswoman, I had often worked in the shadow of big names. I do the work, but I do not always receive the credit. What struck me most was the mission of the exhibition: giving craftspeople a platform.
Wilma Plaisier
Porcelain decorator
Putten, Netherlands
ADDRESS
Address upon request, Putten, Netherlands
AVAILABILITY
By appointment only
PHONE
+31 618689986
LANGUAGES
Dutch, English
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