HOMO FABER 2026
Scott Smith
©Duncan McGlynn
Scott Smith
©Duncan McGlynn
Scott Smith
©Duncan McGlynn
Scott Smith
©Leanne Heron
Scott Smith
©James Robertson

Scott Smith

Silversmithing

Duns, United Kingdom

The meditative rhythms of Scottish craftsmanship

  • Scott creates contemporary silverware objects such as cups, decorations and creative cutlery
  • Working directly with silver through hammering and other techniques brings him great joy
  • The rich history and landscape of North East Scotland inspire his work

Through his work as a silversmith, Scott Smith is both a maker and a storyteller. He creates silverware by weaving a narrative into each piece through material choices, historical references, and the visible marks of making on the object’s surface. His work blends heritage with innovation, honouring centuries-old craft traditions while embracing personal expression and contemporary design. Scott grew up in North East Scotland, and draws deeply from the rich history and landscape of this region. Celtic knots and ancient symbols, such as the intricate carvings of Pictish stones influence his approach to surface decoration and form. "To me, the hammer marks and chased details reflect the rhythms, textures and shifting light of the landscape and rugged coastline," says Scott.

Scott Smith is a rising star: he began his career in 2021.

INTERVIEW

I was drawn to silversmithing because of its balance between tradition and innovation. The physicality of the process, and the way metal responds to hammer blows and careful shaping – it felt like a language I wanted to learn.

There is something deeply compelling about the transformation of raw metal into something functional, beautiful and meaningful. The slow, meditative nature of hammering and chasing is integral to my practice. It honours the time-honed skills of past generations while shaping something relevant for today.

Silversmithing has a long and respected history in Scotland, from Jacobite drinking vessels to ecclesiastical treasures and contemporary collectible silver. I work within this lineage, but with a perspective rooted in modern Scotland: our landscapes, our contemporary craft scene, and the revival of interest in making by hand.

Beyond creating objects of beauty and function, my work is about keeping a tradition alive and relevant. Handmade objects carry a unique energy – they connect people to the process, the maker, and a slower, more thoughtful way of living. I hope my work encourages people to see value in craftsmanship and to invest in objects that will last generations.