An Island of Light1- 30 September 2026
Richard Jackson
©All rights reserved
Richard Jackson
©All rights reserved
Richard Jackson
©All rights reserved
Richard Jackson
©All rights reserved
Richard Jackson
©All rights reserved
Richard Jackson
©All rights reserved

Richard Jackson

Glass sculptor

Stroud, United Kingdom

When words take shape in glass

  • Richard specialises in abstract, kiln-formed and cold-worked sculptures
  • He is an elected member of the Royal Society of Sculptors
  • His works are featured in major collections including the V&A, the National Museum of Scotland and MAVA Madrid

Richard Jackson’s glass sculptures begin as ideas, with titles anchoring them in his imagination. “The more resolved the name of the piece is, the easier it is to find and develop the form”, he explains. Once he has the title fixed and the shape drawn out in several versions, he begins making the initial model. Richard thought of picking up the craft at a young age, after seeing glass being blown in a workshop in Totnes, Devon. "Glass, as a material, immediately fascinated me. The more I investigated it, the more potential I could see in it," he says. Richard graduated with a BA at West Surrey College of Art and Design, and worked in glass studios in the USA, UK and Denmark. Today, he works from the studio he founded with fellow glass artist Sally Fawkes in Stroud, Gloucestershire in 2000.

Richard Jackson is a master artisan: he began his career in 1990 and he started teaching in 1990.

INTERVIEW

When an idea comes to me, I begin by working with words to build a title. My sketchbooks are full of pages containing only columns of words as I explore possibilites. This process leads me to experiment with form, and the words begin to align alongside schematic sketches.

When collaborating with Sally, discussing how to translate an idea into a physical object that resonates with both of us is always eye-opening. I believe this dialogue is the most influential aspect of our collaboration. It pushes me to view my work from fresh, tangential perspectives I might not otherwise consider.

In terms of the actual glasswork, final polishing is the most challenging stage. It is physically demanding and it takes the longest. However, it is also very rewarding. Once the piece is finished and cleaned, I experience the initial reveal: seeing the artwork open up and discovering whether my ideas have truly come to life. That moment is always exciting.

My sources of inspiration are broad, spanning personal, physical and intellectual experience. I am drawn to ancient stone circles and henges, exceptional environments and contemporary scientific discoveries, as well as current events, reading and daily life.

Richard Jackson

Glass sculptor

Stroud, United Kingdom

ADDRESS

16a Stafford Mill, London Road, GL5 2AZ, Stroud, United Kingdom

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AVAILABILITY

By appointment only

PHONE

+44 7470380174

LANGUAGES

English

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