The endless potential of hand and hammer

Quim designs and restores pieces in wrought iron and metal
He teaches his craft to young generations
His work was featured in the Louise Bourgeois Imaginary Conversations exhibition in 2023

Quim Kamikaze applies his traditional craftsmanship and modern techniques in blacksmithing across different fields, including restoration, repair, modern interiors, signage and the creative art sector. Forging by hand and hammer, as well as welding, soldering and thermal cutting are all part of his technical repertoire. Quim graduated in artistic blacksmithing with honours at the University of Wales, and set up his workshop in a shared workspace in Oslo. After several years as a self-employed blacksmith, he now teaches his craft full-time. "Being part of my students' journey and helping them find their way feels truly meaningful," says Quim. He is also a guest tutor in blacksmithing and holds short courses throughout the year at his workshop.

Quim Kamikaze is a rising star: he began his career in 2017 and he started teaching in 2020

Discover his work

Ferro Genesis 1

Forged gate window guards

Ferro Genesis 2

Koo Yaa Baranaa

Overwhelmed

INTERVIEW

Although I have always been interested in crafts, including ceramics and glassblowing, working with metal and iron fascinated me the most. I was motivated by curiosity and I wanted to learn a craft rather than follow another specific career path. Metalwork has just always been fun for me.

My father worked as a car mechanic and I used to play with tools in his garage all the time as a child. It was not until I finished my training that I found out that I have blacksmithing in my blood from the Sámi side of my family. That was a powerful revelation.

I really enjoy solving problems, seeing the end results and teaching my craft. I like working with customers to find practical solutions that also preserve the integrity of the craft.

I am drawn towards conceptual art. To me, a wrought iron balcony from the end of the 19th century is art in its own right. However, it is hard to support oneself through restoration work alone. I enjoy the freedom that comes with full-time work, allowing me to pursue my craft creatively, simply for the joy of it.