Marlène Huissoud

Botanical sculptor

©Petr Krejci

©Studio Marlene Huissoud

©Maxime Chanet

©Thomas Chene

A technical exploration of bio matter

Marlène creates sculptures from bio materials such as insect waste and bee propolis
She borrows traditional techniques from various crafts to work her materials
She is committed to preserving natural resources and protecting non-human species

“I like not to define my practice too much, to keep the doors open for exploring new territories," states Marlène Huissoud, who defines herself as a mix between a craftswoman, an artist, and a designer. "I deeply embrace my 'strangeness’”, she adds. Since the mid-2010s, Marlène has been developing a distinctive practice in which techniques from many disciplines converge. She draws on natural materials that she sources herself, particularly insect-derived materials from the common honeybee or Indian silkworm. Whether through marquetry, ceramics or glasswork, Marlène revisits these crafts with a fresh perspective, adapting the techniques to organic matter. From furniture to abstract sculptures and installations, Marlène's work delves deeply into both form and material.

Interview

©Kat Green

©Studio Immatters

When and how did you really start?: Entering the Beaux-Arts was a significant step in my career. I had just spent eight months in nursing school, in a very rational environment, and I will always remember my first days at the Beaux-Arts in Lyon as a rather surreal experience. What a privilege to have the time to immerse oneself in that knowledge and those techniques!
How has your practice evolved over time?: My practice began with painting and drawing, then evolved towards relief forms, sculptures, and objects during my time at Central Saint Martins in London. It was quite difficult for me to transition from 2D drawing to 3D, but as soon as the breakthrough happened, an explosion of forms came forth.
Is your craft connected to regional heritage?: I work a lot with natural materials, with and for insects. The land is therefore deeply important to my practice. How do we produce the materials we use in an ethical way? I collaborate closely with farmers, artisans and beekeepers who have a significant impact within their regions.
What are your main sources of inspiration?: Quite simply, nature as a whole. And if I had to extrapolate to the maximum, I would say values. I hold values that are very important to me, which I try to convey through my work to raise awareness among people about the disappearance of animal species.

Marlène Huissoud is a master artisan: she began her career in 2011 and she started teaching in 2014