An Island of Light1- 30 September 2026
Leo Wong
©All rights reserved
Leo Wong
©All rights reserved
Leo Wong
©All rights reserved
Leo Wong
©All rights reserved
Leo Wong
©All rights reserved
Leo Wong
©All rights reserved

Leo Wong

Porcelain maker

Hong Kong, Hong Kong

Ultra-thin and ultra-realistic

  • Leo makes lifelike flower sculptures from porcelain
  • He works on voluminous and complex compositions, such as the peony
  • The ancient technique of clay marbling is central to his practice

In Leo Wong’s handcrafted porcelain flowers, each petal is delicately intentional. The sculptures reflect his background in landscape design and the therapeutic qualities of gardens, where forms shape emotional experience. His first object was a cherry blossom sculpture inspired by the tree in his grandparents’ country house. “It took me nearly two years to refine the fragile petals and gently swaying branches, to feel that I had captured its structure and spirit,” says Leo. The artist works with ultra-thin porcelain, pushing the medium to the limits of its fragility to craft the highly detailed florals, before firing at very high temperatures. “At this point of thinness, the porcelain becomes almost liquid in character. It is always on the verge of slumping, so each piece becomes a careful negotiation with gravity and precise kiln control,” he explains. To grant vivid colours to his works, Leo marbles his clay, mixing pigments directly into it to create natural gradations and patterns within each petal, which is considered to be highly technical.

Leo Wong is an expert artisan: he began his career in 2 014 and he started teaching in 2020.

INTERVIEW

I work with very finely refined porcelain. I am drawn to it for its luminous whiteness and the way it becomes almost transparent. It often feels as if I am building with light as much as with clay. It can feel like collaborating with something both pure and temperamental at the same time.

Porcelain lets me reach for an inner luminosity. Ultra‑thin petals can catch and transmit light in a way that feels close to real flowers, almost like holding a breath, a heartbeat or a fading memory in solid form. Because the material is always on the verge of collapse or cracking, every flower becomes an intimate negotiation with gravity, timing and heat.

I hand build larger, fully sculpted flowers in ultra‑translucent porcelain rather than ductile clays, pushing the material to its physical limits. I also use the method known as marbling. Though marbling makes the material more fragile, it also renders it quick to dry. It is considered one of the more challenging methods to master.

I am expanding into large-scale installations, using metal structures to suspend and layer porcelain elements so they interact with architectural space and the viewer’s movement to create an immersive atmosphere. Translucency, shadow and glow can open up structures to create quiet, contemplative experiences.

Leo Wong

Porcelain maker

Hong Kong, Hong Kong

ADDRESS

Address upon request, Hong Kong, Hong Kong

AVAILABILITY

By appointment only

PHONE

+852 96359983

LANGUAGES

English, Mandarin, Cantonese

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