Exploring new dimensions in metal casting
- Kiyoshi specialises in chūkin metal casting
- The beauty of the process of melting metal fascinates him
- His aim is to go beyond the uses of traditional craft
Kiyoshi Akanuma is a master specialising in the chūkin metal casting technique in Japan. He primarily works with non-ferrous metals such as aluminum, bronze and brass. His expertise covers traditional methods ranging from creating wax prototypes and casting moulds to metal melting, casting techniques, finishing, tool-making, and traditional metal colouring. In his late thirties, Kiyoshi became a university teacher, balancing production and teaching until retirement. This experience has kept him continually training, experimenting, and refining techniques to pass on to his students. Now retired, he focuses entirely on production, aiming to explore new dimensions in metal casting and innovate beyond traditional craft techniques to create unique artworks.
Interview
- What drew you to this craft when you started?
- It was the transformation of metals that made me fall in love with this craft. The beauty lies in melting solid metal into liquid and reshaping it into something entirely new. The metal in its liquid state is so glossy that it almost appears transparent.
- What is your favourite part of the process?
- The process of melting metal involves a loud, roaring sound as powerful air is blown to fuel the fire. Then, when the melting is complete, there is a sudden transition from intense noise to complete silence. This moment is truly magical.
- How do you define your work?
- I explore new forms of expression through metal casting. I could say that my work focuses on craft, sculpture, and spatial expression. While mastery of the technique is essential, developing a distinct and personal style is equally important to me.
- What is a source of inspiration for you?
- In short, it is plant-like vitality. I am inspired by the power of a plant as it grows. The way it reaches towards the sun, pushing upward against gravity. This transmits such a profound sense of vitality that it has become one of the main themes of my work.
Kiyoshi Akanuma is a master artisan: he began his career in 1981 and he started teaching in 1994
