




Nothing is wasted in Jade Paton’s home studio, where leftover clay and grog are reconstituted into the soft, workable medium she works with every day. With the help of her assistant, she works on up to 12 pieces simultaneously. Jade's works are planned as collections rather than individual creations. "Both my functional and decorative objects stand on equal grounds of form, texture and colour. These elements are central to how I work," she says. Jade begins hand-building instinctively, by lining a press mould and coiling upwards to extend the line. If a pot feels too cliché, she may add an extension or extract some clay, with close attention to the final silhouette. Once the piece is complete, it is left to dry leather-hard, before a smooth, rough or irregular texture is applied. It is then finished with glazing and glaze firing.
Jade Paton is a rising star: she began her career in 2018 and she started teaching in 2014
Jade Paton