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Ivan Mareš
Johana Posova©Michelangelo Foundation
Ivan Mareš
Johana Posova©Michelangelo Foundation
Ivan Mareš
Johana Posova©Michelangelo Foundation
Ivan Mareš
Johana Posova©Michelangelo Foundation
Ivan Mareš
Johana Posova©Michelangelo Foundation

Ivan Mareš

Glass sculpting

Prague, Czech Republic

Impressions locked in glass

  • Ivan creates monumental glass sculptures
  • He seeks to encapsulate his experiences within his pieces
  • He looks for a balance between opposing natural sensations

Ivan Mareš trained under the legendary professor Libensky. It is therefore no surprise that monumental molten glass objects are dominant in his work. Ivan´s production is not extensive, but more serious and artistically convincing. Ideas hatch in the silence of nature, under starry night skies with their strange sounds and the rustle of moth wings. These impressions and experiences are then locked in the heart of the sculpture, seen through a peek inside a polished, transparent spot. For a while the viewer can see the bustle inside, but soon it vanishes in the depth of the substance, disappearing in myriads of bubbles. Ivan breaks the technological limits of mould melting with each new piece and has the skills to execute large-scale artworks requiring upto several months of work.

Ivan Mareš is an expert artisan: he began his career in 1984

Discover his work

Go and FlyNautilusAngelBudBlue Nest

INTERVIEW

Even though I always make small scale trials with two types of raw glass I want to combine, the final melting can turn out incompatible. The disaster is that you only discover the inner tension whilst grinding the sculpture. Another disaster is when the supply of electricity is cut during the cooling process.

I used to make sculptures in factories, but I wanted to experiment myself and learn from my own mistakes. So, I rebuilt a 200 year-old pothouse. Where billiards were played is my atelier, in the basement is my modelling studio and in the beer-cellar is the melting area.

Perfect forms such as honeycomb, a snail shell or soft organic materials like branches or hay. Also everyday items rope or coffee pots, I enhance by enlarging the scale and transposing it into heavy lead glass.

I like to examine the contrasts between perfect transparency and the various degrees of opaqueness, between the regularity of a cut grid and the randomness of the inner structures. The shades of colour gradually change with the thickness of the glass mass and the amount of light.

1 DESTINATION

Prague: on the trail of the Czech glass tradition

Ivan Mareš

Glass sculptor

Prague, Czech Republic

ADDRESS

Slovinská 535/14, 101 00, Prague, Czech Republic

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AVAILABILITY

By appointment only

PHONE

+420 602181961

LANGUAGES

Czech, English