HOMO FABER 2026
José Luis Sánchez Expósito
©All rights reserved
José Luis Sánchez Expósito
©All rights reserved
José Luis Sánchez Expósito
©All rights reserved
José Luis Sánchez Expósito
©All rights reserved
José Luis Sánchez Expósito
©All rights reserved
José Luis Sánchez Expósito
©All rights reserved

José Luis Sánchez Expósito

Bordados Santa Clara

Gold thread embroidery

Seville, Spain

Recommended by Contemporánea de Artes y Oficios

The exquisite relief of embroidery

  • José Luis began embroidering when he was just 16 years old in his hometown of Córdoba
  • He specialises in traditional and time-honoured Andalusian embroidery
  • His work reflects meticulous use of historical methods, materials and motifs

Master artisan José Luis Sánchez Expósito has been dedicated to Andalusian gold and silver thread embroidery since he was 16. In his Seville-based atelier, Bordados Santa Clara, he specialises in embroidering garments for the Holy Week period of Seville. Catholic sculptures are carried through the streets in processions during these festivities. José Luis has received numerous prestigious Spanish awards for his goldwork and his pieces gained further international reach when he was selected to participate in Michelangelo Foundation’s Homo Faber Fellowship. “Transmitting my craft is key, as there are no official studies to become a gold embroiderer,” he explains. During London Craft week, he was invited to demonstrate his work live at the Victoria and Albert Museum as well as at 10 Downing Street. “Each stitch was a tribute to the past generations of Andalusian embroiderers,” says José Luis proudly.

José Luis Sánchez Expósito is a master artisan: he began his career in 2000 and he started teaching in 2010.

INTERVIEW

The rich history of Andalusian art greatly influences my work, particularly the intricate designs and motifs found in traditional religious garments. I also get inspiration from fashion and culture, to infuse fresh perspectives into my creations.

I embrace innovation by incorporating modern elements and interpretations into my designs. This may involve experimenting with unconventional materials, adapting traditional patterns to contemporary tastes or exploring new methods of embellishment.

I have embroidered many beautiful pieces but the one piece that really catapulted me towards opening my own atelier was a tunic embroidered in silver on mauve velvet that I made for the Catholic organisation Brotherhood of La Macarena in Seville.

The devotion and care that goes into preparing the garments for religious processions inspires me to strive for excellence. I get a sense of pride as the final work reflects skill, attention to detail, and commitment, elevating my work to an artwork.

1 DESTINATION

Andalusia: navigating the creative heart of the region