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Giacomo Bevanati
©Irina Mattioli
Giacomo Bevanati
©Genedio de Rosa
Giacomo Bevanati
©All rights reserved
Giacomo Bevanati
©All rights reserved
Giacomo Bevanati
©Jo Fetto
Giacomo Bevanati
©All rights reserved

Giacomo Bevanati

Wire sculptor

Córdoba, Spain

The noble wire

  • Giacomo is a self-taught wire artist
  • His handwoven artworks are somewhere between sculptures and jewels
  • Masks and other wearable creations are his signature pieces

Giacomo Bevanati became a wire sculptor before even knowing that wire art existed. While studying for his bachelor degree in Product Design, he had to make a 3D lamp for an exam. He did some research on materials and chose wire for it flexibility, finding that it was just perfect for obtaining both transparency and plasticity. Captivated by the material, Giacomo started experimenting, and, free of any influence, he developed his own wire stitching technique. This resulted in his current production of handwoven artworks made from wire. Giacomo's masks and other wearable items are often used for fashion shoots or shows. His materials – mostly steel and brass – are shiny, but not noble: “I love the idea that they are transformed into something precious by my work, dedication and commitment,” he says.

Giacomo Bevanati is an expert artisan: he began his career in 2016.

INTERVIEW

First comes the idea. Then I have to develop it structurally. I think it over in my mind, I calculate how to build it out in 3D so that the object is self-supporting. I make a quick sketch, then I begin to work with wire. Basically, the object is born directly from the empty space.

From mythology, everyday life, TV shows, music – virtually everything. But the mechanism is always the same. Something clicks in my brain, I associate images, memories and a new idea is born very quickly.

I do not know how to sew, embroider or weave. But I have fond memories of my two grandmothers who used to. Craftsmanship is a key feature of Foligno where I grew up. There is a baroque re-enactment called Quintana there every year and it is a feast of historical costumes, lace, gorgets and armours.

My first experience with a fashion magazine in 2019. I was contacted by a stylist from Vogue Portugal for a shooting. It was amazing to see how my wearable art was interpreted by other people, how my own creativity could give free rein to theirs.