HOMO FABER 2026
Fréderique Vanvlasselaer
©Frederic VanHecke
Fréderique Vanvlasselaer
©Frederic VanHecke
Fréderique Vanvlasselaer
©Frederic VanHecke
Fréderique Vanvlasselaer
©Frederic VanHecke
Fréderique Vanvlasselaer
©Frederic VanHecke
Fréderique Vanvlasselaer
©Frederic VanHecke

Fréderique Vanvlasselaer

Porcelain crafting

Maarkedal, Belgium

Recommended by Creative Academy

Elevating everyday life

  • Fréderique pursues the ‘art of imperfection’
  • She loves porcelain’s translucency
  • Her work radiates stillness

Fréderique Vanvlasselaer makes contemporary creations in porcelain, driven by the many creative opportunities this material offers. “What fascinates me in particular is the way it absorbs light and brings out different light colours,” she explains. “I want my work to radiate stillness. When I look at it, it gives me a feeling of no longer being hurried by time, to the extent that I lose any notion of time.” Fréderique is positively challenged by the apparent contradictions of light and shadow, form and deformation. They make her pursue what she calls the art of imperfection. “The starting point of this process is set in a world full of opposites that are pitted against each other until they are perfectly balanced. Embracing imperfection creates perfection.”

Fréderique Vanvlasselaer is a rising star: she began her career in 2017.

INTERVIEW

I derive much inspiration from the natural processes that textures go through. For example the effects of decay which cause old layers of paint to peel off, cracks to appear in a wall or pieces of wood to rot.

Porcelain truly touches me, because of its endless possibilities. I love the pure earthen product and its infinite honesty. When you create with it, you develop a dialogue in which you are equal parties. It challenges me to engage with each moment.

How much time it takes to finish a single object. Porcelain requires a drying period of several weeks. Each item is fired three times and the cooling in my kiln takes three days. And these are just a few of the steps in the long creation process.

I will always remember the reaction of the relatives of a deceased person when I showed them the urn I made for their loved one. They were so grateful and moved by it, that I shed a tear with them.