






Ernst Gamperl
Woodturner
Steingaden, Germany
Recommended by Oliver Jahn
Hand in hand with transformation
- Ernst works primarily with storm-fallen timber
- The drying of wood is part of his creative process
- He transformed one uprooted oak tree into 97 vessels and sculptural objects over 10 years
Ernst Gamperl approaches wood without the intention of control. Trained as a cabinetmaker, he began working independently as a woodturner while still questioning and testing the limits of the craft. He examines each tree to understand its age, fractures and internal stresses before taking it to the lathe. He adapts and builds his tools as needed, guided by what the tree will allow rather than by a fixed plan. "Working with wet wood became essential to my process, by allowing the objects to reach extreme thinness during the drying phase. The tree makes its own decision, and I continue from there,” explains Ernst. His approach gradually expanded what was considered possible in the field and opened up paths that others began to explore. His work has received awards including the LOEWE Foundation Craft Prize (2017) and the Danner Prize. In 2025, a retrospective exhibition and book publication marked 40 years of his practice. His works are held in collections such as the Victoria and Albert Museum in London and the Musée des Arts Décoratifs in Paris.
Discover his work
INTERVIEW
Repetition is not about making the same thing again. It is a way of staying with one question long enough for it to change into something else. What seems similar from the outside is constant adjustment within. I return to certain basic movements, but never to reproduce them. Each return shows what has shifted in the material, the tools, and in my decisions. Repetition becomes a way of measuring difference rather than confirming identity.
Earlier in my work, I often looked for rare or unusual woods, especially for their distinct appearance and value. With time this approach changed. I now use mainly European woods such as maple, beech, Italian olive and oak. The shift reflects less a question of taste and more of working conditions and context.
The project began in 2008 with a 230-year-old oak that had been uprooted in a storm. With a diameter of 2.70 metres and a weight of around 24 tonnes, it was far beyond the scale of my usual work. Over ten years, I transformed it into 97 vessels and sculptural objects. I always wanted the work to be shown only once the transformation was complete. The first presentation took place at the Gewerbemuseum Winterthur. Since then, it has been shown in museums including the Bavarian National Museum in Munich and the Museum für Kunst und Gewerbe Hamburg.
The work never reaches a point where experience replaces attention. Every tree is different in its density, its cracks, its internal forces. Even with decades of practice, I have to adjust constantly. That need to stay responsive is what keeps me engaged.
Ernst Gamperl
Woodturner
Steingaden, Germany
Recommended by Oliver Jahn
ADDRESS
Address upon request, Steingaden, Germany
AVAILABILITY
By appointment only
LANGUAGES
German, English
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