HOMO FABER FELLOWSHIP
Anne Clifton & Peter Bowles
©Samantha Kuruvita
Anne Clifton & Peter Bowles
©Glass Manifesto
Anne Clifton & Peter Bowles
©Glass Manifesto
Anne Clifton & Peter Bowles
©Glass Manifesto
Anne Clifton & Peter Bowles
©Glass Manifesto
Anne Clifton & Peter Bowles
©Glass Manifesto

Anne Clifton & Peter Bowles

Glass sculpting

Invermay, Australia

Fragile, fierce and full of life

  • Anne and Peter’s pieces are the result of combining their two crafts
  • Their work involves multiple techniques such as lampworking, glassblowing and latticino
  • Experimentation with the chemistry of glass is key to both their practices

Anne Clifton and Peter Bowles create glass works with traces of ceramics in an old, romantic workshop. The couple met in Perth, where Anne studied ceramics and Peter worked in glass. "We joined our practices to form our studio, Glass Manifesto. Each of us pursues a distinct craft while supporting the other," they say. Peter's dense, zen-like forms reflect his quiet strength and stillness, while Anne's works draw on her training in ceramics and interiors, expressing the vigour palpable in her energy. Influenced by Tasmania and working directly with its pure sands, Anne and Peter's works pieces could not be made but on this island. In collaborating, making becomes a dance, a template for creating a successful art practice and life filled with love.

Anne Clifton & Peter Bowles are master artisans: they began their career in 1990 and they started teaching in 2000

Discover their work

Ataraxia in AlabasterVetrograph: ArthemisLines of Inquiry BottlesBorder DemarcationsWildflower Vases

INTERVIEW

Anne: Peter refuses to talk about concepts, but to me his work is about existence, and about being part of the universe. He can consistently dig deeper and come up with something new. It is very spiritual to exist in the same space as his work.

Peter: Anne’s practice today is shaped by her ceramic training. Her material and research investigation for glazed technology supports her new works in glass, and it is a fascinating transposition. The moment when the objects are superheated and the chemistry gets activated is truly magical – the work just comes alive.

Anne: I have worked on cattle stations and driven tractors and buses throughout Australia, so I have experienced many different landscapes. I am influenced by colours. In Perth, I used strong, rich reds and blues, and in Tasmania, nothing worked except for lavender, sage and gold.

Peter: There is a lovely part of Tasmania that is important for my practice. We have some of the cleanest, purest mineral sands here, with virtually no iron contamination, so the work that I make is of the landscape. The optical clarity of the sand allows us to create pieces that are three to five inches thick, with no discolouration. We could not make our work anywhere but here.

Anne Clifton & Peter Bowles

Glass sculptor

Invermay, Australia

ADDRESS

116 Gleadow Street, 7248, Invermay, Australia

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AVAILABILITY

Wednesday to Sunday 10:00-16:00

LANGUAGES

English