





Andrea Farci
Ceramicist
Assemini, Italy
The Sardinian sun in ceramic form
- Andrea is a third-generation ceramicist making functional and decorative pieces
- His signature pieces feature lapwings birds, inspired by the Sardinian tradition
- He is a master in decoration, favouring clay appliqué and engraving techniques
Andrea Farci’s craftsmanship is deeply rooted in the ceramic tradition of his native Sardinia and in his family’s history. His grandfather Vincenzo founded an artistic ceramics workshop in Assemini, a centre of excellence for this type of production. Over time, his father and uncles carried on the business, passing down their knowledge to Andrea until he was ready to take over. “I was mainly influenced by my father, who had many skills, from lathing to hand building and firing, as well as a refined taste for decoration,” he says. Andrea’s personal production bears signs of his family heritage but in his hands, it has evolved to encompass a fresh and contemporary take on Sardinian symbols such as the sun, fishes and the unfailing lapwings.
Discover his work
INTERVIEW
I start with a block of clay, which I either cut into sheets or smaller blocks to shape on the electric lathe. Before the clay dries, I add fresh clay appliqués or decorative engravings, the latter requiring great skill. After air drying, I proceed to the first kiln firing.
I first glaze the item by dipping it carefully into a mixture of water and powdered enamel. Then, before the second firing, I may engrave the enamel with a special tool. If I want to, I will add golden details at the very end, and then a third firing is required.
Natural drying must be monitored constantly, as anything from humidity to wind or heat can damage the piece. Firing is also a critical phase. It takes hours to load the kiln correctly so that the heat is evenly distributed and the result flawless.
Colour is key. I apply it with a brush, creating contrasting patterns that are always harmonious and balanced. Sometimes I use up to five or six different colours on a white background to highlight small details. It is always important to me that the result is elegant and refined, not showy.


































