The parisian upholsterer

Anaïs discovered upholstery at the age of 13
She works for interior architects, decorators and collectors
She established her own workshop in 2017

With unique traditional savoir-faire, Anaïs Jarnoux exercises the profession of upholsterer in its most contemporary form. Based in Paris, she plays with the diversity of her craft to anchor it in today’s society. Anaïs gained considerable experience working for 14 years at the prestigious Maison Brazet, an historic upholsterer’s workshop renowned for the excellence of its true French heritage. From furniture restoration to contemporary design, upholstery sewing to cladding, Anaïs challenges her many skills in each of her projects. By mixing techniques and materials, she keeps on adapting her expertise to find new design solutions. The encounters and collaborations with other crafts are fundamental to her work.

Anaïs Jarnoux is an expert artisan: she began her career in 2001

Discover her work

1960s High Back Lounge chairs, Adrian Pearsall – edition Karpen

Discover her work

1960s High Back Lounge chairs, Adrian Pearsall – edition Karpen

Office Chair Steelcase-Stafor, 1970s

1950s American sofa

Onde Noire, 1950s armchair Parker-Knoll

INTERVIEW

I learned traditional savoir-faire through the different techniques and raw materials used. Maison Brazet is specialised, among other things, in the restoration of 18th-century furniture. One of my specialities is cladding furniture and more rarely, objects.

Setting up your workshop in the heart of Paris means contributing to a cultural heritage linked to the craft that has always existed in this city. It also means working with the other players in the arts and crafts professions to build relationships of trust, and also an indispensable network for our crafts.

The projects I am most enthusiastic about are those related to prototyping for designers or research. They constantly feed my savoir-faire. Between exchanges, questioning, discovering different worlds, searching for solutions, each project I work on has its own particularities. It enriches my practice.

The collaboration with the designer Samuel Tomatis. He brought me the dream project. He created soft materials made from a hundred percent algae (fully biodegradable materials) with an appearance similar to leather. I had to find solutions and adapt my techniques to work with these new materials for upholstery, leather goods or saddlery.