An Island of Light1- 30 September 2026
Thanistha Nunthapojn
©All rights reserved
Thanistha Nunthapojn
©All rights reserved
Thanistha Nunthapojn
©All rights reserved
Thanistha Nunthapojn
©All rights reserved
Thanistha Nunthapojn
©All rights reserved
Thanistha Nunthapojn
©All rights reserved

Thanistha Nunthapojn

Gold thread embroiderer

Chiang Mai, Thailand

Recommended by Jaeyoung Kang

Artful fractures

  • Thanistha's artworks bind broken textiles and ceramics through darning, kintsugi and juci techniques
  • Her pieces are symbolic of the rupture and healing that occur throughout our lives
  • She urges her students to imbue their works with their own stories of repair

When Thanistha Nunthapojn first began her artistic practice, she worked with textiles and silkscreen prints, and darned with thread. She completed her BFA, MFA and PhD at Silpakorn University. "Darning is a domestic wisdom that the women in my family have handed down to me," she says. Over time, her artworks became a vehicle for the metaphor of healing. Torn fabric acted as a symbol for being worn out by life experiences and emotion. In 2010, when a political and ideological conflict fractured Thailand, as well as her own family, Thanistha transitioned to binding broken ceramics with kintsugi and juci, because this time the brokenness was more poignant. Now a lecturer, Thanistha urges her students to imbue their life stories into their work, including the fractures and pains.

Thanistha Nunthapojn is a master artisan: she began her career in 2008 and she started teaching in 2013.

INTERVIEW

A turning point happened in 2010. In Thailand we had a political conflict, and the ideological friction created a deep crack in my family. My father, mother and friends believed in different parts of the government. This social rupture led me to transition from repairing soft fabric, to repairing broken ceramics.

The darning is rooted in the domestic female wisdom of Thailand and is a softness used to heal and reflect the love and warmth in our family. Kintsugi uses liquid and gold powder to seal two pieces together but expresses the beauty of the cracks rather than hiding them. Juci, an ancient method of repair uses metal staples to heal by surgery.

For me, past, present and future are not separate timelines, but are bound together by emotions. As an artist in the present, moving towards the future, I must look back and admire the roots of my interests. I attract memories of the past and reflect them within a contemporary context, allowing the audience to perceive this continuous flow of time.

A well made artwork does not necessarily involve physical beauty or a perfected technique. It is about how honestly it transmits the creator’s inner thoughts and emotions. A good artwork is a bridge, opening up a space for interpretation, allowing the viewer to engage in a shared dialogue from their own experience.

Thanistha Nunthapojn

Gold thread embroiderer

Chiang Mai, Thailand

Recommended by Jaeyoung Kang

ADDRESS

Address upon request, Chiang Mai, Thailand

AVAILABILITY

By appointment only

LANGUAGES

Thai, English

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