

Conrad Shawcross
Bronze sculpting
London, United Kingdom
Harmonising with the machine
Conrad Shawcross’ often monumental sculptures explore subjects that lie on the borders of geometry and philosophy, physics and metaphysics. Inspired by different technologies, the artist's structures retain in appearance the authority of machines, however their raison d’être remains elusive, filled with paradox and wonder. Over the decades since the late 1990s, Conrad has paid tribute to some of the great pioneers and analysts in a practice that considers specific moments or figures from the past. Interrogating what we take for granted and encouraging us to see beyond the physical, he reminds us how limited our perception really is.
This piece, presented for Homo Faber 2026, is part of Conrad’s Manifold series, and represents a chord falling into silence. The work is extrapolated from observations of a Victorian pendulum-driven drawing machine known as a harmonograph, which was instrumental in the birth of the science of synaesthesia. The sculptures are cast in bronze and patinated in black as they become the physical incarnation of the mathematics within a chord, embodying the sense of two notes decaying towards nothing. At the point when they become inaudible, they decay, the sound moving downwards as they flatline into the stem.
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Conrad Shawcross
Bronze sculptor
London, United Kingdom
ADDRESS
Address upon request, London, United Kingdom
AVAILABILITY
By appointment only
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