Aiming for the extraordinary
- Eero's wife, Chao-Hsien Kuo, is also a master goldsmith
- They opened a workshop together and have their own jewellery brand
- The process of hand engraving can put Eero in a state of zen
At the age of 16, Eero Hintsanen did some work experience in a goldsmith's studio, which proved to be a life changing event. Eero fell in love with the freedom and entrepreneurial lifestyle of craftsmanship, as well as the joy of handmade creation. He was accepted into the goldsmithing school in Lahti and chose to specialise in jewellery after seeing a 1986 exhibition by Björn Weckström, which made a lasting impression on him. Today, Eero’s toolkit includes techniques both old and new, simple and sophisticated. Most of his works are made traditionally, but he has nothing against mass production or computer aided methods. However, his most valuable assets are the shapes and forms he remembers from his childhood.
INTERVIEW
As a child I had passion for history, but I realised that my memory wasn't good for that kind of thing. Instead, I remember things that are visual or haptic. I also have a very vivid imagination, so I needed to find a career where I could use that and not become bored or anxious.
Stories and folklore fascinate me. The old world mystique combined with the aesthetics of my surroundings and my childhood in the countryside. Wandering in the forest, it was common to pick up rocks or branches. From there I developed a sense of form and proportion.
I create handmade boutique pieces that redefine the awesome nature of jewellery. My aim is to create works that are extraordinary. I also push the limits of what can be done with a simple casting set-up which is often associated with cheap mass production.
A customer’s husband had died decades ago and she lost his wedding ring. Later it was found squashed in compost. I managed to save the original hallmarks and engravings inside. It took 18 small pieces of gold to solder and fix the outside. It became a family heirloom.
