HOMO FABER FELLOWSHIP
Claudia von Boch
©IDENTITY.Waleska Cotton-Russell
Claudia von Boch
©IDENTITY.Waleska Cotton-Russell
Claudia von Boch
©IDENTITY.Waleska Cotton-Russell
Claudia von Boch
©Claudia Von Boch
Claudia von Boch
©Claudia Von Boch
Claudia von Boch
©IDENTITY.Waleska Cotton-Russell

Claudia von Boch

Ceramics

Pully, Switzerland

The human and the earthly

  • Being a ceramicist is Claudia's second career
  • She has two studios, in Switzerland and in Italy
  • Earth strata and geology inspire her

Claudia von Boch originally trained to be a teacher, but she turned to pursue ceramics professionally after moving to Switzerland with her family. She opened her studio in Switzerland in 1999 once she had graduated in ceramics and since 2017 she also has a second workshop in Italy. Claudia is from a family that has been involved in industrial ceramics for eight generations (Villeroy&Boch). Her father used to say that clay runs through her veins instead of blood. In her work, Claudia thinks a lot about the way Earth was formed and sees a connection between geology and the human experience. She mostly uses modelling and mould pressing techniques and occasionally works on the wheel as well. Most of her work is un-glazed unless for bowls or vases that need to be made waterproof.

Claudia von Boch is a master artisan: she began her career in 1999 and she started teaching in 2000

Discover her work

Large vases 14, 12 and 13FamilyBluebird I, II, IIITall jars 18, 17 and 15Animanimusmundus

INTERVIEW

I believe it’s the craft that chose me. I discovered clay and ceramics when I was 10 years old. My parents had a friend who was a ceramicist and had a studio at home. When I saw and touched the clay, I immediately connected with this material.

Manipulating clay makes me feel close to those who worked clay in ancient times: gestures, procedures and firings. I have found my own way of working this material. Recycling clays and glazes is a way of transforming something old into new.

I am inspired by geology, by the accumulation of layers and the formation of strata at the origin of mountain landscapes and rocks. We humans are also an accumulation of experiences and impressions. I see a connection between these two forms of stratifications.

When I was teaching children, a 12 year-old girl asked what I had wanted to become when I was her age. I answered that I wanted to be a ceramicist and she exclaimed: “That means you reached your dream!”

1 EXPERIENCE

Up close with Claudia's clay

Claudia von Boch

Ceramicist

Pully, Switzerland

ADDRESS

Avenue des Peupliers 4, 1009, Pully, Switzerland

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AVAILABILITY

By appointment only

PHONE

+41 786575418

LANGUAGES

French, English, Spanish, Italian