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more","ctaBgColor","#FFFFFF","ctaUrl","/news/fellowshipmilandeignweek2026","textColor","white","2025-05-22T09:42:23.885Z","2026-03-17T14:03:42.928Z","2026-03-17T14:03:42.892Z","textLeftXs","bgImgUrlXs","ctaLabelXs","Discover","ActiveStartDate","2026-03-19T08:00:00.000Z","ActiveEndDate","2026-04-26T21:45:00.000Z","mainAdvert",{"_31":575,"_576":577,"_578":579,"_580":49,"_46":581,"_582":583,"_584":585,"_586":587,"_588":589,"_590":591,"_592":593,"_33":594,"_595":596,"_597":-5,"_598":-5,"_599":600,"_601":600,"_602":603,"_604":605},67,"addedAt",["D",1744123967860],"modifiedAt",["D",1776069619565],"isActive","https://api.homofaber.com/uploads/MDW_2026_A_944x1900_1440_to_1920_plus_0f46e57df7.jpg","urlMobile","https://api.homofaber.com/uploads/MDW_2026_C_998x664_0_to_1023_353bb0bcd6.jpg","landingUrl","https://www.homofaber.com/en/news/fellowshipmilandeignweek2026","urlTablet","https://api.homofaber.com/uploads/MDW_2026_B_944x1264_1024_to_1439_8ccde3a60a.jpg","assignedList","craftmans","from",["D",1776069900000],"to",["D",1777219200000]," ","Target","_self","ContentText","ButtonText","TextColor","#ffffff","ButtonBackgroundColor","HorizontalAlign","bottom","VerticalAlign","center","guideTags",[608,611,614],{"_241":169,"_609":610},"badge_color","#115C90",{"_241":612,"_609":613},"Homo Faber Capsule","#f0deca",{"_241":193,"_609":615},"#D9583B","isWebview","userAgent","Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)","emailHash","request",["SingleFetchClassInstance",622],{},"routes/$lang","routes/$lang.objects._index",{"_626":627,"_1843":1844,"_3925":3926},"objects",[628,691,722,741,761,782,799,833,863,895,929,959,993,1019,1049,1081,1108,1140,1170,1201,1232,1262,1291,1320,1347,1375,1401,1430,1460,1478,1495,1512,1529,1556,1573,1590,1618,1635,1652,1669,1686,1712,1729,1746,1763,1780,1808,1826],{"_629":630,"_31":631,"_241":632,"_633":634,"_327":635,"_636":637,"_643":644,"_645":646,"_649":648,"_650":651,"_654":655,"_641":657,"_658":659,"_666":667,"_668":669,"_673":674,"_680":681,"_682":683,"_685":686,"_687":688},"_meilisearch_id","object-22510",22510,"Before the Storm","creators",[],"a1VTG000002PF5x2AG","profile_id",{"_31":638,"_62":639,"_241":640,"_641":642,"_643":644,"_645":646,"_647":648},3609,"a1OTG000000Exjl2AC","Kim Jordan","description","Kim Jordan is one of few straw marquetry makers in the United Kingdom. Before pursuing his career in cabinet making and straw marquetry, he worked in advertising for luxury car brands such as Land Rover and Jaguar. During his furniture design course at the Ecole Boulle in Paris, he discovered straw marquetry while on an internship. He learned his craft from Marine Fouquet, who co-runs the Maonia studio. \"As soon as I saw her work, I knew I wanted to integrate this craft into my furniture,\" says Kim. When designing his bespoke pieces, Kim begins by establishing a connection between his client, the space, the craft, and himself. Through this method, he designs furniture that is truly one-of-a-kind and satisfies each commission.","latitude",51.5147113315538,"longitude",-0.0297406005089228,"addressCityAndCountry","London, United Kingdom","city_and_country","destinations",[652,653],"United Kingdom","London","craft",[656],"Straw marquetry","This side table was created during Homo Faber Fellowship 2025/26 by straw marquetry maker Kim Jordan based in the UK, and French fellow Sandra Pinto.\r\n\r\nThe table plays with the natural brilliance of straw to evoke a beach on a stormy day. Sand ripples left by retreating waves are conveyed using straw marquetry, reflecting light like wet sand. The sphere and handle are made by UK artisans.","tag_ids",[660,663],{"_31":661,"_62":662,"_241":193,"_641":-5},113,"a1XTG000000PzJd2AK",{"_31":527,"_62":664,"_241":665,"_641":-5},"a1XTG000000YoOz2AK","Milan Design Week 2026","tags",[193,665],"categories",[670,671,672],"Side table","Tables","Furniture","materials",[675,676,677,675,678,679],"Glass","Straw","Aluminium","Botanical","Metals","is_new_until","2026-04-30","picture",[684],"https://api.homofaber.com/uploads/Before_The_Storm_Kim_Jordan_Artisan_and_Sandra_Pinto_Fellow_All_rights_reserved_1_53e5354db7.jpg","content_edit_date","2026-04-16T07:25:39.000+0000","_geo",{"_689":644,"_690":646},"lat","lng",{"_629":692,"_31":693,"_241":694,"_633":695,"_327":696,"_636":697,"_643":702,"_645":703,"_649":704,"_650":705,"_654":707,"_641":709,"_658":710,"_666":711,"_668":712,"_673":714,"_680":681,"_682":718,"_685":720,"_687":721},"object-19495",19495,"Organic Relation console table 2",[],"a1VTG000000f4Cw2AI",{"_31":698,"_62":699,"_241":700,"_641":701,"_643":702,"_645":703,"_647":704},5415,"a1OTG000000EyKz2AK","Woorim Kang","Woorim Kang is a Korean furniture artist whose practice is built around a single, labour-intensive method: laminating wood into solid blocks, then carving back to find the form inside. This process involves high levels of material waste and demands considerable physical effort, but remains the most direct route to the forms he imagines. The resulting pieces are large-scale tables, chairs, lamps and consoles with a quiet presence. \"I finish my objects with lacquer, in a technique drawn from yacht-building,\" Woorim explains. \"It is the best way to reveal the wood grain while preventing distortion.\" His work is shaped by references that range from Korean roof tiles to literati painting. Woorim's approach is about treating the furniture form not as a constraint but as the condition that keeps his work close to how people actually live.",37.51306867256017,126.8524922019608,"Seoul, South Korea",[706],"South Korea",[708],"Furniture making","This console table was laminated through joinery and carved into an organic sculptural form. The lacquer finish draws on yacht-building methods, allowing the wood grain to show through, whilst keeping the surface stable over time.",[],[],[713,671,672],"Console",[715,716,717,716],"Lacquer","Wood","Enamel, glaze and lacquer",[719],"https://api.homofaber.com/uploads/OBJ_4_hh5161_abbcb0c2c2.jpg","2026-04-16T05:00:09.000+0000",{"_689":702,"_690":703},{"_629":723,"_31":724,"_241":725,"_633":726,"_327":727,"_636":728,"_643":702,"_645":703,"_649":704,"_650":729,"_654":730,"_641":731,"_658":732,"_666":733,"_668":734,"_673":736,"_680":681,"_682":738,"_685":720,"_687":740},"object-19510",19510,"Burnwa coffee table",[],"a1VTG000000f4D72AI",{"_31":698,"_62":699,"_241":700,"_641":701,"_643":702,"_645":703,"_647":704},[706],[708],"This elongated coffee table was formed from hand-selected, laminated white oak wood. The wide top sits above a carved base that follows the flowing curves of traditional Korean roof tiles. The piece is a quiet reference to architectural heritage, handled without ceremony.",[],[],[735,671,672],"Low table",[716,737,716],"Oak wood",[739],"https://api.homofaber.com/uploads/OBJ_1_1400x650x430_h_White_Oak_2023_1_24824abcec.jpg",{"_689":702,"_690":703},{"_629":742,"_31":743,"_241":744,"_633":745,"_327":746,"_636":747,"_643":702,"_645":703,"_649":704,"_650":748,"_654":749,"_641":750,"_658":751,"_666":752,"_668":753,"_673":755,"_680":681,"_682":758,"_685":720,"_687":760},"object-19511",19511,"Organic Relation desk 2",[],"a1VTG000000f4D82AI",{"_31":698,"_62":699,"_241":700,"_641":701,"_643":702,"_645":703,"_647":704},[706],[708],"This large rectangular table in soft maple is laminated and carved so that the top flows continuously into the base without interruption. The legs carry repeating organic patterns, and the surface is finished with a lacquer method adapted from yacht construction, preserving the aesthetic of the grain while guarding against warping.",[],[],[754,671,672],"Dining table",[756,757,716,717],"Maple wood","Urushi",[759],"https://api.homofaber.com/uploads/OBJ_2_Organic_Relation_desk2_2950x900x750_h_mable_lacquer_2021_1_7ab6d366e8.jpg",{"_689":702,"_690":703},{"_629":762,"_31":763,"_241":764,"_633":765,"_327":766,"_636":767,"_643":702,"_645":703,"_649":704,"_650":768,"_654":769,"_641":770,"_658":771,"_666":772,"_668":773,"_673":776,"_680":681,"_682":779,"_685":720,"_687":781},"object-19512",19512,"Organic Relation chaise longue and Lan floor lamp",[],"a1VTG000000f4D92AI",{"_31":698,"_62":699,"_241":700,"_641":701,"_643":702,"_645":703,"_647":704},[706],[708],"This chaise longue is built through joinery, and carved into smooth, unbroken curves, resulting in functional seating that reads equally as sculpture. The floor lamp alongside it was bent and carved into a long, arching line that recalls imagery of the orchid in traditional Korean literati painting.",[],[],[774,775,672],"Long chair","Sofa and Chairs",[777,778,716],"Cherry wood","Mahogany wood",[780],"https://api.homofaber.com/uploads/OBJ_3_HH_1096_1f72951bb0.jpg",{"_689":702,"_690":703},{"_629":783,"_31":784,"_241":785,"_633":786,"_327":787,"_636":788,"_643":702,"_645":703,"_649":704,"_650":789,"_654":790,"_641":791,"_658":792,"_666":793,"_668":794,"_673":795,"_680":681,"_682":796,"_685":720,"_687":798},"object-19514",19514,"Organic Relation table 1 and 2",[],"a1VTG000000f4DA2AY",{"_31":698,"_62":699,"_241":700,"_641":701,"_643":702,"_645":703,"_647":704},[706],[708],"These two rectangular coffee tables feature a flat top with a carved oval recess. The void is a counterbalance to the solidity of the mass around it, drawing attention to the grain of the wood whilst holding geometric structure and organic form in the same object.",[],[],[735,671,672],[778,716],[797],"https://api.homofaber.com/uploads/OBJ_5_dev0015_38ae52720a.jpg",{"_689":702,"_690":703},{"_629":800,"_31":801,"_241":802,"_633":803,"_327":804,"_636":805,"_643":810,"_645":811,"_649":812,"_650":813,"_654":815,"_641":817,"_658":818,"_666":821,"_668":822,"_673":826,"_680":681,"_682":830,"_685":720,"_687":832},"object-22559",22559,"Kathara",[],"a1VTG000002Pduf2AC",{"_31":806,"_62":807,"_241":808,"_641":809,"_643":810,"_645":811,"_647":812},422,"a1OTG000000EqMM2A0","Morgane Baroghel-Crucq","Morgane Baroghel-Crucq explores the technique of weaving through an intuitive and sensitive process of experimentation. With absolute mastery of the horizontal and Jacquard loom, she develops new techniques from non-textile materials. Morgane sharpened her creative sensibilities by studying applied arts and completing a degree in Textile Design at the École Nationale de Création Industrielle in Paris. Strongly inspired by light, in its aesthetics but also in the different approaches it suggests, she naturally oriented her research towards metal materials. Morgane finds in metal a subtle language related to textiles. Her work is a constant research process, an endless exploration of weaving.",43.53152,5.45116,"Aix-en-Provence, France",[814],"France",[816],"Weaving","This woven sculpture was created during Homo Faber Fellowship 2025/26 by weaver Morgane Baroghel-Crucq based in France, and French fellow Maëva Louvel.\r\n\r\nInspired by the Moirai, the ancient Greek Fates who weave the thread of life, this wall hanging is made by knitting enamelled copper threads into ‘tubes’ of different sizes and colours, which are then woven on a loom to create a pattern.",[819,820],{"_31":661,"_62":662,"_241":193,"_641":-5},{"_31":527,"_62":664,"_241":665,"_641":-5},[193,665],[823,824,825],"Wall hanging","Wall decorations","Decoration",[827,828,829,679],"Linen","Copper","Fibres and textiles",[831],"https://api.homofaber.com/uploads/Kathara_Morgane_and_Maeva_Artisan_Johann_Sauty_Michelangelo_Foundation_58611f829c.jpg",{"_689":810,"_690":811},{"_629":834,"_31":835,"_241":836,"_633":837,"_327":838,"_636":839,"_643":843,"_645":844,"_649":845,"_650":846,"_654":847,"_641":849,"_658":850,"_666":853,"_668":854,"_673":858,"_680":681,"_682":860,"_685":720,"_687":862},"object-22560",22560,"Alba",[],"a1VTG000002Peyn2AC",{"_31":297,"_62":840,"_241":841,"_641":842,"_643":843,"_645":844,"_647":845},"a1OTG000000EqLo2AK","Antonin Martineau","Through his wooden sculptures, Antonin Martineau explores the theme of characters. He sculpts the raw material to find the emotion, \"to capture a moment of life in a piece of wood.\" His wooden figures are worked in detail, the wood turning into a fine expression of texture, fold or movement. For as long as he can remember, Antonin has always loved working with wood. He started studying the art of wood carving at the age of 14, at the Ecole Boulle. Fascinated by human and animal statuary, he then specialised in this field by joining the Cademia school in Ortisei. This two-year Italian experience allowed him to experience the heart of a school and city rooted in a strong tradition of European religious sculpture. Since 2016, Antonin has been running his own atelier.",47.33491,-0.0319,"Neuillé, France",[814],[848],"Wood sculpting","This wooden scupture was created during Homo Faber Fellowship 2025/26 by woodcarver Antonin Martineau based in France, and Belgian fellow Nicolas de la Barre d’Erquelinnes.\r\n\r\nThe sculpture explores how life is shaped by moments of transition between constraint and freedom. The torso is carved in light limewood and finished by hand, while the fabric is carved by chainsaw from oak and then refined.",[851,852],{"_31":661,"_62":662,"_241":193,"_641":-5},{"_31":527,"_62":664,"_241":665,"_641":-5},[193,665],[855,856,857],"Sculpture","Monuments","Architecture",[859,737,716],"Limewood",[861],"https://api.homofaber.com/uploads/Alba_Antonin_Martineau_Artisan_and_Nicolas_de_la_Barre_d_Erquelinnes_Fellow_All_rights_reserved_ef5f001483.jpg",{"_689":843,"_690":844},{"_629":864,"_31":865,"_241":866,"_633":867,"_327":868,"_636":869,"_643":874,"_645":875,"_649":876,"_650":877,"_654":878,"_641":880,"_658":881,"_666":884,"_668":885,"_673":888,"_680":681,"_682":892,"_685":720,"_687":894},"object-22561",22561,"The Monster of Oléron",[],"a1VTG000002Phos2AC",{"_31":870,"_62":871,"_241":872,"_641":873,"_643":874,"_645":875,"_647":876},1316,"a1OTG000000Ew8X2AS","Kartini Thomas","Following a first degree in biology in Portland, US, Kartini Thomas came to Paris to study applied arts. She took up ceramics after a friend suggested she try it, and she has been hooked ever since. She took a leap of faith when she left her previous profession to focus solely on her art, motivated by her persistence and strong belief in the value of her work. After founding a collective studio bringing together over 20 creative residents in Toulouse, she has established a studio on the Island of Oleron where visitors can discover her uniquely recognisable style. Colour and structure are essential to her pieces, which are made to be interactive, with decorative attachments allowing the viewer to change the shape of the sculpture.",45.88332,-1.19139,"Le Château-d'Oléron, France",[814],[879],"Porcelain crafting","This large wall piece was created during Homo Faber Fellowship 2025/26 by ceramicist Kartini Thomas based in France, and Portuguese fellow Álvaro Nogueira.\r\n\r\nThe multiple small elements that make up the piece unite the styles of the two artists. From a distance, the overall shape suggests a sea creature formed by islands, like a mythological monster in the waters around Oléron.",[882,883],{"_31":661,"_62":662,"_241":193,"_641":-5},{"_31":527,"_62":664,"_241":665,"_641":-5},[193,665],[886,887,857],"Wall panel","Building elements",[889,890,889,891],"Porcelain","Stoneware","Ceramic",[893],"https://api.homofaber.com/uploads/The_Monster_of_Oleron_Kartini_Thomas_Artisan_and_Alvaro_Nogueira_Fellow_All_rights_reserved_12a01661c6.jpg",{"_689":874,"_690":875},{"_629":896,"_31":897,"_241":898,"_633":899,"_327":900,"_636":901,"_643":906,"_645":907,"_649":908,"_650":909,"_654":910,"_641":912,"_658":913,"_666":916,"_668":917,"_673":921,"_680":681,"_682":926,"_685":720,"_687":928},"object-22563",22563,"The Butterfly Mind",[],"a1VTG000002Pnm12AC",{"_31":902,"_62":903,"_241":904,"_641":905,"_643":906,"_645":907,"_647":908},3468,"a1OTG000000Exd52AC","Kate Holland","Kate Holland discovered bookbinding when she worked for the London antiquarian bookshop Robert Frew Ltd after struggling to start a career as a contemporary Chinese art dealer. While taking a weekly morning class in order to be able to help repair and refurbish the books in the shop, Kate became hooked and enrolled for a part-time Higher National Diploma. After graduating and winning the Kate Thomson prize for best student, she opened her current workshop in 2007 in a refurbished cowshed near Frome, a historic town of binders and home to the first colour printers in the UK, Butler and Tanner. “Bookbinding covers a huge array of disciplines from restoration to conservation, book arts to artist books,” she says. Her specialisation has led her to bind several of the shortlisted Booker Prize titles.",51.16775,-2.10626,"Warminster, United Kingdom",[652],[911],"Bookbinding","This sculptural book was created during Homo Faber Fellowship 2025/26 by bookbinder Kate Holland based in the UK, and Danish fellow Emma Vukman. \r\n\r\nThe piece is a reflection on neurodiversity and nature’s refusal to simplify itself. Like a butterfly, it is restless, intricate and in constant motion. The covers echo the veins on its wings, and the embroidered spine evokes its body.",[914,915],{"_31":661,"_62":662,"_241":193,"_641":-5},{"_31":527,"_62":664,"_241":665,"_641":-5},[193,665],[918,919,920],"Book","Library","Books and paper",[922,923,924,925,829],"Leather","Organza","Abalone","Animal materials",[927],"https://api.homofaber.com/uploads/YNEW_The_Butterfly_Mind_Kate_Holland_Artisan_and_Emma_Vukman_Fellow_Eliot_Ely_and_Jack_Butler_73772746d7.jpg",{"_689":906,"_690":907},{"_629":930,"_31":931,"_241":932,"_633":933,"_327":935,"_636":936,"_643":941,"_645":942,"_649":943,"_650":944,"_654":946,"_641":948,"_658":949,"_666":952,"_668":953,"_673":954,"_680":681,"_682":956,"_685":720,"_687":958},"object-22564",22564,"Sacred Landscape",[934],"Fiona Byrne","a1VTG000002PnxF2AS",{"_31":937,"_62":938,"_241":939,"_641":940,"_643":941,"_645":942,"_647":943},4882,"a1OTG000000Ezz42AC","Adrienne Diamond","Adrienne Diamond has spent a lifetime learning and practising glass sculpture and art. After obtaining degrees from The National College of Art in Dublin and from Edinburgh College of Art, she lived several years in Seattle, one of the world's epicentres of glass art since the 1970s. Returning to the UK, Adrienne spent the following two decades running her own glass studio in Scotland. Since 2010, she has developed the small organic farm she now lives on in rural North-West Ireland. The farm is involved in social farming, and supports projects for vulnerable adults to participate in farm work and craft. This is also where Adrienne has established The Glass Farm, offering workshops, masterclasses and studio space for hire for glass artists and makers. In 2025, Adrienne joined the Homo Faber Fellowship programme to support a fellow develop their practice as a glass artist.",54.23069,-8.29856,"Beagh, Ireland",[945],"Ireland",[947],"Glass sculpting","This glass sculpture was created during Homo Faber Fellowship 2025/26 by glass sculptor Adrienne Diamond based in Ireland, and Irish fellow Fiona Byrne.\r\n\r\nHot glass techniques are used to evoke the movement of the wind through the rushes in rural Ireland. The sculpture is presented like a museum specimen, in a display case made by Esker Furniture, to represent people's fading connection with the landscape.",[950,951],{"_31":661,"_62":662,"_241":193,"_641":-5},{"_31":527,"_62":664,"_241":665,"_641":-5},[193,665],[855,856,857],[675,955,675,679],"Gold Leaf",[957],"https://api.homofaber.com/uploads/YNEW_Sacred_Landscape_Adrienne_Diamond_Artisan_and_Fiona_Byrne_Fellow_Philip_Lauterbach_fad23877a4.jpg",{"_689":941,"_690":942},{"_629":960,"_31":961,"_241":962,"_633":963,"_327":964,"_636":965,"_643":970,"_645":971,"_649":648,"_650":972,"_654":973,"_641":975,"_658":976,"_666":979,"_668":980,"_673":984,"_680":681,"_682":990,"_685":720,"_687":992},"object-22565",22565,"Millinery: A Study in Light, Shadow, and Form",[],"a1VTG000002PnxG2AS",{"_31":966,"_62":967,"_241":968,"_641":969,"_643":970,"_645":971,"_647":648},4865,"a1OTG000000Exmx2AC","Sahar Freemantle","Sahar Freemantle's journey began with costume design at Edinburgh College of Art, where she initially learned the basics of millinery. Her first creation was a sculptural costume with a matching hat, made from traditional strip straw that was woven into centimetre-wide segments. \"As a child, alongside my love for art and calligraphy, I had a vision of becoming a mechanic. In millinery, I discovered the perfect blend of artistry and hands-on craftsmanship,\" Sahar says. After working with Scottish milliners, she moved to London where she gradually turned to full-time millinery by balancing film costume work and a part-time office job to fund her practice. Sahar established her first atelier in 2008 and has dedicated herself fully to millinery since 2015.",51.51005467751487,-0.130328703267925,[652,653],[974],"Millinery","This collection of five hats was created during Homo Faber Fellowship 2025/26 by milliner Sahar Freemantle based in the UK, and British fellow Charlie Tolley.\r\n\r\nThe hats reimagine traditional millinery materials and techniques with the aim of revitalising a fading craft through contemporary exploration of light, texture and form.",[977,978],{"_31":661,"_62":662,"_241":193,"_641":-5},{"_31":527,"_62":664,"_241":665,"_641":-5},[193,665],[981,982,983],"Hat","Accessories","Mode",[985,986,987,988,989,676,925,716,829,678],"Goose feathers","Abacà","Silk","Sinamay","Rabbit felt",[991],"https://api.homofaber.com/uploads/EDITED_Kit_Oates_4860_copy_eca6c3d75e.jpg",{"_689":970,"_690":971},{"_629":994,"_31":995,"_241":996,"_633":997,"_327":998,"_636":999,"_643":1004,"_645":1005,"_649":1006,"_650":1007,"_654":1008,"_641":1009,"_658":1010,"_666":1013,"_668":1014,"_673":1015,"_680":681,"_682":1016,"_685":720,"_687":1018},"object-22566",22566,"Shaping Light from Ruins",[],"a1VTG000002Po252AC",{"_31":1000,"_62":1001,"_241":1002,"_641":1003,"_643":1004,"_645":1005,"_647":1006},4860,"a1OTG000000EzzB2AS","Suzanne O'Sullivan","Suzanne O'Sullivan is a glass artist who makes sculptures, abstract works, vases and jewellery. She practises her craft in a small scene town in a river valley in Fermoy, North Cork, where she lives. \"Growing up on a dairy farm, I developed a 'creative practicality' from my father, who taught me how to use tools such as drills and hammers. As a child, I would constantly draw and paint, even on shed walls,\" Suzanne says. After studying business and marketing, she studied at Crawford College of Art and Design, where she explored painting, weaving and sculpture, before she discovered her true medium, glass, on her very first firing. Suzanne won the Cork Arts Society Student of the Year award in 2001.",52.13756262690215,-8.276607250839588,"Fermoy, Ireland",[945],[947],"This glass artwork was created during Homo Faber Fellowship 2025/26 by glass fuser Suzanne O'Sullivan based in Ireland, and French fellow Emeline Mézières.\r\n\r\nThe piece is a contemporary interpretation of the essence of Ireland’s medieval castle ruins. The interplay of glass, light and texture symbolises both fragility and permanence, embodying the dialogue between architecture and nature, history and renewal.",[1011,1012],{"_31":661,"_62":662,"_241":193,"_641":-5},{"_31":527,"_62":664,"_241":665,"_641":-5},[193,665],[855,856,857],[675,675],[1017],"https://api.homofaber.com/uploads/Shaping_Light_from_Ruins_Suzanne_O_Sullivan_Artisan_and_Emeline_Mezieres_Fellow_1_181c756f98.jpg",{"_689":1004,"_690":1005},{"_629":1020,"_31":1021,"_241":1022,"_633":1023,"_327":1024,"_636":1025,"_643":1030,"_645":1031,"_649":1032,"_650":1033,"_654":1035,"_641":1037,"_658":1038,"_666":1041,"_668":1042,"_673":1043,"_680":681,"_682":1046,"_685":720,"_687":1048},"object-22567",22567,"After Artemis",[],"a1VTG000002Po5J2AS",{"_31":1026,"_62":1027,"_241":1028,"_641":1029,"_643":1030,"_645":1031,"_647":1032},4864,"a1OTG000000EpBF2A0","Lara Reisigl Domeneghetti","Lara Reisigl Domeneghetti is an Italian woodcarver, gilder and mentor based in Dovre in Norway. \"I am trained in sculpture and decorative arts across Italy and the UK, which allows me to to combine deep historical knowledge with contemporary craftsmanship,\" she says. Lara's workshop, Kunstverksted AS, serves as both a creative studio and cultural stewardship site, where traditional techniques are preserved and reinterpreted through mentorship. \"My teaching is highly tailored to the needs of each student, and I often deliver bespoke programmes at different institutions,\" she says. Lara's practice spans historical reconstructions, restoration and bespoke commissions in wood, gilding and painting. She collaborates with museums internationally and has taught in Norway, Saudi Arabia and the USA.",62,9.2,"Dovre, Norway",[1034],"Norway",[1036],"Wood carving","This fragment of a larger wall panel was created during Homo Faber Fellowship 2025/26 by woodcarver Lara Reisigl Domeneghetti based in Norway, and German fellow Antonia Barth.\r\n\r\nThe wall panel forms part of a larger restoration and artistic reinterpretation of a traditional horse drawn sled from Norway. The visible carving, drawing and joinery reflect a working process shaped by dialogue between the makers and the material.",[1039,1040],{"_31":661,"_62":662,"_241":193,"_641":-5},{"_31":527,"_62":664,"_241":665,"_641":-5},[193,665],[886,887,857],[1044,1045,716],"Alder wood","Poplar wood",[1047],"https://api.homofaber.com/uploads/After_Artemis_Lara_Reisigl_Domeneghetti_Artisan_and_Antonia_Barth_Fellow_All_rights_reserved_f32523ebc8.jpg",{"_689":1030,"_690":1031},{"_629":1050,"_31":1051,"_241":1052,"_633":1053,"_327":1054,"_636":1055,"_643":1060,"_645":1061,"_649":1062,"_650":1063,"_654":1064,"_641":1066,"_658":1067,"_666":1070,"_668":1071,"_673":1075,"_680":681,"_682":1078,"_685":720,"_687":1080},"object-22568",22568,"Fornyelse",[],"a1VTG000002PoGb2AK",{"_31":1056,"_62":1057,"_241":1058,"_641":1059,"_643":1060,"_645":1061,"_647":1062},3877,"a1OTG000000ExuH2AS","Wiebke Lüders","The Hardanger fiddle is a traditional folk instrument, played mainly in the south west of Norway. Wiebke Lüders fell in love with it during a visit to the Ringve Museum in Trondheim in 2008. “Before that I had been thinking of becoming a violin maker, but was never so sure about it, because I did not see myself as a craftsperson only. I always wanted to do something artistic”. And so she did. After training extensively all over the world as a musical instruments conservator, including at the Metropolitan Museum of Arts in New York, in 2016 she became a fiddle maker. In her free time, she devotes herself to the enchanting world of marionettes, a passion she developed in Vienna where she learnt traditional marionette playing techniques.",60.6299,6.42108,"Voss, Norway",[1034],[1065],"Lutherie","This Hardanger fiddle was created during Homo Faber Fellowship 2025/26 by luthier Wiebke Lüders based in Norway, and British fellow Naomi Soni.\r\n\r\nAlthough made according to tradition, this Hardanger fiddle has an unconventional design. Recurring organic patterns, reminiscent of a peacock, evoke nature and the movement of music. The use of gold accents aims to make this little-known folk instrument shine in a new light.",[1068,1069],{"_31":661,"_62":662,"_241":193,"_641":-5},{"_31":527,"_62":664,"_241":665,"_641":-5},[193,665],[1072,1073,1074],"Fiddle","Musical instruments","Performing arts",[1076,716,1077,925,716,679],"Mother of pearl","Gold",[1079],"https://api.homofaber.com/uploads/Fornyelse_Wiebke_Luders_Artisan_and_Naomi_Soni_Fellow_Per_Finne_bbd9b31ab0.jpg",{"_689":1060,"_690":1061},{"_629":1082,"_31":1083,"_241":1084,"_633":1085,"_327":1086,"_636":1087,"_643":1092,"_645":1093,"_649":1094,"_650":1095,"_654":1096,"_641":1097,"_658":1098,"_666":1101,"_668":1102,"_673":1103,"_680":681,"_682":1105,"_685":720,"_687":1107},"object-22569",22569,"Hardingfele, Hardanger fiddle",[],"a1VTG000002PoA92AK",{"_31":1088,"_62":1089,"_241":1090,"_641":1091,"_643":1092,"_645":1093,"_647":1094},4881,"a1OTG000000Ezyx2AC","Ottar Kåsa","Luthier and musician Ottar Kåsa creates and repairs finely ornamented hardanger fiddles in his workshop in Bø in Telemark, a place known for its long traditions of fiddle making and folk music. The hardanger fiddle was first developed in the 17th century in the Hardanger region. Though similar to a violin, it has understrings, distinctive f-holes and is richly decorated with wood carvings, mother-of-pearl inlay and rosing. Music and instrument go hand-in-hand for Ottar. “I use my eyes and ears while working, combining the visual with sound, knocking gently on the wood to remove high tones,\" he says. Repairing instruments and setting them up is also a big part of his work. It comes down to Ottar's choice of materials and small adjustments to bridge and soundpost to create the best sound possible.",59.41362123863978,9.06109327571864,"Bø, Norway",[1034],[1065],"This Hardanger fiddle was created during Homo Faber Fellowship 2025/26 by luthier Ottar Kåsa based in Norway, and Norwegian fellow Jake Fineberg.\r\n\r\nMade according to the fiddle making tradition of Bø in Telemark, Norway, this instrument is inspired by older fiddles and combines details and styles from different local traditions. The locally sourced materials give it a deep, powerful tone.",[1099,1100],{"_31":661,"_62":662,"_241":193,"_641":-5},{"_31":527,"_62":664,"_241":665,"_641":-5},[193,665],[1072,1073,1074],[716,1076,1104,716,925],"Horn",[1106],"https://api.homofaber.com/uploads/Hardingfele_Hardanger_fiddle_Ottar_Kasa_Artisan_and_Jake_Fineberg_Fellow_All_rights_reserved_14cc5e8efc.jpg",{"_689":1092,"_690":1093},{"_629":1109,"_31":1110,"_241":1111,"_633":1112,"_327":1113,"_636":1114,"_643":1119,"_645":1120,"_649":1121,"_650":1122,"_654":1125,"_641":1126,"_658":1127,"_666":1130,"_668":1131,"_673":1134,"_680":681,"_682":1137,"_685":720,"_687":1139},"object-22570",22570,"Mandorla",[],"a1VTG000002PoLR2A0",{"_31":1115,"_62":1116,"_241":1117,"_641":1118,"_643":1119,"_645":1120,"_647":1121},84,"a1OTG000000EpBs2AK","Anna Bera","Born in a village in the Świętokrzyskie Mountains, Anna Bera began working with wood at the age of 14. She learned woodcarving at art school, but craft itself was not her main focus. \"Already at that time I was interested in contemporary art and abstraction,\" she says. After studying at the Academy of Fine Arts in Poznań, where she chose stage design, Anna worked for few years in the visual arts and new media. She focused on conceptual photography, which led her to collect all kinds of objects found in nature, especially stones, igniting her creativity to the point that conceptual work was no longer enough to fulfil her. \"The ideas and objects on which I focused… I felt their energy; it’s just the medium that was not right.\"",52.2601391944232,21.0494180092946,"Warsaw, Poland",[1123,1124],"Poland","Warsaw",[708],"This mirror was created during Homo Faber Fellowship 2025/26 by furniture maker Anna Bera based in Poland, and Polish fellow Zuzanna Szymłowska.\r\n\r\nThe form of this mirror evokes the undulating foot of a slug. It is constructed from layers that are developed separately and assembled. The resulting comb-like structure appears soft and delicate, with a rippling effect that makes it come alive.",[1128,1129],{"_31":661,"_62":662,"_241":193,"_641":-5},{"_31":527,"_62":664,"_241":665,"_641":-5},[193,665],[1132,1133,672],"Mirror","Furniture accessories",[1132,1045,1135,675,716,1136],"Stain","Cement, plaster, pigments",[1138],"https://api.homofaber.com/uploads/YNEW_Mandorla_Anna_Bera_Artisan_and_Zuzanna_Szymlowska_Fellow_Emilia_Oksentowicz_b8d54aebd8.jpg",{"_689":1119,"_690":1120},{"_629":1141,"_31":1142,"_241":1143,"_633":1144,"_327":1145,"_636":1146,"_643":1151,"_645":1152,"_649":648,"_650":1153,"_654":1154,"_641":1156,"_658":1157,"_666":1160,"_668":1161,"_673":1164,"_680":681,"_682":1167,"_685":720,"_687":1169},"object-22571",22571,"Liminal",[],"a1VTG000002PoRv2AK",{"_31":1147,"_62":1148,"_241":1149,"_641":1150,"_643":1151,"_645":1152,"_647":648},3552,"a1OTG000000Exg92AC","Kuniko Maeda","Kuniko Maeda always had an interest and admiration for Japanese craftsmanship which is what inspired her to study Japanese traditional woodcarving in Kyoto. After completing her studies, she moved to London in 2011, where she explored and developed new creative insights and skills. Kuniko creates sculptural 3D artworks made primarily from paper, sometimes supported by other materials such as leather. In her process she deploys traditional Japanese craft techniques combined with digital technology. Kuniko often uses Kakishibu paper which is very durable and waterproof. She believes that the fusion of traditional craft skills and modern technology will positively impact how we perceive material values and sustainable approaches in the near future.",51.5,-0.1,[652,653],[1155],"Paper art","This silk artwork was created during Homo Faber Fellowship 2025/26 by paper sculptor Kuniko Maeda based in the UK, and Japanese fellow Momoka Ienaga.\r\n\r\nInspired by the way organic forms adjust during periods of transition, this artwork explores adaptation through the process of co-creation, conveying the in-between space where two perspectives meet, transform and find a new balance.",[1158,1159],{"_31":661,"_62":662,"_241":193,"_641":-5},{"_31":527,"_62":664,"_241":665,"_641":-5},[193,665],[1162,1163,825],"Flower","Decorative objects",[1165,1166,829],"Silk thread","Silk organza",[1168],"https://api.homofaber.com/uploads/Liminal_Kuniko_Maeda_Artisan_and_Momoka_Ienaga_Fellow_All_rights_reserved_ac99a86bfc.jpg",{"_689":1151,"_690":1152},{"_629":1171,"_31":1172,"_241":1173,"_633":1174,"_327":1175,"_636":1176,"_643":1181,"_645":1182,"_649":1183,"_650":1184,"_654":1187,"_641":1189,"_658":1190,"_666":1193,"_668":1194,"_673":1195,"_680":681,"_682":1198,"_685":720,"_687":1200},"object-22572",22572,"Suspended Reflections",[],"a1VTG000002Poi12AC",{"_31":1177,"_62":1178,"_241":1179,"_641":1180,"_643":1181,"_645":1182,"_647":1183},1559,"a1OTG000000EwIq2AK","Belén Huidobro & Juan Aresti","Belén Huidobro de la Torre and Juan Aresti Alfaro both come from artistic familes and an academic background. BuenaVentura epitomises their love for the decorative arts, and champions the value of craft, which they initially practised as a hobby. In 2004 they founded the workshop with the mission of bringing to life handmade products, natural and with the utmost quality in the making process. Through trial and error they developed their own personal painting technique, researching materials, to create and make one-of-a-kind murals and wallpapers. Inspired by nature and art, they work with watercolour, stroke by stroke of a paint brush, in pursuit of achieving creations that are balanced in colour, proportion and composition.",40.40925,-3.71772,"Madrid, Spain",[1185,1186],"Spain","Madrid",[1188],"Wallpaper making","These silk and cotton panels were created during Homo Faber Fellowship 2025/26 by wallpaper maker Juan Aresti based in Spain, and Spanish fellow Celia Botas Vigo.\r\n\r\nThree hanging panels, each an individual work of art, come together in this installation to create a single image. Herons fly across the wallpaper on the front, while the design on the back suggests the gentle movement of water and the reflections it creates.",[1191,1192],{"_31":661,"_62":662,"_241":193,"_641":-5},{"_31":527,"_62":664,"_241":665,"_641":-5},[193,665],[886,887,857],[1196,987,1197,829],"Cotton paper","Paper",[1199],"https://api.homofaber.com/uploads/SUSPENDED_REFLECTIONS_Juan_Aresti_Artisan_and_Celia_Botas_Vigo_Fellow_All_rights_reserved_42826afe68.jpg",{"_689":1181,"_690":1182},{"_629":1202,"_31":1203,"_241":1204,"_633":1205,"_327":1206,"_636":1207,"_643":1212,"_645":1213,"_649":1214,"_650":1215,"_654":1218,"_641":1220,"_658":1221,"_666":1224,"_668":1225,"_673":1226,"_680":681,"_682":1229,"_685":720,"_687":1231},"object-22573",22573,"Lady Forest",[],"a1VTG000002PoWj2AK",{"_31":1208,"_62":1209,"_241":1210,"_641":1211,"_643":1212,"_645":1213,"_647":1214},1780,"a1OTG000000EwST2A0","Maria Pratas","Maria Pratas combines the technical and emotional aspects of craftsmanship to reinterpret the coil basketry technique in her sculptural works. Fuelled by her curiosity and love of experimentation, as well as her passion for sourcing natural materials, she transforms two-dimensional textiles into wondrous shapes. Maria mixes textiles, natural fibres and wood to create eclectic sculptures using different techniques. “When I go out, I often come back home with a collection of logs, roots, pieces from abandoned wooden furniture or textiles that caught my attention,” she says. It is in this veritable treasure box that Maria seeks inspiration when she starts a new piece.",38.70538,-9.20611,"Lisbon, Portugal",[1216,1217],"Portugal","Lisbon",[1219],"Textile sculpting","This textile installation was created during Homo Faber Fellowship 2025/26 by textile sculptor Maria Pratas based in Portugal, and Mexican-Spanish fellow Carolina De la Parra Quintana.\r\n\r\nThe sculptures are inspired by the forest as a place of regeneration, transformation and feminine energy, where growth is collective rather than individual. The organic, bodily forms evoke a relationship between the Earth and all that arises from it.",[1222,1223],{"_31":661,"_62":662,"_241":193,"_641":-5},{"_31":527,"_62":664,"_241":665,"_641":-5},[193,665],[855,856,857],[1227,1228,829],"Rope","Fibres",[1230],"https://api.homofaber.com/uploads/Lady_Forest_Maria_Pratas_Artisan_and_Carolina_De_la_Parra_Quintana_Fellow_Maria_Pratas_Studio_a34a8debba.jpg",{"_689":1212,"_690":1213},{"_629":1233,"_31":1234,"_241":1235,"_633":1236,"_327":1237,"_636":1238,"_643":1243,"_645":1244,"_649":1245,"_650":1246,"_654":1247,"_641":1249,"_658":1250,"_666":1253,"_668":1254,"_673":1256,"_680":681,"_682":1259,"_685":720,"_687":1261},"object-22574",22574,"Flowing",[],"a1VTG000002PpB32AK",{"_31":1239,"_62":1240,"_241":1241,"_641":1242,"_643":1243,"_645":1244,"_647":1245},1523,"a1OTG000000EwI32AK","Daniel Lizarralde Aguirre","Daniel Lizarralde Aguirre did not complete his degree in engineering because he was drawn to the study of furniture conservation and restoration, which better suited his love of manual tasks. Over the years – thanks to a range of different experiences – he learned how to master chairmaking, chair seats and basket weaving. Daniel is an enthusiastic multitasker. In 2015, he also opened Zurjole, a workshop serving also as a craftsmanship academy. Chairmaking requires a proficiency in woodworking and the skill of weaving different natural fibres in several patterns like checkerboard, right-angle and under-over. His ingenuity allows him to devise customised patterns, interpreting clients’ wishes. The making process is 100 percent manual, he considers himself as the keeper of an almost extinct know-how, and has made the handing over of his knowledge a mission.",43.30614,-1.99901,"Donostia-San Sebastian, Spain",[1185],[1248],"Chair making","This stool or side table was created during Homo Faber Fellowship 2025/26 by chairmaker Daniel Lizarralde Aguirre based in Spain, and Spanish fellow Elena de Diegol.\r\n\r\nTraditional techniques are used to shape the contemporary forms inspired by curves found in nature. This multifunctional piece is built to last, and its two flat surfaces are removable for easy repair.",[1251,1252],{"_31":661,"_62":662,"_241":193,"_641":-5},{"_31":527,"_62":664,"_241":665,"_641":-5},[193,665],[1255,775,672],"Stool",[737,1257,1258,716,829],"Danish cord","Rattan",[1260],"https://api.homofaber.com/uploads/YNEW_3_Flowing_Daniel_Lizarralde_Artisan_and_Elena_de_Diego_Fellow_All_rights_reserved_b88ae7979f.jpg",{"_689":1243,"_690":1244},{"_629":1263,"_31":1264,"_241":1265,"_633":1266,"_327":1267,"_636":1268,"_643":1273,"_645":1274,"_649":1275,"_650":1276,"_654":1277,"_641":1279,"_658":1280,"_666":1283,"_668":1284,"_673":1286,"_680":681,"_682":1288,"_685":720,"_687":1290},"object-22575",22575,"Heterotopia",[],"a1VTG000002PpFt2AK",{"_31":1269,"_62":1270,"_241":1271,"_641":1272,"_643":1273,"_645":1274,"_647":1275},4857,"a1OTG000000Ezyt2AC","Stephen Beresford","Stephen Beresford is a boat builder and conservator who leads the restoration of 50 historic boats dating from 1780 to 1983 at the Windermere Jetty Museum. “I have been a passionate maker since childhood. I crafted everything, from junk models and Lego creations to woodworking projects, motorbikes and cars,” he says. After 20 years as a mechanical engineer in the food, chemical and nuclear industries, Stephen was inspired by the craftsmanship of wooden boats at the former Windermere Steamboat Museum in England’s Lake District. In his early forties, he retrained in traditional wooden boat building and exhibited his first racing boat at the RYA Volvo Dinghy Show at Alexandra Palace and won the Spitfire Premium Ale Concours d’Élégance in 2010. Stephen also founded the Good Wood Boat Company in 2008, where he still makes racing dinghies and other wooden vessels on commission.",54.37080824208591,-2.92216271753955,"Windermere, United Kingdom",[652],[1278],"Boat building","This wooden installation was created during Homo Faber Fellowship 2025/26 by boatbuilder Stephen Beresford based in the UK, and Swiss-British fellow Line Packer.\r\n\r\nThis piece depicts the creation of a modern version of a late 19th century Windermere skiff. Lofting, a full-scale drawing process, helped Stephen and Line visualise the boat’s shape. The technique of steam-bending is used in its construction.",[1281,1282],{"_31":661,"_62":662,"_241":193,"_641":-5},{"_31":527,"_62":664,"_241":665,"_641":-5},[193,665],[1285,1163,825],"Installation",[1287,737,716],"Plywood",[1289],"https://api.homofaber.com/uploads/YNEW_1_Heterotopia_Stephen_Beresford_Artisan_and_Line_Packer_Fellow_All_rights_reserved_1_ee9ce3ead7.jpg",{"_689":1273,"_690":1274},{"_629":1292,"_31":1293,"_241":1294,"_633":1295,"_327":1296,"_636":1297,"_643":1302,"_645":1303,"_649":1304,"_650":1305,"_654":1307,"_641":1309,"_658":1310,"_666":1313,"_668":1314,"_673":1315,"_680":681,"_682":1317,"_685":720,"_687":1319},"object-22576",22576,"Resonances",[],"a1VTG000002PgFp2AK",{"_31":1298,"_62":1299,"_241":1300,"_641":1301,"_643":1302,"_645":1303,"_647":1304},1192,"a1OTG000000Ew5q2AC","Harumi Sugiura","Harumi Sugiura's journey originally began in Tokyo and Kobe before she moved to France in 2008. Today, she calls Le Couvent in Marseille her creative sanctuary, a vibrant hub for artists and artisans. Her fascination with craftsmanship has been an integral part of her life since childhood. Initially drawn to natural dye, her path took a profound turn upon meeting Michel Garcia, a revered master in natural dyes. Under his influence, Harumi exclusively embraced natural colours and fibres, marking a pivotal shift in her artistic pursuit. Driven by an insatiable curiosity, she ventured further, aiming to infuse her creations with a three-dimensional allure. Countless hours of exploration and experimentation ensued until she achieved the pleating technique that lends her fabrics the captivating and ethereal 3D structure she envisioned.",43.31036,5.3874,"Marseille, France",[814,1306],"Marseille",[1308],"Textile pleating","This textile sculpture was created during Homo Faber Fellowship 2025/26 by textile pleater Harumi Sugiura based in France, and Italian-Colombian fellow Marcella Giannini.\r\n\r\nThe two panels that comprise this piece are made with ramie, a textile fibre chosen for its ability to absorb natural pigments, and dyed with the katazome technique, a stencil-based resist-dyeing process. Through pleating, the textile is transformed into a sculpture.",[1311,1312],{"_31":661,"_62":662,"_241":193,"_641":-5},{"_31":527,"_62":664,"_241":665,"_641":-5},[193,665],[823,824,825],[1316,829],"Ramie",[1318],"https://api.homofaber.com/uploads/ZNEWRESONANCES_Harumi_Sugiura_Artisan_and_Marcella_Giannini_Fellow_All_rights_reserved_1_f6f92bbdfc.jpg",{"_689":1302,"_690":1303},{"_629":1321,"_31":1322,"_241":1323,"_633":1324,"_327":1325,"_636":1326,"_643":1331,"_645":1332,"_649":1333,"_650":1334,"_654":1335,"_641":1337,"_658":1338,"_666":1341,"_668":1342,"_673":1343,"_680":681,"_682":1344,"_685":720,"_687":1346},"object-22577",22577,"Fire Becoming Ocean",[],"a1VTG000002Pouv2AC",{"_31":1327,"_62":1328,"_241":1329,"_641":1330,"_643":1331,"_645":1332,"_647":1333},1622,"a1OTG000000EwJr2AK","Caterina Roma","Studies in literature and philology did not prevent Caterina Roma from nurturing her passion for ceramics. Self-taught from a very young age, this process has given her “a rare freedom to create by intuition and observation.” Following her instinct, she has been exploring the endless possibilities – as well as the limits – that both materials and techniques allow. She has carried out a very personal, artistic research. The shapes of her creations are inspired by nature and tradition, Caterina digs her own clay, soaks and kneads it, collects plants and rocks which she will then incorporate into the glazing, firing her works also in a wood-kiln. Her connection with nature is tangible, balanced between poetry and function.",42.0147133370505,2.98237070018925,"La Pera, Spain",[1185],[1336],"Ceramics","This porcelain sculpture was created during Homo Faber Fellowship 2025/26 by ceramicist Caterina Roma based in Spain, and Argentinian-Spanish fellow Mili Couto Perkins.\r\n\r\nThe creation of this river sculpture reflects the process of 'becoming'. Each element was shaped on a potter’s wheel and then altered. The piece was further transformed by 50 hours in a wood kiln. Parts that emerged broken were mended using the kintsugi technique.",[1339,1340],{"_31":661,"_62":662,"_241":193,"_641":-5},{"_31":527,"_62":664,"_241":665,"_641":-5},[193,665],[886,887,857],[889,1077,889,679],[1345],"https://api.homofaber.com/uploads/ZNEW_Fire_Becoming_Ocean_Caterina_Roma_Artisan_and_Mili_Couto_Fellow_All_rights_reserved_78cc1f3fa7.jpg",{"_689":1331,"_690":1332},{"_629":1348,"_31":1349,"_241":1350,"_633":1351,"_327":1352,"_636":1353,"_643":1358,"_645":1359,"_649":1360,"_650":1361,"_654":1362,"_641":1363,"_658":1364,"_666":1367,"_668":1368,"_673":1370,"_680":681,"_682":1372,"_685":720,"_687":1374},"object-22578",22578,"Light of Andalusia",[],"a1VTG000002PooT2AS",{"_31":1354,"_62":1355,"_241":1356,"_641":1357,"_643":1358,"_645":1359,"_647":1360},242,"a1OTG000000Epb92AC","Pablo TITO","Since he was a child, Pablo TITO knew he wanted to be a potter. He grew up surrounded by a family of artisans and never thought he could do anything else. His trade is a legacy that continues to be passed down from generation to generation. The region of Úbeda, in Spain, is closely linked to pottery, which has been around for 6,000 years, and it has a strong influence on Pablo's work, which is also inspired by the books he reads, the experiences he encounters, the cities he knows and the people he interacts with. For him, \"there is no greater modernity than defending tradition\" and he defines what he does as: tradition, respect, freedom, passion, enjoyment and disconnection.",38.01258,-3.36403,"Úbeda, Spain",[1185],[1336],"This vessel was created during Homo Faber Fellowship 2025/26 by ceramicist Pablo TITO based in Spain, and Spanish fellow Tito Martínez.\r\n\r\nA modern interpretation of the iconic silhouette of the Alhambra vase, this piece honours artisanal traditions while embracing a contemporary language. The experimental use of copper oxide slip creates a stone-like appearance for this ceramic creation.",[1365,1366],{"_31":661,"_62":662,"_241":193,"_641":-5},{"_31":527,"_62":664,"_241":665,"_641":-5},[193,665],[1369,1163,825],"Vase",[1371,891],"Clay",[1373],"https://api.homofaber.com/uploads/Light_of_Andalusia_Pablo_Tito_Artisan_and_Tito_Martinez_Fellow_Balta_Fotografo_8b8b87aeec.jpg",{"_689":1358,"_690":1359},{"_629":1376,"_31":1377,"_241":1378,"_633":1379,"_327":1380,"_636":1381,"_643":1385,"_645":1386,"_649":1183,"_650":1387,"_654":1388,"_641":1390,"_658":1391,"_666":1394,"_668":1395,"_673":1396,"_680":681,"_682":1398,"_685":720,"_687":1400},"object-22579",22579,"Mineral Sculpture Box",[],"a1VTG000002Pp7p2AC",{"_31":389,"_62":1382,"_241":1383,"_641":1384,"_643":1385,"_645":1386,"_647":1183},"a1OTG000000EwNy2AK","Garrido","Garrido's story dates back to 1955, when Damián Garrido, at just 16 years old, embarked into silversmithing after learning the craft from renowned Spanish silversmiths such as Luis Espunes, Viuda de López, and José Mir. Over the years, the workshop's reputation and prestige consolidated, and in 1990, they began a new chapter with the addition of Juan and Paloma Garrido, the second generation of silversmiths. From its inception to this day, Garrido has remained true to its philosophy and founding principles: to offer distinctive design and exceptional quality.",40.30957,-3.48452,[1185,1186],[1389],"Silversmithing","This sculptural box was created during Homo Faber Fellowship 2025/26 by silversmith Juan Garrido Gayubo based in Spain, and Spanish fellow Rocío Ortiz Vara.\r\n\r\nThe sculpture comprises three independent elements designed to fit together like a puzzle. Hand chiselled areas preserve the manual imprint of craft, contrasting with mirror-polished sections that interact with light.",[1392,1393],{"_31":661,"_62":662,"_241":193,"_641":-5},{"_31":527,"_62":664,"_241":665,"_641":-5},[193,665],[855,856,857],[1397,679],"Brass",[1399],"https://api.homofaber.com/uploads/Mineral_sculpture_Box_Juan_Garrido_Gayubo_and_Rocio_Ortiz_Vara_Artisan_Michelangelo_Fondation_13048b66b0.jpg",{"_689":1385,"_690":1386},{"_629":1402,"_31":1403,"_241":1404,"_633":1405,"_327":1406,"_636":1407,"_643":1412,"_645":1413,"_649":1414,"_650":1415,"_654":1418,"_641":1419,"_658":1420,"_666":1421,"_668":1422,"_673":1426,"_680":681,"_682":1427,"_685":720,"_687":1429},"object-22667",22667,"Windy Weather",[],"a1VTG00000114FV2AY",{"_31":1408,"_62":1409,"_241":1410,"_641":1411,"_643":1412,"_645":1413,"_647":1414},5090,"a1OTG000000EzKI2A0","Anna Sykora","When Anna Sykora visited the Hedwig Bollhagen ceramic manufacturer at 15 years old, she instantly envisioned the life she wanted. She received extensive training in the field and in a traditional pottery studio, followed by studies in design in Höhr-Grenzhausen, Germany. Anna developed her signature technique in terra sigillata, a slip formula once applied by ancient Greek and Roman potters. “I experimented with pigments and oxides to integrate the technique into my own practice,” she says. Over the years, Anna has been recognised with several state awards. Today, she works solely with porcelain and decorates her pieces with scratched or recessed patterns that show her layered making process.",52.49116177124189,13.41275663240206,"Berlin, Germany",[1416,1417],"Germany","Berlin",[879],"These are tumblers for tea or coffee. The black base is made slightly heavier to ensure a stable stand, while the rim is crafted very fine.",[],[],[1423,1424,1425],"Tumbler","Drinkware","Table and kitchen",[889,889],[1428],"https://api.homofaber.com/uploads/OBJ_1_14_Becher_LR_Homo_Faber_a935666de8.jpg",{"_689":1412,"_690":1413},{"_629":1431,"_31":1432,"_241":1433,"_633":1434,"_327":1435,"_636":1436,"_643":1441,"_645":1442,"_649":1443,"_650":1444,"_654":1446,"_641":1448,"_658":1449,"_666":1450,"_668":1451,"_673":1454,"_680":681,"_682":1457,"_685":720,"_687":1459},"object-22687",22687,"Surculus table lamp",[],"a1VTG0000026QEn2AM",{"_31":1437,"_62":1438,"_241":1439,"_641":1440,"_643":1441,"_645":1442,"_647":1443},624,"a1OTG000000EstH2AS","Barbara Palatin-Doyle","After a career in finance, Barbara Palatin-Doyle delved into hands-on crafting by pursuing a lamp making practice. Her international path took her from London and New York back to her native Vienna, where she founded her studio. \"The time I spent at the Metropolitan Museum of Art sharpened my understanding of European decorative arts and their material logic,\" she says. Barbara's work begins with direct experimentation with paper, before translating her findings into lasting forms with specialised production processes. In her current series, she draws onto lamp shades with diluted inks in deep blues and sepia tones chosen for how they react when illuminated. Barbara is exploring new material directions, such as treated wood, to broaden her technical range.",48.21084415781399,16.3703709692853,"Wien, Austria",[1445],"Austria",[1447],"Lamp making","This table lamp is a bronze table lamp with an organic, branch like form cast using the lost wax method. It features polished and patinated bronze, and a white handmade Japanese Hosho paper shade that diffuses warm light and highlights its sculptural silhouette.",[],[],[1452,1453],"Table lamp","Lighting",[1455,1456,1197,679],"Japanese paper (Washi)","Bronze",[1458],"https://api.homofaber.com/uploads/OBJ_1_Objects_Surculus_tablelamp_Max_Wallner_for_Studio_Palatin_FUJI_3721_6dfcb2679a.jpg",{"_689":1441,"_690":1442},{"_629":1461,"_31":1462,"_241":1463,"_633":1464,"_327":1465,"_636":1466,"_643":1441,"_645":1442,"_649":1443,"_650":1467,"_654":1468,"_641":1469,"_658":1470,"_666":1471,"_668":1472,"_673":1474,"_680":681,"_682":1475,"_685":720,"_687":1477},"object-22688",22688,"Surculus candlesticks",[],"a1VTG0000026QEo2AM",{"_31":1437,"_62":1438,"_241":1439,"_641":1440,"_643":1441,"_645":1442,"_647":1443},[1445],[1447],"These candlesticks are a set of three bronze candlesticks cast using the lost-wax casting method. Each has an organic, branch like form with polished and patinated bronze surfaces, creating sculptural candle holders with varied heights and a strong vertical presence.",[],[],[1473,1163,825],"Candle holder",[1455,1456,1197,679],[1476],"https://api.homofaber.com/uploads/OBJ_2_Objects_Surculus_Max_Wallner_for_Studio_Palatin_DSCF_0470_6ba3f43bf4.jpg",{"_689":1441,"_690":1442},{"_629":1479,"_31":1480,"_241":1481,"_633":1482,"_327":1483,"_636":1484,"_643":1441,"_645":1442,"_649":1443,"_650":1485,"_654":1486,"_641":1487,"_658":1488,"_666":1489,"_668":1490,"_673":1491,"_680":681,"_682":1492,"_685":720,"_687":1494},"object-22689",22689,"Surculus large table lamp",[],"a1VTG0000026QEp2AM",{"_31":1437,"_62":1438,"_241":1439,"_641":1440,"_643":1441,"_645":1442,"_647":1443},[1445],[1447],"This wireless table lamp is the tallest of three sizes. It is cast in polished and patinated bronze using the lost-wax cast method and fitted with a white handmade Japanese Hosho paper shade and integrated rechargeable LED lighting.",[],[],[1452,1453],[1455,1456,1197,679],[1493],"https://api.homofaber.com/uploads/OBJ_3_Objects_Surculus_Max_Wallner_for_Studio_Palatin_2_DSCF_2388_d34b63be66.jpg",{"_689":1441,"_690":1442},{"_629":1496,"_31":1497,"_241":1498,"_633":1499,"_327":1500,"_636":1501,"_643":1441,"_645":1442,"_649":1443,"_650":1502,"_654":1503,"_641":1504,"_658":1505,"_666":1506,"_668":1507,"_673":1508,"_680":681,"_682":1509,"_685":720,"_687":1511},"object-22690",22690,"Surculus mini",[],"a1VTG0000026QEr2AM",{"_31":1437,"_62":1438,"_241":1439,"_641":1440,"_643":1441,"_645":1442,"_647":1443},[1445],[1447],"This wireless table lamp is the smallest of three sizes. It is cast in polished and patinated bronze using the lost-wax casting method and fitted with a white handmade Japanese Hosho paper shade and integrated rechargeable LED lighting.",[],[],[1452,1453],[1455,1456,1197,679],[1510],"https://api.homofaber.com/uploads/OBJ_5_Objects_Surculusmini_Max_Wallner_for_Studio_Palatin_DSCF_0607_9ccd83e08d.jpg",{"_689":1441,"_690":1442},{"_629":1513,"_31":1514,"_241":1515,"_633":1516,"_327":1517,"_636":1518,"_643":1441,"_645":1442,"_649":1443,"_650":1519,"_654":1520,"_641":1521,"_658":1522,"_666":1523,"_668":1524,"_673":1525,"_680":681,"_682":1526,"_685":720,"_687":1528},"object-22691",22691,"Charta Aura candlestick",[],"a1VTG0000026QEq2AM",{"_31":1437,"_62":1438,"_241":1439,"_641":1440,"_643":1441,"_645":1442,"_647":1443},[1445],[1447],"This candlestick is handcrafted in solid bronze and finished to a luminous polish. Its sculptural form draws on the gesture of folded paper, translated into a permanent material and conceived as a refined object that elevates the ritual of candlelight.",[],[],[1473,1163,825],[1456,679],[1527],"https://api.homofaber.com/uploads/OBJ_4_Objects_Charta_candlesticks_Max_Wallner_for_Studio_Palatin_FUJI_3891_11a532c5b3.jpg",{"_689":1441,"_690":1442},{"_629":1530,"_31":1531,"_241":1532,"_633":1533,"_327":1534,"_636":1535,"_643":1540,"_645":1541,"_649":1542,"_650":1543,"_654":1545,"_641":1546,"_658":1547,"_666":1548,"_668":1549,"_673":1551,"_680":681,"_682":1553,"_685":720,"_687":1555},"object-22692",22692,"Yoshino one-seater chair",[],"a1VTG0000021vnt2AA",{"_31":1536,"_62":1537,"_241":1538,"_641":1539,"_643":1540,"_645":1541,"_647":1542},5395,"a1OTG000000EyHJ2A0","Kenta Hirai","Kenta Hirai creates wooden furniture in Kawakami Village, in the Yoshino forestry region of Nara, where he is based. Trained in environmental design and architecture, he turned to furniture in search of a practice that would combine design and making. \"I was seeking a more direct relationship between idea and object,\" he says. Kenta retrained in woodworking in Hida Takayama, then spent three years in Ireland at Joseph Walsh Studio, where he learned freeform lamination. Returning to Japan, he founded his workshop, Studio Jig, in 2017. Today, Kenta applies freeform lamination to Yoshino cedar, a softwood traditionally reserved for architecture. His work brings together cultivated timber, controlled bending and a process that begins in the hand and ends in a singular form.",34.35314661064741,135.9247336497488,"Yoshino District, Japan",[1544],"Japan",[708],"This lounge chair combines Yoshino cedar and a steel structure. A gently curved wooden surface extends from the seat to the backrest and arm support. Asymmetrically constructed, the chair allows the body to rest diagonally, providing stable support through its continuous bentwood form.",[],[],[1550,775,672],"Chair",[1552,716],"Cedar wood",[1554],"https://api.homofaber.com/uploads/OBJ_1_Katsuhiko_Tsujimoto_Yoshino_1_Seater_Chair_3_9efef0fab5.jpg",{"_689":1540,"_690":1541},{"_629":1557,"_31":1558,"_241":1559,"_633":1560,"_327":1561,"_636":1562,"_643":1540,"_645":1541,"_649":1542,"_650":1563,"_654":1564,"_641":1565,"_658":1566,"_666":1567,"_668":1568,"_673":1569,"_680":681,"_682":1570,"_685":720,"_687":1572},"object-22693",22693,"Legless chair",[],"a1VTG0000021vnu2AA",{"_31":1536,"_62":1537,"_241":1538,"_641":1539,"_643":1540,"_645":1541,"_647":1542},[1544],[708],"This legless chair is formed from a single continuous curved surface in Yoshino cedar. Rising from the floor, the bent wood creates arm supports and a backrest in one flow. The fabric seat follows the wooden contour, allowing a low sitting posture close to the ground.",[],[],[1550,775,672],[1552,716],[1571],"https://api.homofaber.com/uploads/OBJ_2_CJ_2_legless_chair_1_34b1a8a8f2.jpg",{"_689":1540,"_690":1541},{"_629":1574,"_31":1575,"_241":1576,"_633":1577,"_327":1578,"_636":1579,"_643":1540,"_645":1541,"_649":1542,"_650":1580,"_654":1581,"_641":1582,"_658":1583,"_666":1584,"_668":1585,"_673":1586,"_680":681,"_682":1587,"_685":720,"_687":1589},"object-22694",22694,"Yoshino wall mirror",[],"a1VTG0000021vnv2AA",{"_31":1536,"_62":1537,"_241":1538,"_641":1539,"_643":1540,"_645":1541,"_647":1542},[1544],[708],"This wall mirror is made from Yoshino cedar using freeform lamination. Ten veneer sheets, sliced from a knot-free beam, are laminated and bent to form a curved wooden frame that overlaps at the centre, creating a small integrated display shelf.",[],[],[1132,1133,672],[1552,716],[1588],"https://api.homofaber.com/uploads/OBJ_3_Katsuhiko_Tsujimoto_Yoshino_Wall_Mirror_6_77dac45261.jpg",{"_689":1540,"_690":1541},{"_629":1591,"_31":1592,"_241":1593,"_633":1594,"_327":1595,"_636":1596,"_643":1601,"_645":1602,"_649":704,"_650":1603,"_654":1605,"_641":1607,"_658":1608,"_666":1609,"_668":1610,"_673":1611,"_680":681,"_682":1615,"_685":720,"_687":1617},"object-22695",22695,"Mt. Worak 120-35-35",[],"a1VTG00000116fY2AQ",{"_31":1597,"_62":1598,"_241":1599,"_641":1600,"_643":1601,"_645":1602,"_647":704},5414,"a1OTG000000EzUF2A0","Ahyun Jeon","Ahyun Jeon's resin works bring South Korea's mountainous landscapes indoors. Her terrains are enclosed within concrete and resin forms that read as furniture in scale, but landscape in feeling. In her Simsаn series, Ahyun draws on the shimwonbeop technique of traditional Korean landscape painting, reverses it and applies it in 3D. She builds each piece from digital models of actual mountains, such as the Jirisan, Seoraksan, Woraksan and Songnisan. \"I keep a running list of mountains I want to work with, visiting them when I can or researching them in the meantime,\" Ahyun says. Her works have featured in international exhibitions, including the 2025 Révélations in Paris.",37.47399586518429,126.885217221849,[706,1604],"Seoul",[1606],"Resin art","This is a tall rectangular form holding a concrete rendering of Mount Woraksan from the Simsan series, with mist flowing quietly across an ink-dark mountain surface. It is made with digital modelling, concrete casting and layered resin.",[],[],[855,856,857],[1612,1613,1136,1614],"Concrete","Resin","Synthetic materials and resins",[1616],"https://api.homofaber.com/uploads/OBJ_2_objects_ahyunjeon_13_b708161a3e.jpg",{"_689":1601,"_690":1602},{"_629":1619,"_31":1620,"_241":1621,"_633":1622,"_327":1623,"_636":1624,"_643":1601,"_645":1602,"_649":704,"_650":1625,"_654":1626,"_641":1627,"_658":1628,"_666":1629,"_668":1630,"_673":1631,"_680":681,"_682":1632,"_685":720,"_687":1634},"object-22696",22696,"Mt. Jiri 40-40-35",[],"a1VTG00000116fX2AQ",{"_31":1597,"_62":1598,"_241":1599,"_641":1600,"_643":1601,"_645":1602,"_647":704},[706,1604],[1606],"This is a cubic form from the Simsan series, enclosing a digital model of Mount Jirisan made with actual topographic data. The mountain was cast in concrete, then built up with pigmented resin poured in successive layers to suggest mist and snow.",[],[],[855,856,857],[1612,1613,1136,1614],[1633],"https://api.homofaber.com/uploads/OBJ_1_objects_ahyunjeon_5_3cb9e598cd.jpg",{"_689":1601,"_690":1602},{"_629":1636,"_31":1637,"_241":1638,"_633":1639,"_327":1640,"_636":1641,"_643":1601,"_645":1602,"_649":704,"_650":1642,"_654":1643,"_641":1644,"_658":1645,"_666":1646,"_668":1647,"_673":1648,"_680":681,"_682":1649,"_685":720,"_687":1651},"object-22697",22697,"Mt. Seoraksan",[],"a1VTG00000116fZ2AQ",{"_31":1597,"_62":1598,"_241":1599,"_641":1600,"_643":1601,"_645":1602,"_647":704},[706,1604],[1606],"This form represents Mount Seoraksan, from the Simsan series. The ink-dark mountain and drifting white mist fill the cube entirely, with internal reflections expanding the landscape beyond its actual edges. The cubic form creates the impression of looking into something much deeper than the object itself.",[],[],[855,856,857],[1613,1612,1614,1136],[1650],"https://api.homofaber.com/uploads/OBJ_3_objects_ahyunjeon_4_5ab201bbb6.jpg",{"_689":1601,"_690":1602},{"_629":1653,"_31":1654,"_241":1655,"_633":1656,"_327":1657,"_636":1658,"_643":1601,"_645":1602,"_649":704,"_650":1659,"_654":1660,"_641":1661,"_658":1662,"_666":1663,"_668":1664,"_673":1665,"_680":681,"_682":1666,"_685":720,"_687":1668},"object-22698",22698,"Mt. Jiri 35-35-37",[],"a1VTG00000116fb2AA",{"_31":1597,"_62":1598,"_241":1599,"_641":1600,"_643":1601,"_645":1602,"_647":704},[706,1604],[1606],"This is a near-cubic form based on Mount Jirisan. 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Internal reflections again extend the space beyond its physical boundaries.",[],[],[855,856,857],[1613,1612,1614,1136],[1684],"https://api.homofaber.com/uploads/OBJ_4_objects_ahyunjeon_9_f41ef53a97.jpg",{"_689":1601,"_690":1602},{"_629":1687,"_31":1688,"_241":1689,"_633":1690,"_327":1691,"_636":1692,"_643":1697,"_645":1698,"_649":1699,"_650":1700,"_654":1701,"_641":1702,"_658":1703,"_666":1704,"_668":1705,"_673":1707,"_680":681,"_682":1709,"_685":720,"_687":1711},"object-22860",22860,"Large ikebana vase",[],"a1VTG000000h6lJ2AQ",{"_31":1693,"_62":1694,"_241":1695,"_641":1696,"_643":1697,"_645":1698,"_647":1699},5148,"a1OTG000000Ezow2AC","David Binns","David Binns is a British ceramicist whose career since the early-1980s has included making, teaching and research. He was awarded an Emeritus Professorship on retiring from his university post in 2020. His long-standing interest in woodworking informs much of his ceramic practice. 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