
Barbara's work on the Galaxy series, started in the 1990s, marked a clear breakthrough in her designs. Rather than using engobes and glazes she turned to paint and pigments, cold finishes on cold materials. Distancing herself from the kiln, she did the unthinkable, assembling hand-thrown pieces of stoneware with epoxy resin.
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Pigments, Stoneware, Sand, Acrylic paint, Epoxy resin, Sculpture

Barbara expresses herself through clay and glass