
This Tom Kemp piece is an unglazed vessel with a wide mouth and very dark depths made out of black porcelain. In the white underglaze brushstroke one can see the changes in angle and pressure made with the square-edged brush. It is an infinitely variable writing tool, deriving from the traditional middle eastern and western writing tools of reed and quill pens. This stroke was a struggle to maintain as the brush was being used at its maximum angle, which means maximum friction. There is a natural time for each stroke: too slow and it becomes laboured and heavy; too fast and it ends up following Newton's first law of motion, ruining any curves.
Glaze, Porcelain, Vase, Holsworthy, United Kingdom
Type
Vase
This Tom Kemp piece is an unglazed vessel with a wide mouth and very dark depths made out of black porcelain. In the white underglaze brushstroke one can see the changes in angle and pressure made with the square-edged brush. It is an infinitely variable writing tool, deriving from the traditional middle eastern and western writing tools of reed and quill pens. This stroke was a struggle to maintain as the brush was being used at its maximum angle, which means maximum friction. There is a natural time for each stroke: too slow and it becomes laboured and heavy; too fast and it ends up following Newton's first law of motion, ruining any curves.
Glaze, Porcelain, Vase

Tom unites ceramics and ancient calligraphy